Global Interests: Renaissance Art Between East and West

by Lisa Jardine, Jerry Brotton

Looking outward for confirmation of who they were and what defined them as "civilized," Europeans encountered the returning gaze of what we now call the East, in particular the attention of the powerful Ottoman Empire. Global Interests explores the historical interactions that arose from these encounters as it considers three less-examined art objects—portrait medals, tapestries, and equestrian art—from a fresh and stimulating perspective. As portable artifacts, these objects are particularly potent tools for exploring the cultural currents flowing between the Orient and Occident.

Global Interests offers a timely reconsideration of the development of European imperialism, focusing on the Habsburg Empire of Charles V. Lisa Jardine and Jerry Brotton analyze the impact this history continues to have on contemporary perceptions of European culture and ethnic identity. They also investigate the ways in which European culture came to define itself culturally and aesthetically during the century-long span of 1450 to 1550. Ultimately, their study offers a radical and wide-ranging reassessment of Renaissance art.

Genres: Art History, History

224 pages, Paperback

First published May 23, 2000

About the author

Lisa Anne Bronowski (Jardine) was a British historian of the early modern period. From 1990 to 2011 she was Centenary Professor of Renaissance Studies and Director of the Centre for Editing Lives and Letters at Queen Mary, University of London. Since 2008 she was Chair of the Human Fertilisation and Embryology Authority (HFEA)] She was a Member of Council of the Royal Institution, but resigned from that post in September 2009. On 1 September 2012, She relocated with her research centre and its staff to University College London (UCL) to become the first director of its Centre for Interdisciplinary Research in the Humanities.

Reviews

[a duck · Rating 4 out of 5]

This book emerged out of conversations the authors, Lisa Jardine (historian, Queen Mary University) and Jerry Brotton (historian, Queen Mary University) had while writing their own monographs—Worldly Goods: A New History of the Renaissance and Trading Territories: Mapping the Early Modern World. The result is an in-depth analysis of the interest in and influence of Middle Eastern and Islamic art in Renaissance Italy.