A unique trove of Sami folklore, legend, and myth. Ms. Demant Hatt was an artist and self-taught ethnologist, who learned several of the Sami dialects to an exceptional degree of sophistication. She needed no interpreter, as so many others did at the time, providing us with a clear, nuanced view into Sami life, through this and her other works, which I intend to read now.
I can only hope the interpretation into English is as thoughtful (as it appears to be). On that note, Sjoholm provides extremely helpful contextual notes on the process surrounding this book’s creation, including on Demant Hatt’s striking original linocut art.
As a woman, she had greater access and paid more attention to the stories and lives of Sami women and children, which strongly colors which and how stories are told. Some new stories are uncovered, and some more traditional stories are provided new focuses, including the points of view of clever, agentic women and girls.
Quite a few of these stories will be familiar to us as archetypes—Cinderella, Pandora, stories about outwitting large, rich, dumb ogres (Stallo, here), etc., but all with a particularly Sami POV. Interesting but not as surprising as the below.
I was shocked to see a myth so closely related to Odysseus and the Cyclops, “The Sami Man Who Got Away from Stallo in a Billy Goat Skin,” that there must be a connection. We literally have a cannibalistic one eyed giant keeping a man captive. The clever man blinds his captor and escapes by hiding away in the skin of the Stallo’s favorite animal. It’s surprisingly similar, right down to Sami Odysseus being petted by the blind giant, bragging in his hubris, and the angry cannibal ripping up the landscape to throw at our escapee.
I would love to read more about the connection here—I don’t see anything else in this collection so close to Homer.
Anyway, this is entertaining, well researched, put together, illustrated and translated (twice), and all done with care and a particular POV that I don’t think we’ll ever have access to again.
EDIT: Also I love reviews for books like this complaining that the stories don’t end the way that the reviewer thinks they should. Hey hey hey! That’s the difference in ~**~culture~**~