I enjoyed this a lot. The essays are very personal, rarely venturing into the political, or engaging a wider cultural lens. It works well, allowing Koets to focus on her own specific experiences without trying to make any larger points. She writes beautifully about queerness and invisibility, about secrets and closets, but her exploration of all of these things is firmly rooted in her life. She does weave bits of history, pop culture, and religion (the history of organs, Sally Ride, etymology, and anatomy, among other things) into the essays, but she leaves off on any analysis, simply letting disparate ideas and images sit next to each other on the page. It's a style that allows the reader to meander with her through thought and memory as she untangles ideas.
The essays are short, subtle, beautifully written. They focus mainly on her childhood in the South, the intersections of religion and sexuality, and her hidden queer relationships in high school and college. They circle back again and again to one central relationship, which gives the book a sense of cohesion and movement. Each essay stands on its own, but taken together, they tell a moving and complicated story about one pivotal relationship, told from many angles.