Much of the content of this book started off as blog articles, which has allowed Richie Billing to research people’s views on a range of subjects related to writing. The book is laid out in three sections: The Pillars of Storytelling; Writing in the Fantasy Genre; and When the Writing is Done.
Billing starts off with a look at the factors that would make readers abandon a book. This is an analysis which should help writers look closely at their work and ask themselves pertinent questions, and is potentially one of the most useful parts of the book. To write it, he researched the responses of book bloggers to books they’d laid aside. To give a flavour of their responses, there were three major reasons for putting books down: poor characterisation, a confusing plot, and too much infodumping, with unedited manuscript coming in fourth. Other major considerations include a ‘slow plot or nothing to keep you invested’ and a lack of proof-reading. I draw readers’ attention to this because as well as stopping me from persevering with a book, they are things which indicate that writers have not bothered to learn their craft. Additionally they give an insight into the research that underpins this self-help manual for writers. This attention to detail makes this book very useful, particularly to new writers.
From there on, Billing covers many topics, especially characterisation, and plotting, dialogue, world-building and writing fight scenes. These sections will appeal to writers in any genre. His references and examples show how widely read in criticism he is. He’s done his homework, and learned to write well, though I’d have liked to see his own examples, rather than those quoted from other books.
The second section is skewed more towards the fantasy genre and how to make it real and exciting for readers, which is still useful whatever your favourite genre is for writing in. Billing covers the structure and features of castles and their function; and how to draw convincing maps for the world you’re writing about. This is a great example of his attention to detail, and made me keen to read his forthcoming fantasy publication.
The third section is, like the first, aimed at writers in general. When running workshops, I often encounter learners who will say, “I can’t draw a map,” or “I haven’t got time to write a blog.” Sure, but while you may not be able to do all of them, just pick the ones you can do, and/or acquire more skills. Billing’s point is that without having at least a couple of the methods of spreading the word about yourself and your work as he has, nobody will know you’re there. The more you have, the quicker you’ll get yourself known. I thought this was very useful for new writers.
There are sections on industry standard book/short story lengths, and others on lists of Facebook groups to join for feedback and other delights of the writer’s life, and even a much-touted list of publishers of fantasy fiction. The scope of this book is wide, and while some of it relates exclusively to writing fantasy, most of it can also be applied to other fiction genres. It represents an enormous achievement – and part of that is the wish to help bring on newer writers. It never hurts to be generous with your time and encouragement to other writers; that comes over strongly in the book. Search it out, read it, think about it…and see how you can follow this example.