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The Last of the Golden Girls
Book by Swan, Susan
- GenresFiction
323 pages, Hardcover
First published March 8, 1993
2 people are currently reading
88 people want to read
About the author
Susan Swan
10 books110 followersJournalist, feminist, novelist, activist, teacher, Susan Swan’s critically acclaimed fiction has been published in twenty countries including the US, the UK, Spain, the Netherlands, and Russia. She is a co-founder of the Carol Shields Prize for Fiction, the largest literary award in the world for women.
Swan’s new book, Big Girls Don’t Cry: A Memoir about Taking Up Space, was published by HarperCollins in Canada and Beacon Press in the US in May 2025. Big Girls Don’t Cry tells the story of how Swan’s Amazonian size shaped her life. To be tall is to be big and to be big is a no-no for women of all sizes, Swan writes. Nobel Prize winner Olga Tokarczuk says of Swan’s writing that it offers “not only an enjoyable read but the chance to think and reflect on the vast complex living entity that is the world.”
Swan’s other books of fiction include The Dead Celebrities Club (2019), a fascinating account of a Toronto-born tycoon jailed for fraud in the US; The Western Light (2012), a story about a girl’s love for a dubious father substitute who is also an ex-NHL star and convicted murderer; What Casanova Told Me (2004), a novel that links two women from different centuries through a long-lost journal about travels with Casanova in Italy, Greece and Turkey; Stupid Boys are Good to Relax With (1996), a collection of short stories about young women and how they relate to men; The Wives of Bath (1993), an international bestseller about a murder in a girls’ boarding school; The Last of the Golden Girls (1989), a novel about the sexual awakening of young women in an Ontario cottage country; and The Biggest Modern Woman of the World (1983), a saucy portrait of the real-life Victorian giantess Anna Swan who exhibited with P.T. Barnum.
A retired professor emerita at York University, Swan mentors creative writing students at the University of Toronto. As York’s Millennial Robarts Chair in Canadian Studies, she hosted the successful Millennial Wisdom Symposium in Toronto featuring writers and historians debating the lessons of the past. As a former chair of The Writers’ Union of Canada, Swan brought in a new benefits deal for Canadian writers and self-employed Canadians in the arts.
Susan Swan makes her home and garden in Toronto’s Annex neighbourhood.
Swan’s new book, Big Girls Don’t Cry: A Memoir about Taking Up Space, was published by HarperCollins in Canada and Beacon Press in the US in May 2025. Big Girls Don’t Cry tells the story of how Swan’s Amazonian size shaped her life. To be tall is to be big and to be big is a no-no for women of all sizes, Swan writes. Nobel Prize winner Olga Tokarczuk says of Swan’s writing that it offers “not only an enjoyable read but the chance to think and reflect on the vast complex living entity that is the world.”
Swan’s other books of fiction include The Dead Celebrities Club (2019), a fascinating account of a Toronto-born tycoon jailed for fraud in the US; The Western Light (2012), a story about a girl’s love for a dubious father substitute who is also an ex-NHL star and convicted murderer; What Casanova Told Me (2004), a novel that links two women from different centuries through a long-lost journal about travels with Casanova in Italy, Greece and Turkey; Stupid Boys are Good to Relax With (1996), a collection of short stories about young women and how they relate to men; The Wives of Bath (1993), an international bestseller about a murder in a girls’ boarding school; The Last of the Golden Girls (1989), a novel about the sexual awakening of young women in an Ontario cottage country; and The Biggest Modern Woman of the World (1983), a saucy portrait of the real-life Victorian giantess Anna Swan who exhibited with P.T. Barnum.
A retired professor emerita at York University, Swan mentors creative writing students at the University of Toronto. As York’s Millennial Robarts Chair in Canadian Studies, she hosted the successful Millennial Wisdom Symposium in Toronto featuring writers and historians debating the lessons of the past. As a former chair of The Writers’ Union of Canada, Swan brought in a new benefits deal for Canadian writers and self-employed Canadians in the arts.
Susan Swan makes her home and garden in Toronto’s Annex neighbourhood.
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Displaying 1 - 5 of 5 reviews
January 26, 2018
little plot so much too long
October 10, 2010
Three young girls spend the summer of 1950s i cottage country in Northern Ontario. They are very competitive with games, especially sexual ones. Ten years later, back in cottage country the same competitiveness is there, but includes drugs this time. Their competitiveness now has more serious results as the story descends into a nightmare of betrayals, death and an approaching annihilation. There is a great deal of raw sex in this book - does this mirror the supposed lives of the rich and famous - which they were.
June 25, 2008
must have been bad since it is one of the only books I have never finished ... what else to say.
April 8, 2014
Juvenile, badly written, pretentious crap that name-drops American-lit classics. And an awful cover, too.
March 12, 2015
Meh. I read the book because it took place in Northern Ontario. It was ok.
Displaying 1 - 5 of 5 reviews