Kara Walker: Narratives of a Negress

by Kara Walker, Ian Berry (Editor)

Winner in the book category of the AIGA 50 Books/50 Covers of 2003 competition presented by the American Institute of Graphic ArtsKara Walker (b. 1969) has emerged as one of her generation's most important artists. Best known for her provocative black paper cutout silhouettes, she confronts stereotypes, sex, violence, and power relationships through Civil War-era parodies, narratives, and a mastery of craft and installation.This book, which accompanies an exhibition organized by the Tang Teaching Museum and Art Gallery at Skidmore College and the Williams College Museum of Art, presents a comprehensive overview of Walker's work, beginning with her first cut-paper wall installation, "Gone, An Historical Romance of a Civil War as It Occurred between the Dusky Thighs of One Young Negress and Her Heart" (1994). Other highlights include the 1996 series of twenty-four watercolor drawings, "Brown Follies," which is reproduced in full as an artist's book within the book, and installation views of many of Walker's exhibitions. Recent drawings and projections are also featured. Throughout the book are a selection of the Walker's writings reproduced as they were created typed on index cards. These writings reveal a rarely seen side of the artist, whose words are as provocative as her installations and drawings. The essays discuss Walker's place in art history, formal and narrative readings of her work, her relation to culture at large, and issues of race, sexuality, and representation addressed in her work.Copublished with the Tang Teaching Museum and Art Gallery at Skidmore College and Williams College Museum of Art.

Genres: Art, Nonfiction

205 pages, Hardcover

First published April 1, 2003

Reviews

[Lillian · Rating 4 out of 5]

For final

[Jennpants · Rating 5 out of 5]

I'm re-reading this just after reading it the first time. The photos of Walker's work are great but the essays are mind blowing. I would highly recommend this for anyone wishing to stretch their mind on racism in America, the history of Racist America, the power of stereotypes and how/why to subvert them.

*note* I have a feeling a lot of people, regardless of how they identify, might feel a little uncomfortable with some of the issues raised.

[Syreeta McFadden]

another one of my obsessions.

[Michael · Rating 5 out of 5]

A comprehensive overview of Walker's work to 2003 and 4 amazing, dense, and challenging essays (much like Walker's art). I leave this tome changed.

[Roderick · Rating 1 out of 5]

ugly subject matter is not made more understandable: merely pointless continuation of the racist depictions of Black people (by a Black person)