As we learned from the last volume of Marvel’s best new creation in years Ms. Marvel, the world was coming to an end due to the events of Secret Wars and for Kamala Khan, all she ever needed was not the super-heroics, but the friends and family around her. However, superhero comics are never-ending second acts as the world did not end but things have changed, such as Kamala becoming a member of Earth’s Mightiest Heroes.
Eight months have passed since the Incursion and Kamala is once again juggling her already chaotic life from not only her family, but also as Jersey City’s protector as well as her new position as an Avenger. As if it couldn’t get for more complicated for Kamala, her best friend Bruno is seeing a girl named Mike.
Continuing on with G. Willow Wilson’s initial run, Ms. Marvel still very much evokes the soap opera antics which were originally conceived within Stan Lee and Steve Ditko’s The Amazing Spider-Man, whilst retaining the charm of the previous volumes. With the eight-month time jump and despite the subtle changes, the characters are still as wittily written, even if they are a little older and moved on.
Split into two story arcs, this volume is centrally about Kamala wrestling with her superhero persona becoming a more prolific figure, not least from a company known as Hope Yards Development and Relocation Association has co-opt Ms. Marvel’s face to advertise its “renovation” project on Jersey City. Although the main plot is based on a typically convoluted supervillain plan, the joy of Wilson’s writing is both the wit and drama towards Kamala’s struggles, such as her coming in terms with Bruno’s new romance, as well as Ms. Marvel being seen as a public menace. As the primary artist of Volume 3, Takeshi Miyazawa returns to draw this arc and his beautiful manga-ish artwork are a delight, not least from Kamala being the Incredible Shrinking Girl.
During the second arc, things get goofier. Inspired by Bruno’s experiments of Loki’s lighting golems with the 3-D printer, Kamala takes advantage and creates two replicas of herself (one for schoolwork and the other for supporting her brother’s wedding) whilst the real Kamala can continue her status as an Avenger. However to quote Bruno himself, “this is a spectacularly bad idea.” The idea of an army of clones running amok has been used so many times that even The Simpsons used it in one of its Halloween specials. No matter how outlandish things get with the final issue seems to throw everything at the kitchen sink – with artist Nico Leon evoking Adrian Alphona’s art – the resolution happens too quickly but the story ends on a touching intimate note as Kamala learns that a hero isn’t just about being super.
Although Kamala Khan has indeed become “Super Famous”, G. Willow Wilson never feels like she’s selling out this wonderful youthful creation as her adventures continue to shine.