Still in the vividly created world of rural life in the fourteenth century, this book steps up a tier in the hierarchy: its focus is on the trials and tribulations of the De Bohun family as Sir Morys Boune and his sons try to claim their inheritance by fair means or foul. The complexities of the social structure of the time aren’t glossed over – the precarious position of an illegitimate heir, the rule of law present but side-stepped with relative ease, the casual disregard for life, the lives of privilege offset against the daily realities for their tenants – but the author has an exceptional ability to recreate the environment in a way that makes it every bit as real and familiar as the present day, and she tells a compelling story. While the issues the characters grapple with are the product of the world in which they live, the people are recognisable and familiar – greed and unscrupulous villainy aren’t exclusive to the present day, and neither is behaving badly in the hope of securing riches and a better future.
I particularly liked – if that’s the right word – Matilda, an unlikely companion to Margaret de Bohun given her family history, adding to the family’s problems when she sees a way to escape her lowly destiny and secure a better life for herself and her daughter. The villains are quite wonderful – while Sir Morys Boune is fairly starkly drawn as a dangerous threat to the de Bohuns’ lives and future, sons Thorkell and Gunnar are drawn with considerably more depth and complexity, with real insights into their passions and motivation.
And other key characters are perfectly fleshed out too – Margaret with her initial horror at the lie she’s forced to perpetuate, Johanna’s interventions when compelled to leave her life of seclusion in support of her family, the understandable anguish of Agnes when separated from her son, the steadfast support and loyalty of bailiff John atte Wode.
But as well as being a gripping and well-paced story, with the strongest of characters and some entirely unexpected twists and turns, I particularly loved this book because of the author’s exceptional ability to construct her world in a way that makes it real – this isn’t a book you simply read, but an extraordinary immersive experience.
The descriptions are remarkable in their small details – the way people spend their days, the absence of comfort and general seediness of the castle of the Boune family in stark contrast to the covetable luxury of Meonbridge manor, the day-to-day routine at Northwick Priory, even the simple pleasures of children playing by the stream. The author’s research is clearly meticulous and extensive, but it’s the love and care with which its used to recreate its time and setting that makes this book something particularly special.
Although the third in a series, this book is entirely comfortable as a stand-alone read – it does draws on some of the events from Fortune’s Wheel as background, but I hadn’t read that one and easily grasped the history. If the fourteenth century and the complexities of its social structure might frighten you a little, there is a useful character list at the book’s start, and a glossary of unfamiliar terms at its end – but I doubt you’ll refer much to either, as the story draws you in, the pages turn with ease and increasingly quickly, and the relationships and setting become as familiar as breathing.
I very much enjoyed A Woman’s Lot, and wholeheartedly recommended it to anyone with an appetite for something a little different. I must say that I thought De Bohun’s Destiny was even better – that same sense of living in a different world and time, but with a riveting story that grabbed me from its opening pages and held me in its thrall to the very end. I thoroughly enjoyed this one, and recommend it unreservedly.