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282 pages, ebook
First published June 5, 2019
1) They're """tough""" because they're poor and have had a hard life, so they swear and get in fights and are bitchy because of this chip on their shoulder.
(Being tough doesn't mean you have no decorum and all you do is fight and act moody. It's actually more commendable to see someone have a hard life but still be capable of being nice and having the vulnerability that comes with being open and accepting)
2) They have some life tragedy or circumstance that, in the eyes of the author, gives them leeway to be bitchy/cold/reckless/etc., so we're not supposed to "judge" them.
This, of course, often goes hand in hand with them being poor and having a tragic life, but is usually the single "event" that causes a character a particular issue to use as an excuse for something; either they're sick (like the heroine here), or an important friend/family member died, or they had some traumatic experience that's never explored or utilized and is instead slapped on haphazardously to make the heroine have a notion of complexity and emotional depth without any work--like them being kidnapped or assaulted or being responsible for a death off screen.
3) They all smoke weed or gamble or drink; some manner of addiction that's destructive but "cool." I don't see why being moody or tough or edgy means you need addictions and substance abuse problems, but it's bizarrely common in "edgy" protagonists. There are other ways teens can be destructive or act out that isn't addiction based.
4) They're all constantly horny all the time because "bad girls" are tough and edgy, so that means they're all sexual creatures who lost their virginity at 12 and love a good hard fuck with strangers despite being 16 years old and not really super physically or emotionally to the point of that making any sense. (Please chill on "sexual woman means she's bad/evil/tough/edgy/unconventional/etc." and also stop just making ANY heroine simperingly horny all the time in these books, especially for bullies who are hot.)
5) They do SUPER dumb shit, like a lot of heroines, but because the author is probably thinking with her own pussy and not her brain, she forgets that her ""tough"" heroine doesn't have the excuse of naivete to back them up anymore (as per my next bullet point).
6) The story will infer or even outright insist the heroine is worldly and mature and responsible and basically has been an adult since they were 13 or whatever (usually implying a parent was inadequate or that being poor or sick made them instantly as rational and capable as an any adult) and this is lorded over readers as a reason why the heroine is great because it means she's so much better than every other teen girl who didn't have terrible parents or an illness or poverty or whatever tossed in excuse the author used. Meanwhile, the truth is, the heroine has 2 brain cells. One is dedicated to being an edge lord doing dumb shit and the other is dedicated to being aroused by anything remotely hot breathing in her direction and neither of the two can rub against the other to fire a synapse to make the heroine do anything remotely sensible.
Just before I step through the arched doorway at the back of the room into a small gallery space, I glace over my shoulder.
Lincoln is standing on the second-floor balcony, hands braced on the railing, gaze locked on me.
It's only then that I realize his rude behavior earlier was actually him holding back-putting on a mask of civility. He must've been restraining himself, keeping his emotions in check in front of his dad and my mom.
Because the look on his face now?
It's one of pure loathing.
If there was an emergency stop lever on this runaway train I find myself on, I would've pulled it a long time ago. But I don't think there is.
It's not a sweet kiss.
It's not even a hot kiss.
It's more like a natural disaster, a tornado tearing through the landscape, destroying everything in it's path and leaving the world as it once existed in ruins.
It's fire.
It's pain.
It's need.