September Readathon
I have the whole trilogy, and will read the whole trilogy, and hope one among them strikes me better than this one did.
The POV shifts without warning, and often, page to page or paragraph to paragraph. Disconcerting at first but I learned to look for it and read accordingly. And 'where they are in space, in relation to others' didn't always make sense, wasn't always clearly written.
I didn't hate either leads; they each have their moments. But I didn't really like them either. She was best at the very beginning, he was best toward the end.
The heroine was a ninny and a prig and fought-and-argued at the wrong times and gave in at the other wrong times. She fights the hero at every turn, and not as an enemies-to-lovers sense, but just sheer bullheadedness that continues to get them in bigger trouble, despite all the times the hero says MAYBE JUST TRUST ME and it's proven she should have by how much more befalls them when she doesn't.
I don't know what the hero wanted with her other than his imagined idealized sense of her, and his own lust.
The hero could have come clean much sooner. Almost immediately. He was supposed to be kindhearted and loyal -- and this was proven by his 20 bastards (!?) he gladly took into court, not to raise as his own, but at least so they wouldn't starve. Perhaps we're to imagine the heroine strikes him first as another waif or stray to claim and protect, but from the start he's attracted to her so that doesn't quite follow.
It's fine that through everything they up and fall in love. It happens in books with less to go on than this one. I think they'll settle down, now that they're together--the epilogue shows this, where they're basically different personalities, smug and settled and married--but his dogged presumption of doing so much for her and never explaining himself, and her dogged stupidity and unwillingness to trust him, didn't make me swoon for their coming together.
The hero is a goof for too long. He's also a total manwhore, but one with a heart of gold--even though he pursues and beds virgins as indiscriminately and happily as anyone else. Considering the time period, that's hardly chivalrous or knight's code or upstanding of him.
He thought of the heroine as his angel and I'm not sure why. Give him more reason to like a woman who fights, perhaps, give her more reason to be standout because of that -- when what you're told about a guy is he's loyal and protects the underdog and will champion a cause to its bitter end, and then loses his mind over a mean little snot who endangers and degrades and literally continues to beat/slap him.
A lot of action. And a lot of the action is written out and not just summarized, which I always appreciate. The events/decisions are less successful, to me. They run, they bungle their running, they suffer and have sex, they escape and run again.
And then the hero's family acts almost like jesters, elbow-ribbing and giving chase and trading quips in the background.
It was too bad the heroine didn't get on-page recognition and reconciliation with her estranged noble family.
It's also too bad she was so stubbornly classist and awful for so long. It's supposed to make it so she falls in love with *the real him* and get over her own snobbishness and all, but she's such a ninny and do so little to help once they're on the move--and does more to hinder them, including getting him captured and beaten and nearly flogged--this small detail of loving him *anyway* falls to the side.
And beggars can't bear arms, or train to fight, or write, or speak multiple languages... and I say, if I was kidnapped and dragged onboard a ship to who knows where, and the one person who might help me shows up and offers to get me through with my life, I'd do more than screech 'get away from me, beggar!' at every turn. Let her fight him a few times, but then let the dynamic grow so she fights with him, and then *for him.*
At the end she's still is a snob, she just realizes after all that transpired that peasants have feelings too. Her prejudices are deep-seated, I get that. She's also naive, which I also get. But not even amid life-changing and life-threatening could she drop her elitism and realize her father wasn't always correct and this man she needed to trust wasn't always wrong.
Coming to trust him felt more important than wanting him *anyway* even thinking him a beggar, and him knowing she wanted him for himself. But that never really happened, and I'd have liked to have seen it.
The C-plot with the friend finding insta-love and marrying her and that easing the diplomatic way to end the would-be fight with another country's nobles... convenient!