Excerpt from Teja As one studies the course of Sudermann's literary activity, it is easy to detect changes in his philosophy of life. At first his work was characterized by strident notes of bitter irony, melancholy and despair; later optimism began to show out faintly in his estimates of humanity, and ideals, though remote, were held up as worth striving for. Sudermann is emphatically modern, and his latest plays show a closer touch and sympathy With present-day conditions. Knowing these conditions as he does, we cannot wonder that he finds in them ample material for his work. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Educated at Koningsberg University and the University of Berlin, Sudermann had to give up his studies because of financial difficulties. He worked for a time as a tutor before becoming a journalist in Bern, Switzerland. He returned to Germany in 1881 and became the editor of the Deutsches Reichsblatt. Thereafter, he devoted himself to writing. In 1886, he published Zweilicht, his first novel, and followed in 1887 with Frau Sorge, which was critically acclaimed. His first drama, Die Ehre, or The Honour appeared in 1889 and was enormously successful. Sudermann also produced a number of short stories. His other works include Geschwister (1888), Der Katzensteg (1890), Sodoms Ende (1891), Die Heimat (1893), Morituri (1896), Es Lebe das Leben! (1902), Es War (1904) and Stein unter Steinen (1905).