The Reluctant Fundamentalist is more than the usual immigrant book of adaptation, struggle, and identity. Mohsin Hamid has written a gripping tale of a young man who comes to America from Pakistan just prior to 9/11. The protagonist, Changez, is a Princeton educated businessman who works for a high-profile company that assesses the economic value of other companies. Changez is very successful in his chosen career, but then September 11 happens and everything changes. The setting is Lahore, Pakistan and the story is told with a single voice, that of Changez, as he speaks to a nameless and faceless American tourist. Although the narration takes place in the span of a single evening, in fact, during a single meal, Hamid manages to swing the reader on a pendulum of conflicting emotions and thoughts. The Bookclub-in-a-Box guide explores a number of important who is this nameless American and why is he in Pakistan; how can one person have equal love for two countries that are at odds with each other in culture and outlook; how does such a person come to terms with his two worlds; and what is the significance of the word reluctant in the novel s title, The Reluctant Fundamentalist.
As an educator, school librarian, writer, book-talk presenter and facilitator, Marilyn loves to read and talk about books. Her enthusiasm for reading and sharing led her to unite her two favorite things: people and pages. In turn, this led to the creation of Bookclub-in-a-Box, the ultimate discussion companion for contemporary works of literary fiction. Marilyn is always looking for a great debate about books and welcomes all feedback.
A Pakistani's eye view of America that rang true even though the book is fiction. The narrator's voice is even and sure, and a certain character comes out between the lines. This character is neither the greatest guy you ever met or a horror show.
His story is simple although unusual.
I find a clear metaphorical collusion between Changez' love affair with Erica and his love affair with America. It is rather obvious and yet straightforward enough not to be heavy handed.
The narrative style of the Pakistani talking to a newly met American in a cafe is very well done.