A dark night, a graveyard, and the suspicion of murder
The Body Snatcher is one of Robert Louis Stevenson's most chilling tales. After many years, a chance encounter between two former medical students forces them to recall their sinister past and foul play that was better left buried.
Perfect for long winter nights, this and other stories have been specially selected to create an atmosphere of fear and uncertainty.
Robert Louis Balfour Stevenson was a Scottish novelist, poet, and travel writer, and a leading representative of English literature. He was greatly admired by many authors, including Jorge Luis Borges, Ernest Hemingway, Rudyard Kipling and Vladimir Nabokov.
Most modernist writers dismissed him, however, because he was popular and did not write within their narrow definition of literature. It is only recently that critics have begun to look beyond Stevenson's popularity and allow him a place in the Western canon.
Whenever I start a book by Robert Louis Stevenson, I imagine Gene Wilder suddenly appearing at my shoulder and whispering:
Hold your breath Make a wish Count to three.
His writing makes me feel as though I'm on the edge of a cliff, about to hand glide; as though I'm on the prow of the ship, about to embark; as though I've just landed on the shore, about to explore the island.
In my opinion, only a handful of writers fill my senses the way Mr. Stevenson does: Alexandre Dumas, Ray Bradbury, Edith Wharton, and Edgar Rice Burroughs.
These are writers who have a knack at describing light, sound and sensation. They take you there, with the crunch, the whisper, the quick flirt of the wind as it catches your hair.
You are transported, and quickly.
This collection of three stories is different from what you may think about Stevenson's writing. There are no child protagonists here, and these are gothic, creepy tales.
The first one, “The Body Snatcher” deals with a former medical student who left his studies for reasons he'd rather not disclose. . .
The second one, “The Merry Men,” is apparently considered “one of the finest stories in Scottish literature,” and is about the protagonist's “Uncle Gordon,” who has lived on an isolated island off of Scotland just a wee bit too long.
Uncle Gordon talks like this:
“Do ye think, man, that there's naething in a'yon saut wilderness o' a world oot was there, wi' the sea-grasses growin', an' the sea-beasts fetchin', an' the sun glintin' down into it, day by day?”
I pictured him like this:
He's annoying, and so is the “cousin lovin',” but the story is still spectacular.
The third one, “The Bottle Imp,” takes place in San Francisco, Hawaii and Tahiti, and, on a whim, I read it aloud to my 12-year-old, who sat silently through all 23 pages and announced at the end, “I will never forget that story.”
Mr. Stevenson started writing as a boy because he was in poor health and wanted to write the adventures that he wanted to take, but couldn't. (Sound familiar?)
His work transports me, and I am almost giddy to reread Treasure Island this year.
As I walked upon the edge I could see far and wide over the sandy bottom of the bay; the sun shone clear and green and steady in the deeps; the bay seemed rather like a great transparent crystal. . . there was naught to show that it was water but an internal trembling, a hovering within of sun-glints and netted shadows, and now and then a faint lap and a dying bubble round the edge.
I didn't love "Body Snatchers," but "The Bottle Imp" was somewhat reminiscent of O. Henry with a bit of Aladdin thrown in... It was the most interesting story in this short collection. I'm glad to have the exposure to Stevenson, but nothing mind-blowing here.
Reason Read: ROOT, TIOLI July 2023 Robert Louis Stevenson is listed as an atheist. This set of short stories included The Body Snatchers: a story of grave robbers and murderers supplying medical school with cadavers. The Poor Thing: a tale of a horse shoe that leads to marriage, The Bottle Imp: this reminds me of the Monkey Paw in that it is about a bottle that can grant your every wish. The problem is that if you own it when you die then you will go to Hell. You must sell it and you must sell it for less than you paid and the person buying it must know what he is getting in exchange for his money.
These were all a bit creepy and show a certain dread of death and perhaps Stevenson may have claimed atheism he also had a fear of death.
There's only three short stories here so it was a quick listen. My listening of "The Body Snatcher" was interrupted so I felt like I didn't get the best experience but it seemed like a great short story. I didn't get "The Poor Thing" at all. I really liked "The Bottle Imp" and the whole "Gift of the Magi" type vibe associated with it. I'm digging Stevenson's work.
This was just another short story in the Dr. Jekyll book. I read it in about 1/2 an hour. It was well written and a good Halloween type ghost story. A little silly and a little creepy, but a good read.
I really enjoyed the short stories included in this collection. They were really well written and quite ominous. I don't have a ton to say, but overall I was quite pleased with this collection.
This collects stories previously published across different R.L. Stevenson collections, one originally appearing in Stevenson's Tales and Fantasies and the other in The Merry Men and Other Tales. The three in this collection are The Body Snatcher, The Bottle Imp and, the longest of the three, The Merry Men.
The first is very much in that Victorian Gothic tradition; cobbled streets, gaslight - and the story itself being closely based on the contemporaneous Burke and Hare bodysnatchers/murderers who sold corpses to anatomists.
The Bottle Imp is a kind of genie story, only that the catch is that the bottle [lamp] must be sold at a loss, otherwise the seller loses his soul to the devil. This ultimately leads to the characters trying to determine what to do when the bottle inevitably cannot be sold for any less money. This is also set in Polynesia, somewhere that would become very dear to Stevenson in his later life (he died in Samoa). This and also the next and final story very much follow the nautical or sea-related backdrops employed by Stevenson in his more famous works Treasure Island and Kidnapped.
The Merry Men is set in Stevenson's native Scotland and follows a search for a wrecked ship of the 1588 Spanish Armada off the coast. Interestingly, given the story's culmination of a man being driven mad by nature, the uncle of the PoV character (the latter two stories are both in first-person) remarks "The horror! The horror of the sea!" A check online revealed that this particular story pre-dates Conrad's Heart of Darkness by around 15 years.
None of the stories are particularly scary nor would I categorise as horror, but they have a certain atmosphere that is complementary to the windy, cold and dark nights of winter.
The Body Snatcher is based around the true life actions of Edinburgh’s killer duo Burke and Hare and is neatly adapted here. Anatomy students MacFarlane and Fettes are responsible for the collection of cadavers, which are in high demand, for the Edinburgh University dissecting tables. But how these bodies come to end up on the table is a question upon itself ...
A wonderfully short tale and a joy to read. Stevenson really creates the grimness and depravity of the events excellently.
The Bottle Imp centres on a wish-granting bottle imp. The bottle must be sold at a loss or before the owner dies or else the soul burns in Hell ! Quite the premise ! A really fabulous, enjoyable read. Great ideas presented.
The Merry Men. A man goes in search of sunken Spanish Armada treasure off the coast of Aros Scotland. Cannot say I cared for this one much. Read like a boring version of Treasure Island. And I really could not tolerate the old Scots. Bleh.
This copy was a bit harder to read due to the size and spacing of the print. That being said I really enjoyed the stories in this book. The Body Snatcher and The Bottle Imp were my favorites. They were engaging and a lot more active. maybe I just connected to them more personally (not sure what that says about me. I found The Merry Men a bit harder to get through. Again, I feel it might have been the print and the spacing being small and tight that made it difficult.
Probably only didn't give it four stars just because I'm judging it by contemporary means. It probably would have easily been a five-star book when it was made. It's interesting enough. I enjoyed it. It was worth reading. It's a few different stories.
Excellent quick fun read. I enjoyed these kinda-spooky short stories from Robert Louis Stevenson. The one about the imp in the glass bottle was my favorite... you'll have to check out this novella to find out more!
This book contains the short stories “The Body Snatcher,” “The Merry Men,” and “The Bottle Imp.” These three tales are difficult to review. Although the stories are not too interesting to me, they aren’t bad stories, either.
Stevenson does away with his allegorical and crooning writing style I encountered in The Strange Case of Dr. Jekyll and Mr. Hyde that overwhelmed the novella. In The Body Snatcher and Other Tales, Stevenson focuses on telling the stories through his characters and their struggles. While each of the short stories still carries a noticeable theme or message, Stevenson does not drill them into the reader with repetitive contemplations on the subjects – too much.
“The Bottle Imp” is most guilty of allegorizing itself, with the two protagonists agonizing over their choices, sacrifices, and moral justice. It’s a shame, considering that “The Bottle Imp” holds the most intriguing plot concept and whimsical, fairy tale atmosphere that carries the story along like white fluffy clouds on a warm breezy day.
However, the other two short stories in the book drag across the ground getting to their focal points. I caught myself needing to reread paragraphs and pages as the narratives lost my interest. “The Merry Men” in particular wanders in focus, dwelling on extraneous fables and information that I later learn do not require the attention and concentration I devoted to them. Either Stevenson needs to expand the short story into a longer work in order to realize the extraneous material, or he needs to eliminate or condense the first three chapters.
As for “The Body Snatcher,” my reason for reading this book, I have one specific comment. The ending dives into the supernatural without any justification. Up until that point –so, the entire story – the horrific potential of human nature drives the plot and theme. With the ending, Stevenson is saying, He throws away the serious, gut-churning considerations of the story for a cheap “oOoOoo” moment.
Overall, the three short stories in this collection are okay, but they are in need of some refinement to be better than “not bad.”
This is a collection of three very different short stories by Robert Lewis Stevenson. The first is a story about medical students and the grim work of the resurrectionists. It is set in the 1800's in Scotland and involves the action of young medical students and their secret work of digging up fresh graves to provide corpses for dissection. The very action of learning often compromises their own morality when the cause of death is suspiciously opportune and the identity of the corpse is known. It reminds me of Burk and Hare trials in 19th century and I think it has been the basis for several movies.
The second tale is completely different and reminds me of something out of Grims' Fairy Tales. It deals with the greed of an old woman and the results of her choices for her family. Like most old tales, there is a strong sense of morality and justice in it.
The last is also a folk story about a shaman/magician and the greed of his son-in-law. The old shaman needs his son-in-law's help and reveals the source of his wealth to be a magic island. The son-in-law returns to the island to steal the money and becomes ensnared in the magic of the island. Again, there is a strong sense of morality and revenge.
All of these tales are similar to those of Hawthorne and feel like they are based in true legends and morality tales. Each is complete and I could feel like I was sitting around a fire listening to an old sage reveal the legends of the ancestors.
This volume collects nine of Stevenson's, most of which explore the mysterious and strange aspects of human existence, many dealing with the moral consequences of decisions. They are all interesting, but my favorites were The Sire de Maletroit'a door and The Story of a Lie. For those acquainted only with Stevenson's children's works, be aware that this is adult (in the best sense of the word) literature.
I would have rated it higher if it was just the 1st and 3rd story but the second was so hard to read because of the slang used in it. I thought The Bottle Imp to be a good tale or morality and life and the Body Snatcher one to make a person think of their own mortality and what happens to our bodies after death given the time it was written this was an even bigger thing to consider.
A good collection of novellas rather than short stories. They range from the gothic to the observational. There's some very good writing in this collection though it's an assortment box of tales.