I love slice of life. I also love gothic mysteries. I love character development. I hate characters wool-gathering every chance they get.
I read 152 pages. That's 34%. That's over 1/3 of the book. He had just barely introduced the characters, let alone the mystery. There were lovely hints of the gothic mystery. But they were only hints. I was so hopeful, because I haven't read a good gothic mystery in forever, so I broke a rule. A rule that I've mostly followed since I saw it and went "that's perfect!" Most books start out slow, but there are too many books to waste time on books you don't enjoy, so take 100 and subtract your age and you have the amount of pages you should give the book to grab you. I am not negative years old. I gave it more than twice what I should've.
So while you know what Nick's mom looks like, his brother's appearance, his brother's bully situation, his brother's personality, his father's personality, his father's work situation, Nick's own social life and how his friends abandoned him when he got into university, what his room looks like, the fact that he has only two ties, why he has those two ties, why he chose to bring the one instead of the other, that he can't find suits and his mom comes in and does it for him, etc etc etc. The mystery has barely been touched on. He sees what he thinks is a statue, but is definitely a monster. He gets attacked by something that rends long tears in the back of his scholarly robes. Coolio. More of this, please? You do not get more of this...
You see someone who's not slated as being a main character, but is a secondary character. Waking up in his little room. Thinking about why he prefers that room. You learn about his social life, his academic life, his closest friends, what his personality is like, what his eating habits are like, but not how he fits into anything. I'm pretty sure he's one of the main characters of the second book. So, kudos for introducing him now, but this amount of detail and him (all of them...) Thinking about himself and his life and blah blah blah. So boring.
You also learn that Annabel's entire family died in a car crash a few months before. That her grandma is really worried about her. That they took a train and then taxi, and the taxi is still waiting and running at least 10-15 minutes after they got there. That her grandma watched Nick for ten minutes and then requested he help her both find her granddaughter and with luggage, because she wants to matchmake. That Annabel's family is basically the polar opposite of Nick's. They jet-setted around the world. She was born in Hong Kong. Something about birthday parties. That's actually where I stopped reading, because I was over 1/3 of the way through the book and I knew all the background of all the characters, and didn't care, and could figure out the "gothic mystery" part super easily.
Basically...mind you I have not read the rest or read spoilers, so I'm just guessing here. Two of the characters you learn way too much about are two old professors who've been there for 50ish years. You learn that they discovered a portal to either another planet or other planets. But there were monsters. So they swore to never go back. Obviously one of them broke his promise, and there are monsters again.
I'm so tired of ruminating characters ruminating about themselves and their lives as the way to get their backstory. But also, where's the gothic? Where's the mystery? Very well hidden. The prologue had me so hopeful, but I should've known, what with the character's ruminating about his background, that that would be a thing throughout the book. I give up. Uncle! I don't even care about finding out if I'm correct about anything, or how things end. I'm just done.