(Realistic rating: yeah, we're going down to 1 here, folks. This is not quite unreadable drivel, but it's close enough, and I'm mad enough about it, that we're rounding RIGHT on down. Fuck ALL the way off.)
Hey, quick question: what the FUCK is Megan Mulry doing??
I'm fully serious here. Like, is this her entire thing? Putting men and women together for brief periods of time and then separating them after a significant piece of drama and then bringing them back together for True And Permanent Love Eternal? Because, uh, I hate that. I hate it a lot!! Especially when surrounded by unsympathetic choices and side characters and unrealistic dialogue and terrible overall writing!! What the fuck are you doing, Megan!!! This is disastrous storytelling!!!
I mean, maybe it's just me? This book has a lot of high reviews, so -- I don't know, maybe this is what people want to read! Maybe, against all odds, people find a love story in which two people have sex once, then part for a week, then reunite and have sex again, then have a fight as a result of a bout of intense jealousy from the man due to [checks notes] another man helping the woman out of a car, culminating in him destroying an heirloom from her dead mother, followed by a breakup and a lengthy parting, after which they reunite and immediately decide that this is a serious and permanent relationship for them (and that's JUST THE FIRST TWO-THIRDS OF THE BOOK)... compelling? Plausible? Healthy? Enjoyable to read about? I MEAN, CLEARLY THEY DO, BUT I LITERALLY CANNOT EVEN REMOTELY COMPREHEND WHY, BECAUSE OH MY FUCKING GOD.
In all seriousness, though, here's the main reason I don't like stories like this, in which the love happens so instantly and so thoroughly, to the exclusion of all sense or reason or logic (apart from its total lack of realism): BECAUSE of said exclusion of sense or reason or logic, the prevalent emotion that comes through the story, for me, isn't the thrill of falling in love or the warmth of finding a soulmate or the sheer pleasure of reading about two people finding each other. It's fear; it's doubt. It's the acknowledgment of this being reckless and unreasonable and surreal and nonsensical. And that throws a shadow over the entire experience for me, because if the characters are acknowledging it and jumping in anyway, and that's still the main emotion I get from the entire thing, then the author isn't doing a good enough job of convincing me that there are reasons for them to be ignoring those feelings. The good emotions aren't enough to balance out the bad. I don't want to read about intense and passionate relationships that happen super quickly and are acknowledged as scary and irrational and taking-the-plunge-type things! That's not appealing at all! And maybe it is for some people, but they are entirely lost on me, and that seems to be Megan Mulry's contemporary jam, so -- we're going to choose not to engage with her ever again, mmkay? She's very much not for me (and I feel pretty strongly she shouldn't be for anyone, tbh).
Also, I just cannot get over how unsympathetic both of these characters are, even disregarding how unsympathetic their relationship is! I am TOLD over and over again how competent and spectacular Sarah is and how well she's doing at such a young age, but we are literally always seeing her at a disadvantage or out of her depth or handling things poorly in this book?? She never shines in any capacity even once! (Except in bed with Devon, I guess?) And Devon... look, it's the 2000s, how can I still be expected to sympathize with a wildly rich and privileged white man who is just dilettanting about because he is ~scared of showing how smart he is because then he might.... have.... responsibilities...?? Yeah, FULLY miss me with that bullshit. Get all the way out of here and do not stop even once.
It's just... it's bad, folks. It's so, so bad. Megan Mulry is not a good writer, and I deeply regret picking up another book by her after this, and you can best believe I will very much not make that mistake again. AND NEITHER SHOULD YOU.
(OH and do not even get me STARTED on the lesbian character clearly getting set up for a romance with a dude further down the road WHAT THE FUCK ARE YOU DOING, MEGAN!!!!!!!)