Sing a Rhythm, Dance a Blues is Dr. Monique Morris's bracing follow-up to her 2015 study, Pushout: The Criminalization of Black Girls in Schools. Black and Brown girls experience a shockingly disproportionate rate of disciplinary action in U.S. schools, often leading to incarceration. Moreover, Morris notes, "[b]lack girls with disabilities are two to three times as likely as their white counterparts to be suspended or arrested" (112). Morris calls for awareness, advocacy, and accountability on the part of all those who work with, care for, and share the world with girls of color.
Morris grabbed my attention at the outset, stating that "[i]n school districts throughout the country, disproportionately high levels of Black, Latina, and Indigenous girls are struggling to realize their true identities as scholars. Too often they are pushed out of schools and into participation in underground economies, in which they're vulnerable to exploitation, violence, and other harms. FOR THESE GIRLS, DEFIANCE, AS AN EXPRESSION OF DISSENT, IS CRIMINALIZED; IT IS TREATED AS AN OFFENSE, RATHER THAN UNDERSTOOD AS A FORM OF CRITICAL THINKING" (8, emphasis mine).
To understand defiance as an expression of dissent and thus a form of critical thinking is to turn upside-down the paradigm of student vs. teacher, child vs. authority, criminal vs. state, and to uphold a potent and restorative tradition of healing, liberation, and justice. Weaving through her argument the voices and stories of creative educators, mentors, girls, school districts and non-profits, Morris makes a compelling case that rebuilding relationships and empowering those who have experienced trauma is at the heart of education. "The issues facing our vulnerable girls are urgent. Instead of shying away from their challenges, engage them. Seek to understand who they are and whom they can become. The tempo of this pedagogy is liberation, and its groove is love. Let it light the path to learning for all of us" (177).