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How does it feel to be betrayed by your closest friend? A close friend who turns out to be the most prolific grifter in New York City...
This is the true story of Anna Delvey, the fake heiress whose dizzying deceit and elaborate con-artistry deceived the Soho hipster scene before her ruse was finally and dramatically exposed.
After meeting through mutual friends, the 'Russian heiress' Anna Delvey and Rachel DeLoache Williams soon became inseparable. Theirs was an intoxicating world of endless excess: high dining, personal trainer sessions, a luxury holiday ... and Anna footed almost every bill.
But after Anna's debit card was declined in a Moroccan medina whilst on holiday in a five-star luxury resort, Rachel began to suspect that her increasingly mysterious friend was not all she seemed.
This is the incredible story of how Anna Sorokin conned the high-rollers of the NYC social scene and convinced her close friend of an entirely concocted fantasy, the product of falsified bank documents, bad cheques and carefully edited online photos.
Written by Rachel DeLoache Williams, the Vanity Fair photography editor who believed Anna's lies before helping the police to track her down (fittingly, deciphering Anna's location using Instagram), this is Catch Me If You Can with Instagram filters. Between Anna, Fyre Festival's Billy McFarland (Anna even tried to scam Billy) and Elizabeth Holmes, whose start-up app duped the high and mighty of Silicon Valley, this is the year of the scammer.
*Anna stood a high-profile trial in New York that has been followed voraciously by the media. She was found guilty of theft of services and grand larceny, facing up to 15 years in prison. The trial ended on 25th April.*
306 pages, Kindle Edition
First published July 23, 2019
“Select patrons-only—it’s a funny idea. Why is exclusivity appealing? We all want to be included. We crave validation, from friends and from strangers. If you'd said that to me then, I'd have been defensive."
"New York attracts such a wild range of people: artists and bankers, immigrants and transients, old money and new money, people waiting to be discovered and others who never want to be found. Everyone here has a story to tell—some more elaborate than others. But without exception the people have texture, and texture is character, and character is fascinating."
“Anna had no place here. She had no lasting friendships that I had ever seen. She was too insensitive, antisocial, and detached by nature. She would have needed me as a conduit, as someone people could relate to. My acceptance of her would have encouraged others to do the same. Now I understood."
"I read the headlines—Fake Heiress Anna Sorokin Says She Takes Being Branded a 'Sociopath' as a Compliment… Says Her Prison Sentence Was 'a Huge Waste of Time'… Sets Her Sights on Influencerdom with a New Vlog Series. I understood the implications of this sort of coverage, the glamorization of criminality, and wondered who would speak up."
“Regret is an unproductive emotion. What's done is done. All any of us can do is choose how to react in each moment—informed by the past, we decide how to move forward. I don't have regrets, but I can see how this happened. And there is something to be learned from that."
“Just because something is legal doesn’t mean it’s right.”
"If you asked Anna about her politics, she would tell you that she was decidedly nonpolitical. Politics had little to do with power, she professed. Money was the world's true governing force."
“In times of trauma, life unfolds in a chiaroscuro of peaks and valleys. You feel the highs and lows with amplified intensity.”




