I’ve heard of werewolves, but never weretigers. This intriguing tale set in Malaya, present day Malaysia, in 1931 involves werecats, specifically weretigers, which, though I hadn’t heard of them, are common to the folklore of this region. The tiger as sacred, as shape shifter, and as violence unleashed by a hungry ghost treads throughout this story. A young houseboy, Ren, is with his master, Dr. MacFarlane in his dying days. As a last request, Dr. MacFarlane asks Ren to find his amputated finger and bury it with his body. “You must get it back before the forty-nine days of my soul are over,” he tells Ren, giving the task a peculiar urgency. After MacFarlane’s death, Ren, already under a cloud of sorrow because of his twin brother, Yi’s death, when they were eight years old, relocates to Batu Gajah. A letter from Dr. MacFarlane, asks William Acton, a surgeon at the local hospital to take him on as houseboy.
The second main character in Choo’s novel is Ji Lin. A dressmaker’s apprentice, she also works a second job at the May Flower Dance Hall in Ipoh to help pay off her mother’s mahjong debt. It’s a debt they dare not tell her stepfather about as he can be abusive. No-one in her family, including her stepbrother Shin knows about her second job. Shin and Ji Lin were born on the same day, which to Ji Lin’s thinking makes them twins. The five confucian virtues will play heavily into this story and Ji Lin, a product of her culture, thinks about them a lot. Ji Lin is wisdom; Shin is faithfulness. Ji Lin, who looks remarkably like Louise Brooks, the silent film starlet, due to her cropped hair, is called by ‘Louise’ at the May Flower. The name gives her true identity a little protection from men who would form an unhealthy interest in her at the dance hall. When she is dancing with a salesman, who dances badly, groping her, and stumbling around the dancefloor, she accidentally grabs something out of his pocket. It’s an amputated finger in a glass specimen bottle.
This is the barebones of a plot that sizzles. There will be deaths, whether by man-eating tigers, or poisons; there will be mystery, one that kept me turning the pages. Choo’s narrative is straightforward, with simple sentences, but she sets up her scenes elegantly and with precision. There is much more to learn about the five Confucian virtues. There’s a romance that sizzles as much as the plot. If you don’t like the supernatural, skip this one. Messages from the dead appear in dreams. Ji Lin exudes a youthful exuberance, which I very much enjoyed, right down to the descriptions of her dresses. Ren is a lost boy trying to find his home in the world, and do right by old ghosts and new. Foreigners are white, British mostly, living in nice homes with servants, while their families stay home in England. William Acton, the local surgeon, is a womanizer, who has a curious way of influencing fate. Or does he? The most complex characters are Ji Lin and Ren. Most of the secondary characters’ traits suit the purpose and plot of the story; I found them no less intriguing, but lacking in complexity. I enjoyed this story very much.