After skulking in the shadows for 20 issues, it’s time for a full-on confrontation between the Immortal Hulk and General Fortean’s Shadow Base. Of course, where the Hulk’s concerned, nothing is ever that straight forward, right?
It’s really not. Al Ewing’s Hulk story continues at a breakneck pace, finally smashing (see what I did there) his action figures together and then picks up the pieces. With the fallout from Abomination behind them, Breaker of Worlds sets the stage for the confrontation, which plays out probably the most simply as anything in this series has done so far, but it’s all just a deception, because the ultimate conclusion shakes up the series status quo in a way that no one would have seen coming.
And that’s just the first four issues of the volume. The fifth, the series’ big #25, is a different animal entirely. Shooting forward into the future, we view a strange alien civilization’s last days, as the Breaker Of Worlds, an enormous, unstoppable Hulk, rips them to shreds. But even this isn’t just as simple as ‘this is what’s going to happen if the Hulk isn’t stopped’, because the last two pages of this issue flip everything on its head once again. I can just about keep up with this wild rollercoaster ride, and I want to put my arms over my head and scream with enjoyment as I do.
And of course Ewing’s joined by Joe Bennett (who seems to have attracted as many inkers as Chris Bachalo and Doug Mahnke in order to keep him as the main artist on the book), who gets to do body horror like never before as well as some knockout throwdown superhero fights as well. Then issue 25 is drawn entirely by German Garcia, who gives me some very Pasqual Ferry crossed with Christian Ward vibes.
You’d think, especially given Marvel’s current trend of most books being 10 or 12 issues long and then dying a death, that Immortal Hulk might be winding up. But it looks like this book’s never going to die, just like it’s title character, because it looks like it’s just getting started.