The Persian poet Hafiz (1315 – 1390) is a literary wonder with unmatched spiritual insights. Now, renowned artist and writer Rassouli dives heart first into the Divan of Hafiz to offer you fresh translations and glorious color illustrations so you can take your own journey into the Wisdom of Madness . Printed on premium cream-colored paper.
Hāfez (حافظ) (Khwāja Shams-ud-Dīn Muḥammad Ḥāfeẓ-e Shīrāzī) was a Persian poet whose collected works (The Divan) are regarded as a pinnacle of Persian literature and are to be found in the homes of most people in Iran, who learn his poems by heart and still use them as proverbs and sayings.
His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-14th century Persian writing more than any other author
Themes of his ghazals are the beloved, faith, and exposing hypocrisy. His influence in the lives of Persian speakers can be found in "Hafez readings" (fāl-e hāfez, Persian: فال حافظ) and the frequent use of his poems in Persian traditional music, visual art, and Persian calligraphy. His tomb is visited often. Adaptations, imitations and translations of his poems exist in all major languages.
Though Hafez is well known for his poetry, he is less commonly recognized for his intellectual and political contributions. A defining feature of Hafez' poetry is its ironic tone and the theme of hypocrisy, widely believed to be a critique of the religious and ruling establishments of the time. Persian satire developed during the 14th century, within the courts of the Mongol Period. In this period, Hafez and other notable early satirists, such as Ubayd Zakani, produced a body of work that has since become a template for the use of satire as a political device. Many of his critiques are believed to be targeted at the rule of Amir Mobarez Al-Din Mohammad, specifically, towards the disintegration of important public and private institutions. He was a Sufi Muslim.
His work, particularly his imaginative references to monasteries, convents, Shahneh, and muhtasib, ignored the religious taboos of his period, and he found humor in some of his society's religious doctrines. Employing humor polemically has since become a common practice in Iranian public discourse and persian satire is now perhaps the de facto language of Iranian social commentary.
شمس الدین محمد، حافظ شیرازی، ملقب به حافظ و لسان الغیب مشهورترین و محبوبترین شاعر تاریخ زبان فارسی و ادبیات ایران حوالی سال ۷۲۶ هجری قمری در شیراز متولد شد. علوم و فنون را در محفل درس برترین استادان زمان فراگرفت و در علوم ادبی عصر پایهای رفیع یافت. خاصه در علوم فقهی و الهی تأمل بسیار کرد و قرآن را با چهارده روایت مختلف از برداشت. پژوهشگران احتمال میدهند همین دلیل باعث شده لقب او حافظ شود. حافظ مسلمان و شیعه مذهب بود و در وادی سلوک و طریقت، عرفان خاص خود را داشت. دیوان اشعار او شامل غزلیات، چند قصیده، چند مثنوی، قطعات و رباعیات است. اما در شعر آنچه بیش از همه او را دست نیافتنی کرده است غزلهای حافظ است. حافظ در سال ۷۹۲ هجری قمری در شیراز درگذشت. آرامگاه او در حافظیهٔ شیراز زیارتگاه صاحبنظران و عاشقان شعر و ادب پارسی است. او همواره و همچنان برای ادبیات پس از خود الهامبخش و تاثیرگذار بوده است
شعرِ حافظ در زمان آدم اندر باغ خُلد دفترِ نسرین و گُل را زینتِ اوراق بود
As a lover of Hafiz, I have red just about every English translation of the poetry of Hafiz. I found such a variation in the translations that I was puzzled which poetry was genuine Hafiz. About six month ago, I finally found genuine translation of Hafiz through the recommendation of an Iranian friend who introduced me to Hafiz:Wisdom of Madness. She told me that Rassouli's translation follows Hafiz's verses word by word. At the beginning, it was difficult for me to connect with many of the verses, but after I red the introduction to the book and learned about Hafiz metaphoric language and symbolism of his archetypes, I got to enjoy every verse of the book just like native Persian speaking readers do. I highly recommend the book and encourage you to read the introduction about the mystical language of Hafiz before you read his poetry.
he’s my favorite poet !!! i love that a lot of his work is up to interpretation on wether it’s about a woman or about the divine, perhaps an overlap of the two. his work is light hearted yet also profound