As expected, I liked at least the cadence and structure and syntax of the Yeats poems, and sometimes I enjoy his imagery regardless of content. I liked 'He Wishes for the Cloths of Heaven' and 'No Second Troy' particularly. I was taken with a bit of the imagery in 'Brown Penny' as well--it seems like 'Till the stars had run away/ And the shadows had eaten moon' should be featured as some kind of title.
I also liked Thomas Hardy's 'Neutral Tones' and 'The Voice', although I don't tend to like Hardy on a whole as I like Yeats. I think I like the imagery and themes of Romantic poetry, but I also like the sly, almost plodding progression of rhetoric in Enlightenment poetry. I do like explorations of love and relationships and human nature largely, and I have a sweetness for mythology, of course. That's largely why I liked Wilfred Owen's 'The Parable of the Old Man and the Young'--with the twist--because I don't tend to like war poetry or poetry about patriotism. I find it a bit dry.
I hadn't met Edward Thomas before this, but I quite liked 'Out in the Dark'.
So, in summary, I liked mostly the first thirteen or so pages of this book, which you would be able to tell especially in the first few pages by the abundant annotations. The odd one out was the Owen poem, which is in the section of largely war poems that occupies the latter third of the compilation, and I liked that mainly because of the twist it put on the mythology, and its use of religious parable to impugn the recipients of its moral lesson.