“But when she said there was nobody in the house, that made me wonder who counted as somebody.”
So What’s It About?
A bandit walks into a coffeehouse, and it all goes downhill from there. Guet Imm, a young votary of the Order of the Pure Moon, joins up with an eclectic group of thieves (whether they like it or not) in order to protect a sacred object, and finds herself in a far more complicated situation than she could have ever imagined.
What I Thought
Last year I delighted in Zen Cho’s Sorcerer Royal series, and I’m glad to say that I enjoyed her new novella just as much. Cho has a wonderful sly-wry-gentle sense of humor and an especially charming way of conveying it. In this case, as we’re dealing with bandits, things are a little dirtier than they were in her Regency era novels, and I enjoyed that just as much.
I also think Zen Cho writes very clever plots and this book’s plot was no exception. There are often messes to be untangled and ingenious solutions to be found and while this book was a little simpler than the others I’ve read by her it still kept me well-engaged all the way through, with a wonderful ending that I’ll describe a little later.
The novella is advertised as a wuxia-inspired found family story, and I have to say that it isn’t one of the best examples of a found family story I’ve ever encountered. There are a lot of bandits and only a little bit of pagetime for most of them, with mainly just the three central characters bonding with each other instead.
I loved the fantasy-Malaysian setting, especially the inclusion of Malaysian terms and turns of phrase/dialect. The terms aren’t translated and an English reader has to figure them out by looking them up or puzzling it out through context, which I thought was a great subtle way to challenge the Anglo-centricity that is often still demanded of non-Western writing.
This novella follows a guerilla war against an imperialist force and it does an excellent job of demonstrating the chaos and destruction birthed by such a conflict, from the obliteration of religious orders to the incredibly difficult decisions that must be made, like the decision to save precious religious relics instead of human lives. According to Cho’s website the conflict in this story was inspired by the Malaysian Emergency, a guerilla war fought against the British and the Commonwealth.
I’m consistently delighted by Cho’s female characters, who are oftentimes hilarious and determined to cause trouble and implacably unwilling to follow the rules. Guet Imm has a sly sense of humor and a deep dedication to her order, and I loved following her through the story. Her solution to the story’s final problem is to re-evaluate who counts as a person, including women instead of overlooking them in a wonderful feminist statement.
Guet Imm learns eventually that her love interest, the bandit Tet Sang, is a trans man. Guet Imm then refers to Tet Sang as brother and uses masculine pronouns, and she reflects on the way that her order only accepted women but let each individual person identify as a woman or not despite what they were assigned at birth. At another point Tet Sang meets someone from his pre-transition past and corrects her misgendering.
I mostly just wish that there had been more to this story, honestly. If you’re looking for loads of action because you heard “wuxia” you won’t really find it, but instead you’ll find a wry, warm, clever story of identity and connection in a well-wrought Malaysian setting.