Time to get into October spirit. Mysteriously, Kindle Unlimited only has some of Ania Ahlborn’s titles available. So I went with this one, sounded nice and spooky, great cover, plus Ahlborn is an undeniably talented writer who tends to deliver. This one, I must say, was one of her lesser efforts. Ahlborn’s already tackled possession (awesomely so), in her terrific debut Seed. And this kinda reads like a lackluster possession redux. And to think it all starts off as a seemingly traditional haunted farmhouse thing. Three kids go in, two come out. 19 years later, the two surviving now adults go in, one comes out. This is the story of that one guy, the last survivor, Jesse Wells, who can’t leave the place well enough alone. But alas, the tale veers into a distinctly Exorcist direction or it’s almost like there are two stories going on, one in which the tragic past of the haunted place revealed, one where in the present day Jesse is very much haunted by it still, something that might end up costing him all he holds dear in his life. Obviously, the stories gel together, Ahlborn’s too good of a writer for them not to, but…here comes the but…neither of the stories are all that original. At all. In fact they are as standard as genre standards are without much added to make them in any way original. The possession angle especially, the traveling demon thing, that’s been done so many times exactly that way, too many times to count on Supernatural alone and I quit that show after 10 seasons. I suppose the thing with a really good author is that one goes in with certain expectations and, in this case, might leave somewhat underwhelmed. Mind you, that’s strictly plot related critique, the writing itself is as good as ever, a genuinely literary descent into madness in a nowhere town in the snowed in Michigan. The setting claustrophobic both physically and metaphorically, with the strange scary farmhouse looming on the outskirts, exerting its terrible inextricable gravity. And Jesse hopelessly tumbling down, down, down. And it’s tragic to watch, but not so very much so, because Jesse isn’t an especially compelling protagonist and not all that bright either (despite desperately dreaming of being a writer), for one thing it never occurs to him to do any research on the place at all. The only way he finds things out is through his work friend who enjoys playing an amateur local historian. Jesse always suspected himself of being a coward, but he’s more of a milquetoast. Playing is safe is his game, but he doesn’t seem to think information would increase that safety. None of that forewarned, forearmed business for Jesse. Or Casey, for that matter. No research at all, just following deadly compulsions and irresistible magnetism of the abandoned estate. But anyway…read it for the atmosphere and you won’t be disappointed. And ideally, don’t make it your first Ahlborn read, so that you don’t end up judging the author’s talents based on this. According to the afterword, the book got interrupted by having a baby, about as disruptive of an event as one might imagine, so maybe that’s in some way responsible for the languid pacing and a certain lack of that wow, check that out sort of flights of imaginative fancy. It doesn’t reinvent the wheel in any way, just puts two different traditional yarns onto one and spins them. Slowly. It’s still miles above a lot of genre writing out there, it just isn’t author’s best work. So, good, not great. Dark psychological literary scares here, enhanced by good writing, stunted by lack of originality. October appropriate in every way.