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Mafalda (Argentina) #1
Μαφάλντα 3 - Η γη γυρίζει
Mafalda is a comic strip written and drawn by the Argentine cartoonist Joaquín Salvador Lavado (pen name Quino). The strip features a girl named Mafalda (5 years old at the time of the comic's creation) who is deeply concerned about humanity and world peace and rebels against the world as it is. The brilliance of Mafalda lies foremost in the quirkiness of this little girl. She hates (that is an understatement) soup, cares deeply about humanity, loves the Beatles and has a bunch of equally quirky friends. More than twenty years later, Mafalda is still immensely popular throughout Latin America and it has be translated into over 30 languages.
Unknown Binding
First published December 1, 1965
About the author
Quino
631 books549 followersQUINO, Joaquín Salvador Lavado, nace, hijo de inmigrantes españoles, andaluces, en la ciudad de Mendoza (Argentina) el 17 de julio aunque en los registros oficiales conste nacido el 17 de agosto. Desde que nació se lo llamó Quino para distinguirlo de su tío Joaquín Tejón, pintor y dibujante publicitario con quien a los 3 años descubre su vocación.
Comienza la escuela primaria donde descubre que su verdadero nombre es Joaquín y vive las dificultades de su personaje Felipe: «Me angustiaba tanto que en los primeros tres meses tenía malas notas, pero después terminaba el año con notas altas, aunque nunca era el primer alumno y eso me daba bronca».
Comienza la escuela primaria donde descubre que su verdadero nombre es Joaquín y vive las dificultades de su personaje Felipe: «Me angustiaba tanto que en los primeros tres meses tenía malas notas, pero después terminaba el año con notas altas, aunque nunca era el primer alumno y eso me daba bronca».
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Displaying 1 - 30 of 86 reviews
September 8, 2025
When I was a kid, I loved reading the comics in the newspaper, especially the Saturday edition that had a full colour pull-out section. I loved reading them all including Charlie Brown and Peanuts. So imagine my surprise when on a recent Instagram feed a cartoon appeared in Spanish with a girl with bushy hair that looked like something out of Peanuts. It was oddly funny. Her name was Mafalda.
Then a couple of weeks ago I listened to a podcast interview with a translator Frank Wynne and Argentinian author Samanta Schweblin about the English translation of Mafalda. Schweblin was funny and talked about how everyone in her youth in Argentina identified with the characters: Mafalda, Manolito, Susanita, and Felipe plus her nameless parents (mama and papa, of course). Then I checked my library and put my name on the new book order. When I went to check it out, it was a brand new book! I had one of the first copies.
What a cast. Mafalda hates soup but listens to her transitor radio, inspiring her to ask big questions like overpopulation, politics, social issues, communism versus capitalism, and even asks her parents to explain the Vietnam War (firmly dating her). She is six years old! Manolito, son of a Spanish immigrant, helps his dad in his bodega and he is all about capitalism. Susanita only wants to get married, be rich, and have successful children. Felipe is the dreamer, elusive, loves to procrastinate, and is hooked on The Lone Ranger comics. Unlike Peanuts, her parents are real people just trying to raise Mafalda, despite her challenges. These kids are not Peanuts at all (thank god).
The comic strip was first published in Argentina in 1964 and ended in 1973. It was created for an marketing campaign by Joaquín Salvador Lavado Tejón, also known as Quino. When the campaign was cancelled, he morphed it in a comic strip. It took off. Although Quino said he stopped because he didn’t want to repeat himself, others claim it was because of the political change in Argentine politics. It was widely read in Latin America.
Mafalda is sassy with her big questions. Yes Argentina surfaces a lot, and is presented as having lots of strikes, government problems and turmoil with the plummeting peso. There is a joke about the fish barely recognizing the peso at the bottom of the ocean. Some of these jokes are a little dated but others are very current. I found the funnier strips concerned the fact that the country is “upside” down as seen on the bottom of the globe or about the kids trying to use telepathy. Kids are creative at that young age. Maybe we lose something when we become adults? And yet, these are not comics for kids. God knows I wouldn’t have gotten half of them when I was a kid.
Now I can see what part of the world enjoyed back then. I believe there will more books coming out and I can’t wait. Fun stuff!
Then a couple of weeks ago I listened to a podcast interview with a translator Frank Wynne and Argentinian author Samanta Schweblin about the English translation of Mafalda. Schweblin was funny and talked about how everyone in her youth in Argentina identified with the characters: Mafalda, Manolito, Susanita, and Felipe plus her nameless parents (mama and papa, of course). Then I checked my library and put my name on the new book order. When I went to check it out, it was a brand new book! I had one of the first copies.
What a cast. Mafalda hates soup but listens to her transitor radio, inspiring her to ask big questions like overpopulation, politics, social issues, communism versus capitalism, and even asks her parents to explain the Vietnam War (firmly dating her). She is six years old! Manolito, son of a Spanish immigrant, helps his dad in his bodega and he is all about capitalism. Susanita only wants to get married, be rich, and have successful children. Felipe is the dreamer, elusive, loves to procrastinate, and is hooked on The Lone Ranger comics. Unlike Peanuts, her parents are real people just trying to raise Mafalda, despite her challenges. These kids are not Peanuts at all (thank god).
The comic strip was first published in Argentina in 1964 and ended in 1973. It was created for an marketing campaign by Joaquín Salvador Lavado Tejón, also known as Quino. When the campaign was cancelled, he morphed it in a comic strip. It took off. Although Quino said he stopped because he didn’t want to repeat himself, others claim it was because of the political change in Argentine politics. It was widely read in Latin America.
Mafalda is sassy with her big questions. Yes Argentina surfaces a lot, and is presented as having lots of strikes, government problems and turmoil with the plummeting peso. There is a joke about the fish barely recognizing the peso at the bottom of the ocean. Some of these jokes are a little dated but others are very current. I found the funnier strips concerned the fact that the country is “upside” down as seen on the bottom of the globe or about the kids trying to use telepathy. Kids are creative at that young age. Maybe we lose something when we become adults? And yet, these are not comics for kids. God knows I wouldn’t have gotten half of them when I was a kid.
Now I can see what part of the world enjoyed back then. I believe there will more books coming out and I can’t wait. Fun stuff!
October 5, 2016
Sarcasmo e ironia en su maxima expresion.
Love it.
Love it.
March 8, 2010
Siang ini, beberapa siswa kelas 2 begitu mupengnya mengincar buku perpus yang baru saya buka sampul plastiknya ini. Dengan pendekatan kekuasaan (bunyinya: "Hush! Hush! Nanti kalau saya sudah selesai kamu boleh pinjam darii perpus! Sekarang keluarkan pulpen, kita ulangan dulu tentang perdagangan internasional!"), akhirnya saya menyelesaikan buku ini sambil cekikikan tertahan (di tengah ulangan)... *)
Dari buku ini, saya kembali sadar bahwa sebenarnya setiap orang senang lho. kalau ternyata mereka bukan orang yang lebih "bodoh" daripada orang lain. Begini cuplikannya:
Mafalda: "Piring terbang itu datangnya dari mana, ya?"
Felipe: "Aku nggak tahu. KAYAKNYA PARA ILMUWAN JUGA NGGAK TAHU."
Mafalda: "Terus kenapa kamu senang banget sih?"
Felipe: "Yah, aku merasa penting dengan berbagi ketidaktahuan bersama para ilmuwan! Haha!"
Dari cerita#17, halaman 9
Mafalda: "Semalam aku mimpi mamaku kuliah"
Susanita: "Oh ya? Terus mamamu ke kampus?"
Mafalda: "Iya"
Susanita: "Terus... terus mamamu juga punya pacar?"
Mafalda: "Pacar? Nggak"
Susanita: "Jadi mamamu kuliah dan ... nggak dapat apa-apa!"
Dasar ni, si Susanita cewek yang ketuaan banget! :p
*) Sebuah ilustrasi pengalaman membaca yang dengan asiknya dilebih-lebihkan :p
Dari buku ini, saya kembali sadar bahwa sebenarnya setiap orang senang lho. kalau ternyata mereka bukan orang yang lebih "bodoh" daripada orang lain. Begini cuplikannya:
Mafalda: "Piring terbang itu datangnya dari mana, ya?"
Felipe: "Aku nggak tahu. KAYAKNYA PARA ILMUWAN JUGA NGGAK TAHU."
Mafalda: "Terus kenapa kamu senang banget sih?"
Felipe: "Yah, aku merasa penting dengan berbagi ketidaktahuan bersama para ilmuwan! Haha!"
Dari cerita#17, halaman 9
Mafalda: "Semalam aku mimpi mamaku kuliah"
Susanita: "Oh ya? Terus mamamu ke kampus?"
Mafalda: "Iya"
Susanita: "Terus... terus mamamu juga punya pacar?"
Mafalda: "Pacar? Nggak"
Susanita: "Jadi mamamu kuliah dan ... nggak dapat apa-apa!"
Dasar ni, si Susanita cewek yang ketuaan banget! :p
*) Sebuah ilustrasi pengalaman membaca yang dengan asiknya dilebih-lebihkan :p
January 26, 2020
Ура! Нов комикс се задава по книжарниците, при това наистина стойностен и любопитен за читатели от всяка възраст. Книжката се нарича „Мафалда и семейството”, дело е на аржентинския художник и карикатурист Хоакин Салвадор Лавадо Техон, познат повече като Кино (Quino), и излиза с логото на изд. „Агата-А”. Не знаете какво ви очаква тук ли? Ами опитайте се да си представите какъв ли щеше да е резултатът ако Малкият Никола не беше момче, а момиче и бе родом не от Франция, а от Аржентина, и горе-долу ще получите представа. Казано най-простичко – очакват ви много забавления и смях, както и по детски проницателен поглед към живота и света на възрастните. Прочетете ревюто на "Книжни Криле": https://knijnikrile.wordpress.com/202...
December 7, 2020
"Για φαντάσου! Νόμιζα πως σήμερα είχαν απεργία οι ηλίθιοι, αλλά βλέπω πως δουλεύουν κανονικά".
January 2, 2026
Mafalda was a first read for me. I could tell it had the look of a classic comic strip, but I hadn’t realized it was actually published in Argentina from 1964 to 1973—until the comics casually started discussing the Vietnam War, which was my first clue that this wasn’t going to be a gentle, timeless gag strip.
Visually, it sometimes feels like Nancy, and Mafalda herself has a cranky, truth-telling edge that reminded me of Lucy Van Pelt—but with far sharper political teeth. The humor is smart, often biting, and very much grounded in Cold War–era anxieties, global politics, and social conscience.
I didn’t love every strip, but I admired how boldly it takes on big ideas through a child’s voice. This anthology feels less like light nostalgia and more like a snapshot of a politically charged moment in history—surprisingly relevant, occasionally abrasive, and definitely not what I expected going in.
Visually, it sometimes feels like Nancy, and Mafalda herself has a cranky, truth-telling edge that reminded me of Lucy Van Pelt—but with far sharper political teeth. The humor is smart, often biting, and very much grounded in Cold War–era anxieties, global politics, and social conscience.
I didn’t love every strip, but I admired how boldly it takes on big ideas through a child’s voice. This anthology feels less like light nostalgia and more like a snapshot of a politically charged moment in history—surprisingly relevant, occasionally abrasive, and definitely not what I expected going in.
December 20, 2021
Mafalda y sus ocurrencias. Mafalda y su manera tan peculiar y acertada de ver la vida!!
Leí estas historietas hace muchisimo, y la primera vez que lo hice fue siendo una niña. Claramente no entendia ni un 5% de todo lo que tiene detrás cada una de las viñetas y tiras. Por eso creo que es recontra interesante volver a leerlo de grande, comprendiendo tantas cosas que sucedieron en el país, con mi pensamiento critico. Y estoy segura que si lo leería dentro de 10 años encontraría miles de cosas más.
Leí estas historietas hace muchisimo, y la primera vez que lo hice fue siendo una niña. Claramente no entendia ni un 5% de todo lo que tiene detrás cada una de las viñetas y tiras. Por eso creo que es recontra interesante volver a leerlo de grande, comprendiendo tantas cosas que sucedieron en el país, con mi pensamiento critico. Y estoy segura que si lo leería dentro de 10 años encontraría miles de cosas más.
October 15, 2020
Conocía a Mafalda por la cultura popular pero nunca había leído sus viñetas. Este personaje de Quino me ha sorprendido por ser una niña reflexiva, crítica e irónica en temas políticos y sociales. Sorprendentemente revolucionaría para haber sido escrita en su época.
July 5, 2025
Argentine comic from the 1970s; Mafalda is a politically precocious child.
Entertaining.
Entertaining.
March 31, 2023
Amo a Mafalda, en general todo personaje infantil femenino con gracia es de mis preferidos, y ella no se queda atrás. La sopa, el comunismo y la amistad se mezclan en bromas y tiras que uno disfruta sin importar la edad o la generación, y creo que eso la ha vuelto un ícono argentino.
Me encanta marateonearla.
Me encanta marateonearla.
May 4, 2021
Πάντα ευφυής ο Quino χρησιμοποιείτην παιδική σκέψη της Μαφάλντα και των φίλων της για να σχολιάσει τον ψυχροπολεμικό κόσμο των μεγάλων. Νομίζω πιο τολμηρό όλων είναι ότι ο Quino αφαιρεί από την παιδικότητα την αφέλεια χωρίς να θυσιάσει την αθωότητα.
January 4, 2026
Me encanta la ironia de Mafalda
April 7, 2010
Mafalda bermain dengan Felipe dan Manolito.
+ Mama: Kalian pura2 jadi apa anak-anak?
- Mafalda, Felipe, Manolito: Jadi pemerintah !
+ Mama: Oke, tapi jangan bikin macem2 loh ya...
- Mafalda: Tenang aja Ma. Kami memang nggak akan bikin apa2 kok!
Mafalda dan papanya.
+ Mafalda: Pa, waktu papa kecil, papa paling suka acara TV apa?
- Papa: Waktu papa kecil belum ada TV, Mafalda.
+ Mafalda: Apaaa???
+ Mafalda: Ya ampun! kalau gitu buat apa papa jadi anak2? Kasian banget sih!
Susanita bercerita ttg cinderela kepada Mafalda dan Manolito (yg terobsesi pd bisnis + uang).
+ Susanita: Semua gadis mencoba sepatu itu, tapi kalau nggak kekecilan ya kebesaran...
+ Susanita: Terus sang pangeran yang tahu nggak ada satu gadis pun dapat memakai sepatu itu, dia...
- Manolito: Membuka cabang toko sepatu Dr Scholl !
- Manolito (lari dilempar boneka Susanita): Dasar nggak punya jiwa dagang!
Mafalda dan sup, masakan yang dibencinya.
+ Mafalda: Mama gunting apa dari koran?
- Mama: Resep
+ Mafalda: Resep masakan enak?
- Mama (sambil berlalu membawa guntingan resep): Sup ikan
+ Mafalda (histeris): KEBEBASAN PERS SIALAN !!
Felipe berbicara sendiri ttg piring terbang.
Felipe: Kalau benar piring terbang datang dari planet yang lebih maju daripada bumi...
Felipe: Nggak ada yg boleh bilang kami hidup di satu negara yg nggak maju!
Felipe: Karena ternyata... semua negara di planet ini belum maju! Aha!
Felipe (mendongak ke langit dan berteriak): TRIMS YA TELAH MENYELAMATKAN HARGA DIRI KAMI DI MATA DUNIA INTERNASIONAL!
Jari telunjuk.
+ Mafalda: Tahu nggak? ternyata takdir umat manusia bergantung sama jari kayak gini! (sambil menunjukkan jari telunjuknya pada Manolito)
+ Mafalda: Cukup tekan tombol luncur di roket nuklir, Duaaaar! Dunia meledak berkeping2!
+ Mafalda: Apa ada yang bisa melampaui kekuasaan jari semacam ini?
- Manolito: PINTU ! (sambil mengacungkan telunjuknya yang diperban)
+ Mama: Kalian pura2 jadi apa anak-anak?
- Mafalda, Felipe, Manolito: Jadi pemerintah !
+ Mama: Oke, tapi jangan bikin macem2 loh ya...
- Mafalda: Tenang aja Ma. Kami memang nggak akan bikin apa2 kok!
Mafalda dan papanya.
+ Mafalda: Pa, waktu papa kecil, papa paling suka acara TV apa?
- Papa: Waktu papa kecil belum ada TV, Mafalda.
+ Mafalda: Apaaa???
+ Mafalda: Ya ampun! kalau gitu buat apa papa jadi anak2? Kasian banget sih!
Susanita bercerita ttg cinderela kepada Mafalda dan Manolito (yg terobsesi pd bisnis + uang).
+ Susanita: Semua gadis mencoba sepatu itu, tapi kalau nggak kekecilan ya kebesaran...
+ Susanita: Terus sang pangeran yang tahu nggak ada satu gadis pun dapat memakai sepatu itu, dia...
- Manolito: Membuka cabang toko sepatu Dr Scholl !
- Manolito (lari dilempar boneka Susanita): Dasar nggak punya jiwa dagang!
Mafalda dan sup, masakan yang dibencinya.
+ Mafalda: Mama gunting apa dari koran?
- Mama: Resep
+ Mafalda: Resep masakan enak?
- Mama (sambil berlalu membawa guntingan resep): Sup ikan
+ Mafalda (histeris): KEBEBASAN PERS SIALAN !!
Felipe berbicara sendiri ttg piring terbang.
Felipe: Kalau benar piring terbang datang dari planet yang lebih maju daripada bumi...
Felipe: Nggak ada yg boleh bilang kami hidup di satu negara yg nggak maju!
Felipe: Karena ternyata... semua negara di planet ini belum maju! Aha!
Felipe (mendongak ke langit dan berteriak): TRIMS YA TELAH MENYELAMATKAN HARGA DIRI KAMI DI MATA DUNIA INTERNASIONAL!
Jari telunjuk.
+ Mafalda: Tahu nggak? ternyata takdir umat manusia bergantung sama jari kayak gini! (sambil menunjukkan jari telunjuknya pada Manolito)
+ Mafalda: Cukup tekan tombol luncur di roket nuklir, Duaaaar! Dunia meledak berkeping2!
+ Mafalda: Apa ada yang bisa melampaui kekuasaan jari semacam ini?
- Manolito: PINTU ! (sambil mengacungkan telunjuknya yang diperban)
December 28, 2024
With a bowl cut and hair ribbon like Ernie Bushmiller’s Nancy and a persnickety attitude like Lucy Van Pelt’s, Quino’s Mafalda is a children’s cartoon character granted the ability to worry about things that concern adults: war and peace, political and educational divisions, ecology, women’s rights, the social costs of progress, and so forth. Pretty heady stuff for a six-year-old but no more cerebral than the issues faced and discussed by Charles Schulz’s Peanuts cast or, for that matter, A. A. Milne’s Pooh and friends.
Argentine cartoonist Quino’s Mafalda is joined by Felipe, Susanita, Manolito, and Miguelito—other kids her age with their own eccentricities. Made up of three- and four-panel strips that ran from 1964 to 1973 and were translated into 26 languages, Mafalda appeared in magazines and newspapers from around the world and counted among its fans Umberto Eco, Julio Cortázar, and Gabriel García Márquez. Kids will enjoy Mafalda mixing up her tube of paint with her father’s tube of toothpaste and confusing her father’s looking up a word in a dictionary as a hapless reading of a large book, one paragraph at a time. Adults can find bitter solace in Manolito’s assurances that nuclear war is unlikely: “See, war is like a market. . . And both sides have to be savvy businessmen. . . That’s why the other guys aren’t going to drop bombs and blow up Papa’s grocery store. . . Papa says wolves don’t eat their own.” Although the concept of universalism has been sneered at for the past 40 years, evidence of its existence can be found in the pages of Mafalda.
For more of my reviews, please see https://www.thebookbeat.com/backroom/...
Argentine cartoonist Quino’s Mafalda is joined by Felipe, Susanita, Manolito, and Miguelito—other kids her age with their own eccentricities. Made up of three- and four-panel strips that ran from 1964 to 1973 and were translated into 26 languages, Mafalda appeared in magazines and newspapers from around the world and counted among its fans Umberto Eco, Julio Cortázar, and Gabriel García Márquez. Kids will enjoy Mafalda mixing up her tube of paint with her father’s tube of toothpaste and confusing her father’s looking up a word in a dictionary as a hapless reading of a large book, one paragraph at a time. Adults can find bitter solace in Manolito’s assurances that nuclear war is unlikely: “See, war is like a market. . . And both sides have to be savvy businessmen. . . That’s why the other guys aren’t going to drop bombs and blow up Papa’s grocery store. . . Papa says wolves don’t eat their own.” Although the concept of universalism has been sneered at for the past 40 years, evidence of its existence can be found in the pages of Mafalda.
For more of my reviews, please see https://www.thebookbeat.com/backroom/...
May 26, 2015
Leído en Mayo del 2015
Este libro ha sido un descubrimiento. Siempre he sabido sobre Mafalda por las tiras que siempre andan rondando en las redes sociales. Pero nunca me había animado a agarrar el libro que hay en la biblioteca y pucha que me arrepiento de no haberlo hecho antes.
Casi nunca me pasa con los comics, el hecho de reírme a carcajadas, y en este sucedió recurrentemente.
Sin duda continuare con los siguientes volúmenes.
Este libro ha sido un descubrimiento. Siempre he sabido sobre Mafalda por las tiras que siempre andan rondando en las redes sociales. Pero nunca me había animado a agarrar el libro que hay en la biblioteca y pucha que me arrepiento de no haberlo hecho antes.
Casi nunca me pasa con los comics, el hecho de reírme a carcajadas, y en este sucedió recurrentemente.
Sin duda continuare con los siguientes volúmenes.
March 9, 2010
No sé qué despiole hicieron con Mafalda estos buenos Librarians no-hispano parlantes pero espero poder ordernarla y clasificarla como corresponde en algún momento. Sobre el cómic en sí: impecable, si aprendí a leer con amor y devoción, fue gracias a Mafalda.
August 5, 2010
mama: MAFALDA! ambil jaket yang kamu taruh di lantai!
mafalda: nggak mau! aku nggak perlu menuruti siapa pun! aku kan presiden!
mama: Oh oke! tapi mama adalah BANK DUNIA dan IMF!
mafalda: *dalam hati* wow! ternyata mama memang lebih pintar daripada aku
way the go, mama!! :))
mafalda: nggak mau! aku nggak perlu menuruti siapa pun! aku kan presiden!
mama: Oh oke! tapi mama adalah BANK DUNIA dan IMF!
mafalda: *dalam hati* wow! ternyata mama memang lebih pintar daripada aku
way the go, mama!! :))
September 5, 2025
A strong four and a half stars. Mafalda had all the crazy highjinks of Calvin and Hobbes with the political bite of Doonesbury. It's a strange but winning combination, and I absolutely loved it.
p-n, s-n, v-n
p-n, s-n, v-n
December 23, 2025
I liked the bit where everything went upside down until Mafalda taped the globe to the wall
March 14, 2026
It's bizarre to me that this edition has no forward, no introduction, no back matter - nothing that provides context that this is a classic, beloved Argentine comic strip.
December 30, 2021
i love love love these books. they're a national treasure in argentina, and the author passed away last year which was really sad. they make me feel connected to my family and my grandparents, and this is the first time that i've read them with a deeper understanding of society and politics and it made for a really interesting experience. i feel like i can really see the world they came up in and indirectly how that has impacted their perspectives.
its interesting because the political perspective doesn't align 1:1 with how things are now globally, which makes complete sense as this was written in 70's Argentina. i'm looking forward to revisiting the other books and seeing how the social, political, and economic landscape changes over time. it's funny to me because these are literally primary sources but it doesn't really feel like that's what i'm reading.
the 5 stars is more out of sentimentality than literary merit <3
its interesting because the political perspective doesn't align 1:1 with how things are now globally, which makes complete sense as this was written in 70's Argentina. i'm looking forward to revisiting the other books and seeing how the social, political, and economic landscape changes over time. it's funny to me because these are literally primary sources but it doesn't really feel like that's what i'm reading.
the 5 stars is more out of sentimentality than literary merit <3
September 30, 2024
Comprendes lo que quería decir Mafalda cuando creces .No me gustaba leer Mafalda porque no le entendía nada.
Ahora de grande leo y veo el mundo o el país ,cada crítica politica de Quino según la época. Mafalda pequeña filosofa que como todo niño cuestiona todo y no le gusta la sopa .
Hay cosas que me llaman la atención o mejor dicho es precioso ver en la historieta algo que se ha perdido que es como Mafalda con una simple radio o sus amigos se divertía ,a los chicos hoy en día ni los sacas de los electrónicos pero bueno épocas .Ojalá Quino estuviera vivo para escribir sobre esto .
Ahora de grande leo y veo el mundo o el país ,cada crítica politica de Quino según la época. Mafalda pequeña filosofa que como todo niño cuestiona todo y no le gusta la sopa .
Hay cosas que me llaman la atención o mejor dicho es precioso ver en la historieta algo que se ha perdido que es como Mafalda con una simple radio o sus amigos se divertía ,a los chicos hoy en día ni los sacas de los electrónicos pero bueno épocas .Ojalá Quino estuviera vivo para escribir sobre esto .
October 3, 2020
I still remember the first time when my mom introduced me to Mafalda (and Condorito), at that moment I was 7-8 years old so I didn’t understand everything but somehow I enjoyed it, then I saw the movie and I just loved it so much, there’s something special in each character, every topic it’s so well drafted and I believe that’s why Mafalda has been so successful. Quino created one of the most popular (and my moms fave) comic strips and i’ll be forever thankful for that.
June 15, 2021
Me tomo tiempo decidir el momento para hacer la lectura de la historieta de Mafalda 1, pero valió la pena este primer encuentro con esta niña tan perspicaz, bella, llena de vida, con un humor hiper critico que a todos nos deja reflexionando sobre los temas de actualidad que aborda, a pesar de la fecha de publicación y que decir de sus padres y la pandilla de amigos que tiene, cada uno con características que los hace adorables.
February 21, 2022
Nunca está de más leer a Mafalda, entretiene, da información de diversos temas y lo hace con un humor tan único y propio de Quino.
En cada personajes podes encontrar algo de la sociedad argentina, algo que te resuene de algún conocido, de algo que escuchaste, de algo que viste. Lo bien situado que está y como se nutre de las distintas situaciones que atraviesa el país me parecen ingeniosas!
Con ganas de leer los siguientes tomos ✨
En cada personajes podes encontrar algo de la sociedad argentina, algo que te resuene de algún conocido, de algo que escuchaste, de algo que viste. Lo bien situado que está y como se nutre de las distintas situaciones que atraviesa el país me parecen ingeniosas!
Con ganas de leer los siguientes tomos ✨
June 21, 2025
Mi cuñada me regaló este adorable llavero de cómic. Leí Mafalda 10 de Quino como uno de mis libros argentinos para el Reto de Leer el Mundo, y después de investigar un poco, este pequeño libro es en realidad Mafalda 1. Es genial conocer a Mafalda desde el principio, y,
spoiler, se mantiene igual a lo largo de la serie.
Me encantó. 5/5. ⭐️⭐️⭐️⭐️⭐️
spoiler, se mantiene igual a lo largo de la serie.
Me encantó. 5/5. ⭐️⭐️⭐️⭐️⭐️
March 10, 2018
A cute progressive pre-schooler in Argentina in the 60's - with a fun bunch of friends: a capitalist (Manolito), a conventionalist (Susanita) and kind and a bit awkward Felipe, who knows sh#t because he's already in school. It was fun..and I want to read more.
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October 10, 2023Mafalda es una joya de la cultura argentina! A ella la querés desde la primera línea, con su odio a la sopa, su amor a los Beatles y sus ocurrencias. Lo fantástico de la obra en sí es como logra reflejar la sociedad argentina de manera atemporal.
October 30, 2024
Es increíble como este libro tiene 52 años y habla DE TANTAS COSAS ACTUALES!
Me pareció muy muy flashero, parece que lo hubieran escrito hoy mismo.
Un visionario Quino. Y Mafalda tremendo personaje!
Me pareció muy muy flashero, parece que lo hubieran escrito hoy mismo.
Un visionario Quino. Y Mafalda tremendo personaje!
December 1, 2024
Mafalda es una crítica constante a todo lo que ocurre alrededor. Ese humor tan particular y único, creo que si la hubiera leído de chica no hubiera disfrutado tanto como lo hago ahora.
Hay que prestar atención a absolutamente todo y cuestionarnos varias cosas
Hay que prestar atención a absolutamente todo y cuestionarnos varias cosas
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