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128 pages, Paperback
First published April 3, 2017

i understand the objections to the desire to escape from the world. i know it can be an egoistic, arrogant desire, the attitude of someone looking down from above, from a tower. that's why i find lighthouses so attractive: they combine that disdain, that misanthropy, with the task of guiding, helping, rescuing others.jazmina barrera's on lighthouses (cuaderno de faros) is a thoughtful, reflective melding of memoir, history, travel writing, and literary inquiry. in her beacon-bound sojourn to six different lighthouse (from oregon to new york to europe), the young mexican writer weaves her own life and reverent curiosity into a narrative exploring the nature of all things lighthouse. with the briny air, salt spray, and circling gulls nearly palpable, barrera's short, wonderfully written book immerses us seaside with a vantage into both the past and present.
In Poe’s story the keeper had no name but the dog did, Neptune. ‘Large as he is,’ says the lighthouse keeper, Neptune ‘is not to be taken into consideration as ‘society’. Would to Heaven I had ever found in ‘society’ one half so much faith as in this poor dog:- in such case i and ‘society’ might never have parted’. Neptune is the name of the Roman god or the seas, me the dog in Pope’s story is a water dog, the keeper’s only companion. He doesn’t take the place of society, he exceeds it. He is unadulterated company. Pure company..
«Gris sobre gris: las ballenas en las olas. Leí que nadie sabe bien por qué saltan y deseo que nadie nunca lo averigüe»
«Siento más cercanas, muchas veces, las experiencias de los otros en papel que las que he vivido en carne y hueso»