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La Méditerranée #1
O Espaço e a História
Neste livro, os barcos navegam; as ondas repetem sua canção; os vinhateiros descem das colinas das Cinque Terre, sobre a Riviera genovesa; as azeitonas são varejadas na Provença e na Grécia; os pescadores atiram suas redes na laguna imóvel de Veneza ou nos canais de Djerba; os carpinteiros constroem hoje embarcações semelhantes às de outrora... E ainda desta vez, ao observá-los, estamos fora do Tempo. Nossa intenção foi a de promover um encontro constante entre o passado e o presente, uma passagem repetida de um a outro, um recital sem fim a duas vozes genuínas. Se esse diálogo, com seus problemas que ecoam uns nos outros, animar este livro, teremos alcançado nosso propósito. A história nada mais é do que uma constante indagação dos tempos passados em nome dos problemas e curiosidades - ou mesmo das inquietações e das angústias - do tempo presente que nos cerca e assedia. Mais que qualquer outro universo humano, o Mediterrâneo é uma prova disso, ele não cessa de se contar, de se reviver. Sem dúvida por prazer; não menos por necessidade. Ter sido é uma condição para ser.
151 pages, Paperback
First published January 1, 1977
About the author
Fernand Braudel
156 books563 followersFernand Paul Achille Braudel was a French historian and a leader of the Annales School. His scholarship focused on three main projects: The Mediterranean (1923–49, then 1949–66), Civilization and Capitalism (1955–79), and the unfinished Identity of France (1970–85). His reputation stems in part from his writings, but even more from his success in making the Annales School the most important engine of historical research in France and much of the world after 1950. As the dominant leader of the Annales School of historiography in the 1950s and 1960s, he exerted enormous influence on historical writing in France and other countries.
Braudel has been considered one of the greatest of the modern historians who have emphasized the role of large-scale socioeconomic factors in the making and writing of history. He can also be considered as one of the precursors of world-systems theory.
Braudel has been considered one of the greatest of the modern historians who have emphasized the role of large-scale socioeconomic factors in the making and writing of history. He can also be considered as one of the precursors of world-systems theory.
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Displaying 1 - 8 of 8 reviews
February 20, 2022
«[...] μέσα στη συναυλία της Μεσογείου ο άνθρωπος της Δύσης δεν πρέπει να ακούει αποκλειστικά τις φωνές που του είναι γνώριμες. Υπάρχουν πάντα και άλλες, ξένες φωνές και τα πλήκτρα ζητούν και τα δύο χέρια.»
November 7, 2017
Además de dar un paseo por la geografía y las sociedades del Mediterraneo, el libro sirve como un breve pero muy clara introducción a la forma de entender y de estudiar la historia para la escuela de los anales francesa. El libro es pequeño y cada capitulo es un ensayo, cuatro de los ensayos de Fernand Braudel y un par escritos por Filippo Coarelli y Maurice Aymard.
Es un libro muy recomendable para una lectura recreativa de fin semana.
Es un libro muy recomendable para una lectura recreativa de fin semana.
February 6, 2023
Баш занимљиво издање које на сажет начин ”објашњава” значај и историјске фазе развоја Медитерана. Бродел је иначе један од твораца теорије система и на самом Средоземњу идентификује три цивилизације (западну, православну и исламску). На оном основном нивоу занимљиво је утврдити еволутивни редослед медитеранских империја и њиховог значаја.
Посебно место у историји, а и у самом издању заузима Венеција којој је посвећен и леп посебан текст.
Посебно место у историји, а и у самом издању заузима Венеција којој је посвећен и леп посебан текст.
April 23, 2026
Rating: 7/10
A compact yet layered exploration of the Mediterranean, where scarcity, continuity, and material life shape civilizations more than any grand narrative ever could. Very enjoyable.
Fernand Braudel delivers something deceptively simple here: a short book that unfolds into a surprisingly broad and cohesive panorama of Mediterranean life. This is not just a study of geography or history in isolation. Food, literature, trade, social rituals, and even collective spectacles emerge organically, as if they were always part of the same underlying structure. The book moves lightly between these domains, but never feels superficial. There is always a quiet sense that each element—whether roads, bread, wool, fish, or festival—is anchored in something deeper and more persistent.
What gives the work its weight is precisely this grounding in material reality. Braudel’s Mediterranean is built on constraint.
Wheat and bread are not background details but central anxieties, recurring obsessions that dictate political decisions, diplomatic correspondence, and social stability. The same applies to pastoral economies, where even something as “natural” as seasonal migration becomes entangled with state control, taxation, and privilege — often bending entire regions to serve narrow interests.
This constant tension between organic life and imposed structure runs silently through the book, revealing how power rarely announces itself loudly, yet quietly reorganizes everything.
There is also a striking sobriety in his portrayal of daily life. The Mediterranean, so often imagined as a place of abundance and spectacle, appears here as something far more restrained.
The Mediterranean is not abundant in fish, despite its importance since the beginning of its civilizations.
Excess exists, but only for a minority. For most, life is defined by limitation, repetition, and modest survival, punctuated occasionally by fleeting moments of celebration.
Even collective spectacles — whether ancient games, religious festivals, or later public entertainments — are not mere diversions, but moments where society — men — reafirmy itself, testing and displaying its own cohesion. I got the impression that Braudel doesn't like football.
Luxury, when it appears, feels less like a norm and more like a distortion rather than genuine prosperity.
Braudel also sketches a world of clearly defined roles and spatial tensions. Across Mediterranean societies, there is a persistent division between the external and the internal: men as the outward-facing force, compelled to act, trade, travel, and impose themselves on the world; women as the stabilizing interior, tied to the household and continuity of daily life.
This duality mirrors another: that between city and periphery. More than in many other regions, Mediterranean civilizations are urban at their core.
The city is the center of order, exchange, and identity, while those outside it — peasants on marginal land or wandering nomads — live harsher, more uncertain lives, bound more directly to necessity than to structure.
At the same time, the book resists simplistic narratives about progress or decline. Civilizations, in Braudel’s view, are not fragile constructs that collapse and disappear at the first sign of conquest or crisis. They endure, adapt, and often reassert themselves after centuries of subjugation, carrying forward older structures beneath newer regimes. Cultural identity here is less a clean break and more a slow accumulation and the exchange of ideas and legacies.
This long view extends to economic models as well. Maritime intermediaries, those who transport rather than produce, appear as both powerful and precarious. Carthage, despite its vast commercial reach, ultimately failed to sustain its position, while centuries later the British and the Dutch — arriving from outside the Mediterranean — would perfect a similar logic of trade and distribution, achieving dominance over a region already weakened. The lesson is subtle but clear: control of movement can rival control of production, but it is never immune to larger structural shifts.
Some elements may strike contemporary readers as outdated, but that is largely irrelevant. The book’s strength does not lie in being current, but in being structurally perceptive. It comes from a time when analysis could still prioritize economic forces, social organization, and long-term patterns without collapsing into ideological shorthand. If anything, its distance from present-day intellectual fashions makes it clearer, not weaker.
In the end, this is what makes the book so effective. It is short, but never slight; broad, but never scattered, and not boring either.
It captures the Mediterranean not as a romantic abstraction, but as a system shaped by necessity, endurance, and contradiction. A place where civilizations are forged not in moments of brilliance, but in the slow, relentless negotiation between scarcity and ambition.
A compact yet layered exploration of the Mediterranean, where scarcity, continuity, and material life shape civilizations more than any grand narrative ever could. Very enjoyable.
Fernand Braudel delivers something deceptively simple here: a short book that unfolds into a surprisingly broad and cohesive panorama of Mediterranean life. This is not just a study of geography or history in isolation. Food, literature, trade, social rituals, and even collective spectacles emerge organically, as if they were always part of the same underlying structure. The book moves lightly between these domains, but never feels superficial. There is always a quiet sense that each element—whether roads, bread, wool, fish, or festival—is anchored in something deeper and more persistent.
What gives the work its weight is precisely this grounding in material reality. Braudel’s Mediterranean is built on constraint.
Wheat and bread are not background details but central anxieties, recurring obsessions that dictate political decisions, diplomatic correspondence, and social stability. The same applies to pastoral economies, where even something as “natural” as seasonal migration becomes entangled with state control, taxation, and privilege — often bending entire regions to serve narrow interests.
This constant tension between organic life and imposed structure runs silently through the book, revealing how power rarely announces itself loudly, yet quietly reorganizes everything.
There is also a striking sobriety in his portrayal of daily life. The Mediterranean, so often imagined as a place of abundance and spectacle, appears here as something far more restrained.
The Mediterranean is not abundant in fish, despite its importance since the beginning of its civilizations.
Excess exists, but only for a minority. For most, life is defined by limitation, repetition, and modest survival, punctuated occasionally by fleeting moments of celebration.
Even collective spectacles — whether ancient games, religious festivals, or later public entertainments — are not mere diversions, but moments where society — men — reafirmy itself, testing and displaying its own cohesion. I got the impression that Braudel doesn't like football.
Luxury, when it appears, feels less like a norm and more like a distortion rather than genuine prosperity.
Braudel also sketches a world of clearly defined roles and spatial tensions. Across Mediterranean societies, there is a persistent division between the external and the internal: men as the outward-facing force, compelled to act, trade, travel, and impose themselves on the world; women as the stabilizing interior, tied to the household and continuity of daily life.
This duality mirrors another: that between city and periphery. More than in many other regions, Mediterranean civilizations are urban at their core.
The city is the center of order, exchange, and identity, while those outside it — peasants on marginal land or wandering nomads — live harsher, more uncertain lives, bound more directly to necessity than to structure.
At the same time, the book resists simplistic narratives about progress or decline. Civilizations, in Braudel’s view, are not fragile constructs that collapse and disappear at the first sign of conquest or crisis. They endure, adapt, and often reassert themselves after centuries of subjugation, carrying forward older structures beneath newer regimes. Cultural identity here is less a clean break and more a slow accumulation and the exchange of ideas and legacies.
This long view extends to economic models as well. Maritime intermediaries, those who transport rather than produce, appear as both powerful and precarious. Carthage, despite its vast commercial reach, ultimately failed to sustain its position, while centuries later the British and the Dutch — arriving from outside the Mediterranean — would perfect a similar logic of trade and distribution, achieving dominance over a region already weakened. The lesson is subtle but clear: control of movement can rival control of production, but it is never immune to larger structural shifts.
Some elements may strike contemporary readers as outdated, but that is largely irrelevant. The book’s strength does not lie in being current, but in being structurally perceptive. It comes from a time when analysis could still prioritize economic forces, social organization, and long-term patterns without collapsing into ideological shorthand. If anything, its distance from present-day intellectual fashions makes it clearer, not weaker.
In the end, this is what makes the book so effective. It is short, but never slight; broad, but never scattered, and not boring either.
It captures the Mediterranean not as a romantic abstraction, but as a system shaped by necessity, endurance, and contradiction. A place where civilizations are forged not in moments of brilliance, but in the slow, relentless negotiation between scarcity and ambition.
March 22, 2025
Δουλεμενη περίληψη του χώρου της Μεσογείου ως έναν από τους ριζικους-οχι πρωτεϊκους - της καταγεγραμμένης ιστορίας και του ρόλου του ως παραγωγού οικονομικών σχέσεων και πολιτισμού.
Σημαντικές οι διαπιστώσεις του FB για το δέσιμο δογμάτων και τρόπων στις συγκεκριμένες επικράτειες τις οποίες αναγνωρίζει σε μια τρόικα θεωρητικών σωμάτων : ισλάμ για την μ.ανατολη και Λεβάντε, ρωμαιοκαθολικισμός για την δύση, ανατολική εκκλησία για τους Σλάβους και τα Βαλκάνια.
Ως άλλος Huntingdon παίρνει υπόψη ότι οι άνω παράγοντες ήταν οι καθοριστικοί για την πολιτική/πολιτισμό και το χτίσιμο της πόλης/επικρατείας και των σχέσεων με τους γείτονες.
Ως επιτομή ,το δοκίμιο παραβαλει τόμους σκέψης και θυμίζει τον Toynbee και την αντιμετώπιση της ιστορίας ως amor fati και σημασία, παρά ως σύμπτωση
Σημαντικές οι διαπιστώσεις του FB για το δέσιμο δογμάτων και τρόπων στις συγκεκριμένες επικράτειες τις οποίες αναγνωρίζει σε μια τρόικα θεωρητικών σωμάτων : ισλάμ για την μ.ανατολη και Λεβάντε, ρωμαιοκαθολικισμός για την δύση, ανατολική εκκλησία για τους Σλάβους και τα Βαλκάνια.
Ως άλλος Huntingdon παίρνει υπόψη ότι οι άνω παράγοντες ήταν οι καθοριστικοί για την πολιτική/πολιτισμό και το χτίσιμο της πόλης/επικρατείας και των σχέσεων με τους γείτονες.
Ως επιτομή ,το δοκίμιο παραβαλει τόμους σκέψης και θυμίζει τον Toynbee και την αντιμετώπιση της ιστορίας ως amor fati και σημασία, παρά ως σύμπτωση
November 21, 2022
Encore plus que le texte de Braudel dont personne conteste la finesse, le dernier texte écrit par Maurice Aymard, "espaces" est d'une justesse époustouflante. Son analyse des différents espaces de la ville, à la fois en opposition à la maison (avec l'analyse des maisons kabyles de Bourdieu à couper le souffle) et comme lieu collectif de recréation est tout simplement lumineux.
September 19, 2025
longue vie aux livres d’histoire bien écrits
August 7, 2019
Une fresque remarquable de l’Histoire méditerranéenne, berceau de l’Orient et de l’Occident
Displaying 1 - 8 of 8 reviews