[This review covers all three volumes of Bone Parish]
A new drug sweeps the streets of New Orleans; Ash, made from the bones of the deceased, which allows you to experience their life as if it was your own. The Winters family are riding high with their new discovery, but it isn't long before competition starts calling, and their downfall begins.
Bone Parish could, on the surface, be your standard crime family story. But the edge of the supernatural that creeps into it thanks to the twist on the premise keeps things interesting all the way through. It very rarely forgets that there's this strange plot device involved, and Bunn keeps the Ash and its effects woven into not just the framework of the book but the reveals and secrets that are kept between the cast.
There are more characters involved than I'd expected for a twelve issue series, and they all reach some kind of conclusion (be they satisfying or deadly). From the Winters family of five to the many rival gangs they recruit or battle for power, there are a lot of moving parts involved that I thought would get lost in the shuffle, but pretty much everyone gets something to do. It's clear that Brae and Grace are the main characters, but everyone else plays an active role in getting the plot to where it needs to be at the end.
Jonas Scharf's artwork does the job well; most of his scenes are well rendered and easy to follow, but it's when things get trippy that he really shines. The story beats set when someone is on Ash, or that depict the effects of the fake variant that causes people to mutate, stand out not just because they're equal parts psychadelic and disgusting, but because they're such a contrast to the relatively mundane main story.
With themes of family, the fragility of life and death, and what happens when you just can't let go of the past, Bone Parish grabbed me from the word 'go' and didn't let me off until I'd finished the final issue. It could have turned out a little basic, but Bunn's plot and Scharf's art elevate your typical crime drama into something far darker, and far more meaningful, than you'd ever expect it to be.