The Era of Megaphonics: On the Productivity of Loud Sound, 1880-1930

by Timothy Hecker

This thesis examines a cultural interest in loud sound as a productive force between 1880 and 1930. Recent historical scholarship on sound at the turn of the 20th century has given substantial attention to noise abatement movements and their efforts to control public space.
In shifting the focus towards a significant collection of people interested in the generative aspects of sonic power and its ability to paralyze the body, empty the mind and even threaten life is to suggest ways in which idealist or utopian hopes were interlaced with an idea of sonic agency. This thesis looks at three aspects of the megaphonic: firstly, the push to build the world's loudest instrument, a pipe organ; secondly, the proliferation of powerful fog-signalling along North American coastlines; and lastly, the development of shock-wave science and the increasing understanding of sound as a physical and mortal force.

224 pages, Unknown Binding

Published January 1, 2014

Reviews

[Daan Keijzer]

Amazingly interesting dissertation about the studies, experiments and practical uses of loud sound. From the "loudness war" of pipe organs in the early twentieth century, to the use of foghorns, early studies of ballistics and gongs to trigger controlled shell shock in mental patients. Fascinating stuff.
Also written by one of my favorite musicians of all time!! Tim, youre the best i fucking love you