3.75 stars
A dear friend gave this book to me - with a laughing warning - for my recent birthday. It is entirely about the fraught nature of midde-aged dating, and therefore probably most interesting (and most unsettling) for those readers whose lives mirror those of the two main characters. The book takes place in London, and is quite detailed about London places: restaurants, cinemas, neighbourhoods, Tube lines, flower markets, etc. Again, there is a striking verisimilitude if one lives in London, is educated, middle-class, etc. The novel was so close to home for me (and I mean that both symbolically and literally) that I cannot really judge if all of its specificities mean that it will, conversely, lack a more universal appeal. However, I suspect that might be the case.
The protagonists are Robert (52, an architect, father of one son, separated but not divorced) and Elizabeth (40, a writer, divorced, longing for a child). The story is told in first-person, from Elizabeth’s point of view, and from the beginning we know that the relationship hasn’t worked out. There is no suspense in the plot-line, needless to say; instead, the author examines how the emotional accretions of previous relationships affect and limit each character’s ability to ‘bond’ (for lack of a better word) with a new partner.
One of my favourite things about this book were the chapter headings which were taken from various field guides. Each of them, (mostly to do with navigation), parallels a development in the plot of this romance, and appropriately so, as this is a novel about being orientated and disorientated in emotional relationships. For instance, one chapter heading addresses itself to scullers who have difficulties having their boat run straight. It’s suggested that many scullers develop the habit of looking over their shoulders; a neat way of describing how both Robert’s and Elizabeth’s tendency to look backwards into the past affects their ability to move ahead into the future. Robert’s preference for control is also expressed in a sailing analogy: “I’m on starboard tack. I’m approaching you. You give way. It’s just how it is. I have right of way.”
Robert is a sailor and a pilot and he delights in sharing navigational information with Elizabeth. One of his first ‘lessons’ in navigating comes in the form of explaining that a pilot learns to rely on his instruments and ignore sensory messages. It’s a nice insight into his character, and a helpful bit of foreshadowing for Elizabeth - and the reader. Although this book is entirely about a short-term failed relationship, it is very artfully written.