Hearing Things explores the dilemmas of psychiatry from the points of view of patients, relatives and staff. Based on experiences of psychiatrists and patients, the 'healthy' and the 'ill', the play examines how and if people heal and recover inside institutions. As part of the research process, staff and patients at Homerton University Hospital and the Maudsley Hospital in south London took part in drama programmes creating characters and improvising scenes , with clinicians and those receiving treatment swapping roles. Using a unique collaborative process between patients, psychiatrists and mental health staff, Playing ON Theatre Company drew together the stories of those receiving and providing mental health care culminating in performances at the hospitals and in theatre spaces. At the Maudsley, as a result of taking part, two patient's progress was so great that doctors allowed their early discharge.The script of Hearing Things was informed by these workshop programmes and by the participants.
This is a good play but it's perhaps too focused on getting the clinical details right and jumping through the necessary plot hoops. It feels a little as if the characters are lacking, that their voices aren't unique, and maybe even some of their delusions are clichéd. This is not to say any of this in inaccurate, it just doesn't feel that creative or original.
The one character I thought was particularly interesting though was the protagonist's father, who despite being sceptical of mental illness ends up dealing with his own problems, while being unable to truly empathise with his son's stress and suicidal ideation. His old-school conservative distrust of psychiatry and medical background make for truly interesting character conflict.