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224 pages, Paperback
First published January 1, 1973
“Little boy's face lit up with such naked joy
That the sun burned around his lids and his eyes were like two suns,
White lids, white opals, seeing everything just a little bit too clearly
And he looked around and there was no black ship in sight,
No black funeral cars, nothing except for him, the raven
And fell on his knees and looked up and cried out,
No, daddy, don't leave me here alone,
Take me up, daddy, to the belly of your ship,
Let the ship slide open and I'll go inside of it
Where you're not human, you are not human."
https://youtu.be/OReJIwNVOz4
"I hid my yo-yo
In the garden
I can't hide you
From the government
Oh, god, daddy
I won't forget"
https://youtu.be/pllRW9wETzw
This book really stuck out as original in my mind in the way it fuses together different scenes and characters with a narrative and descriptive flow identical to some of the dreams I've had. This occurs very near the beginning of the book and is a feat never quite repeated in the rest of it. The first third of the book has some very interesting bits in it aside from the previously mentioned. It sort of sucked me into a mystical pseudo-scientific world I used to experience when I was a kid reading those heavily illustrated UFO and Monster-Cryptid books you could get at elementary school book fairs. However, there were places where the text seemed to bog down.
The second third of the book seemed to zoom by and had I the spare time I would have probably read much farther if not finished the book. The last third of the book though was a slower read, at least for me, it also seemed to relate to The Book of the SubGenius in my imagination for some reason or another. The book is split into halves with the first welded together by the framing episode of a motorcycle accident in France and the anesthetic gas that precipitates the dream state where all its ideas swirl together. The second half was very fragmentary and jagged. Whether or not that was the author's intention, I found it abrasive and hard to read as each subsection skipped around. This section of the book also got repetitive with its imagery which seemed intended in order to create some connective tissue but which sort of lost me.
I did like this book if not solely for the dream-like flow at its start but also for its good use of imagery and the science fiction framed but ultimately fantastical element of "cloudbusting". I would recommend this to readers looking for something a little different; an auto-biographical mishmash of dreams and memories with the added elements of weather machines and UFOs.