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Blackguard

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

222 pages, Hardcover

First published January 28, 2010

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About the author

Maxwell Bodenheim

64 books10 followers
Maxwell Bodenheim was an American poet and novelist. A literary figure in Chicago, he later went to New York where he became known as the King of Greenwich Village Bohemians. His writing brought him international notoriety during the Jazz Age of the 1920s.

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Profile Image for Patrick.
423 reviews6 followers
October 3, 2024
Maxwell Bodenheim (1892-1954) cut a memorable Boho figure in Chicago and New York between the World Wars, but spiraled downward to a Cornell Woolrich finish, murdered along with his wife in a Manhattan flophouse in 1954. All 14 of his novels, of which Blackguard was the first, were published in a burst between 1923 and 1933.

Blackguard is an interesting, not completely successful performance, but I am glad to have read it. It has status as a Chicago novel and a Jewish proletarian novel, but the main thrust is the interior life of a disaffected, talentless young poet, Carl Felman, whose high self-regard and low regard for everything and everyone else does capture a mood of the times (which would repeat 40 years later in the Sixties), even if Carl is not always the most pleasant fellow to spend time with.
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