Oscar Wilde's dramatic private life has sometimes threatened to overshadow his great literary achievements. His talent was prodigious: the author of brilliant social comedies, fairy stories, critical dialogues, poems, and a novel, The Picture of Dorian Gray.
In addition to Dorian Gray, this volume represents all these genres, including such works as Lady Windermere's Fan and The Importance of Being Earnest, 'The Happy Prince', 'The Critic as Artist', and 'The Ballad of Reading Gaol'.
Contents:
Fiction Lord Arthur Savile's Crime The Happy Prince The Devoted Friend The Picture of Dorian Gray
Critical Dialogues The Decay of Lying The Critic as Artist Part I The Critic as Artist Part II
Plays Salome Lady Windermere's Fan An Ideal Husband The Importance of Being Earnest
Poems The Harlot's House The Sphinx The Ballad of Reading Gaol
Poems in Prose The Artist The Disciple The House of Judgement
Aphorisms A Few Maxims for the Instruction of the Over-Educated Phrases and Philosophies for the Use of the Young
Oscar Fingal O'Fflahertie Wills Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and his criminal conviction for gross indecency for homosexual acts. Wilde's parents were Anglo-Irish intellectuals in Dublin. In his youth, Wilde learned to speak fluent French and German. At university, he read Greats; he demonstrated himself to be an exceptional classicist, first at Trinity College Dublin, then at Magdalen College, Oxford. He became associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles. Wilde tried his hand at various literary activities: he wrote a play, published a book of poems, lectured in the United States and Canada on "The English Renaissance" in art and interior decoration, and then returned to London where he lectured on his American travels and wrote reviews for various periodicals. Known for his biting wit, flamboyant dress and glittering conversational skill, Wilde became one of the best-known personalities of his day. At the turn of the 1890s, he refined his ideas about the supremacy of art in a series of dialogues and essays, and incorporated themes of decadence, duplicity, and beauty into what would be his only novel, The Picture of Dorian Gray (1890). Wilde returned to drama, writing Salome (1891) in French while in Paris, but it was refused a licence for England due to an absolute prohibition on the portrayal of Biblical subjects on the English stage. Undiscouraged, Wilde produced four society comedies in the early 1890s, which made him one of the most successful playwrights of late-Victorian London. At the height of his fame and success, while An Ideal Husband (1895) and The Importance of Being Earnest (1895) were still being performed in London, Wilde issued a civil writ against John Sholto Douglas, the 9th Marquess of Queensberry for criminal libel. The Marquess was the father of Wilde's lover, Lord Alfred Douglas. The libel hearings unearthed evidence that caused Wilde to drop his charges and led to his own arrest and criminal prosecution for gross indecency with other males. The jury was unable to reach a verdict and so a retrial was ordered. In the second trial Wilde was convicted and sentenced to two years' hard labour, the maximum penalty, and was jailed from 1895 to 1897. During his last year in prison he wrote De Profundis (published posthumously in abridged form in 1905), a long letter that discusses his spiritual journey through his trials and is a dark counterpoint to his earlier philosophy of pleasure. On the day of his release, he caught the overnight steamer to France, never to return to Britain or Ireland. In France and Italy, he wrote his last work, The Ballad of Reading Gaol (1898), a long poem commemorating the harsh rhythms of prison life.
I LOVE OSCAR WILDE DETAILED AND CAREFUL WRITTING I ENJOY THE PEACE HE WRITES WITH AND HIS KNLOLEDGE OF HUMAN DESIRES. I GOT SCARED WHEN READING DORIAN GRAY.BUT THIS FANTASY IS AS CURRENT AS FAUSTO.
I bought this book three or four years ago for a graduate course I was taking on Wilde and Joyce. For that class, we read mostly Wilde's criticism (the dialogues "The Decay of Lying" and "The Critic as Artist I & II"). Studying these and seeing Wilde's influence on Joyce helped shake me from the opinion that Wilde was clever but shallow and to see him as a canny and restless subversive. Still, as I read his major plays this winter (trying to pick one for the Brit Lit course) and reread The Picture of Dorian Gray (in order to put it on the extra credit list), I found I still can't quite get my mind around Wilde—can't settle the question of why his work fascinates and disturbs me while remaining ever beyond my endorsement. I love to cheer on his swashbuckling satire of Victorian self-satisfaction, narrow-mindedness and hypocrisy (and wish we had a latter-day Wilde to counter our new Victorians). But I can never find a norm to stand on in his work. I find certain ideas of Aestheticism compelling—for instance, the effort to disentangle art from a slavish relationship to moral norms—but, practiced in the form of Dandyism, it seems as ridiculous to me as Philistinism. Still, I find that Wilde's work pricks at my own complacency, that I can't read him without laughing at myself and without brooding over the world's almost unbearable insanity. The dissatisfaction that I can't quite articulate is part of why I find myself coming back to read him again.
Compilation of all his major works. Must read "Picture of Dorian Gray." Witty, intelligent, amusing. His theory of aesthetics is tantalizingly subversive, so be careful!
Been semi-looking for "De Profundis." If anyone has, please lend me!
I loved this book. A real insight into the evil men/ women do and how the soul shows the wear. Whether the external face reveals the truth or not, our conscience haunts us. Wilde was a brilliant writer, witty and wise.
For some reason I'd managed to skip Wilde entirely despite a degree in English Lit. I don't think he'll ever be one of my favourite writers but he certainly had a lot to say for himself. Worth a read but the stuff on criticism was pretty hard going.
If you read this in high school you should read it again. Complex portrayal of aesthetics and the role of art, neatly packaged in a melodramatically compelling novel.
A good collection of Wilde's most read works which has fallen short off being the Wilde collection. Wilde's works are majorly short and this book could have easily become the complete works of Wilde, had the rest of his works been included.