I have to say, reading this wasn't particularly enjoyable. On the other hand, it was interesting - especially in contrast to Boye's more well-known work and as a contrast to her own life. 'Kris' follows twenty year old Malin Forst, who as the book opens is questioning her faith. She seems to be going through some sort of mental breakdown, which is linked to her religion and is spoken in words of Christianity but seems more to be about her own inner turmoil and her desperate efforts to find her own core, what and who she is, and what she wants to do/who she wants to be. As part of her issues or perhaps as her physical symptoms of this turmoil she suffers from anxiety and is often crying as a natural response to helplessness. In the midst of this uncertainty she finds a 'pillar of light' as it were, Siv - another woman in her university class, whose mere presence seems to bring a certain sense of calm and beauty into Malin's heart.
The story seemed to me to be Boye's own attempt at discussing and digesting what religion and faith meant to her, what part it played in her own being and identity as well as her daily life. It seemed to me to be a critical deconstruction of religion in the early 20th century Sweden, and for example how it linked to our concepts of truth, art, philosophy, education, among other things. Then there's the homoerotic vibes of the story, Malin's crush or something like it regarding Siv - or is it simply part of her neurosis? It again seemed to be a further, and personal, exploration of romance beyond the heterosexual, Boye or Malin coming to terms with the romantic interest for another woman - and what that meant for the understanding they/she has for her own person.
Aside from the interesting themes of religion and homosexuality explored in 'Kris', there's also the unusual way it's written - the rather experimental form of writing, especially the philosophical dialogues that remind me of some movie I've seen where narrators will talk with each other, or to the viewer, without a direct connection to the protagonist and/or what the protagonist is doing. As an example that comes to mind, we have Amelie from Montmartre where the narrator will talk about Amelie in a way that seems to be almost as a psychoanalysis of her, sometimes with her knowing someone is talking about her, sometimes not - but the viewer is of course watching and listening. In 'Kris' there are discussions between "black" and "white", and other dialogues between roles such as "professor", "theologist", and similar - basically 'experts' in different fields talking about Malin and her mental state. It's sometimes bizarre in the construction and way of exploring the character, but it makes for a rather interesting work of Karin Boye.
As I said in the beginning, for me this was more interesting than enjoyable - especially the dialogues that could go on with a more objective and detached tone, rather I preferred as a reader the parts where Malin was in the forefront of the story. I think this is a book I'd appreciate more when I return to it, after having read more of her bibliography and more research about Boye as a writer and person - to compare further with this novel.