The narrator, presented as the author himself, is dismayed by literary critics saying that he has never written a moral tale. The narrator then begins telling the story of his friend Toby Dammit. Dammit is described as a man of many vices, at least in part due to his left-handed mother flogging him with her left hand, which is considered improper. Dammit often made rhetorical bets, becoming fond of the expression "I'll bet the devil my head". Though the narrator tries to break Dammit of bad habits, he fails. Nevertheless, the two remain friends.
The name Poe brings to mind images of murderers and madmen, premature burials, and mysterious women who return from the dead. His works have been in print since 1827 and include such literary classics as The Tell-Tale Heart, The Raven, and The Fall of the House of Usher. This versatile writer’s oeuvre includes short stories, poetry, a novel, a textbook, a book of scientific theory, and hundreds of essays and book reviews. He is widely acknowledged as the inventor of the modern detective story and an innovator in the science fiction genre, but he made his living as America’s first great literary critic and theoretician. Poe’s reputation today rests primarily on his tales of terror as well as on his haunting lyric poetry.
Just as the bizarre characters in Poe’s stories have captured the public imagination so too has Poe himself. He is seen as a morbid, mysterious figure lurking in the shadows of moonlit cemeteries or crumbling castles. This is the Poe of legend. But much of what we know about Poe is wrong, the product of a biography written by one of his enemies in an attempt to defame the author’s name.
The real Poe was born to traveling actors in Boston on January 19, 1809. Edgar was the second of three children. His other brother William Henry Leonard Poe would also become a poet before his early death, and Poe’s sister Rosalie Poe would grow up to teach penmanship at a Richmond girls’ school. Within three years of Poe’s birth both of his parents had died, and he was taken in by the wealthy tobacco merchant John Allan and his wife Frances Valentine Allan in Richmond, Virginia while Poe’s siblings went to live with other families. Mr. Allan would rear Poe to be a businessman and a Virginia gentleman, but Poe had dreams of being a writer in emulation of his childhood hero the British poet Lord Byron. Early poetic verses found written in a young Poe’s handwriting on the backs of Allan’s ledger sheets reveal how little interest Poe had in the tobacco business.
Cuento de corte surrealista. Poe lo define como cuento con moraleja. Está narrado en primera persona y trata sobre la relación entre dos amigos, uno es el narrador y el otro es Toby Dammit. Toby, aun siendo pobre, tiene tendencia a apostar su cabeza ante cualquier reto. Nuestro narrador acaba harto de esta circunstancia hasta que llega una prueba y aparece, de repente, un personaje siniestro.
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A surrealistic tale. Poe defines it as a moral tale. It is narrated in the first person and is about the relationship between two friends, one is the narrator and the other is Toby Dammit. Toby, though poor, has a tendency to bet his head on any challenge. Our narrator becomes fed up with this until a trial occurs and a sinister character suddenly appears.
A boy named Toby Dammit would always bet his head to the devil for everything and one day it came true. It is a short story by Edgar Allan Poe written in response to the criticism that he faced regarding his work.
My Synopsis: Mr. Toby Dammit has always been a troubled young man--due to his mother being left-handed and that rather then beating the evil out of him, she inadvertently beat it in--fond of drink and women and especially gambling. Unfortunately, one should never bet the devil his head...
My Thoughts: Oh my, this is one of the funniest things I've read in ages! I was rolling right from the start... Poe is best known, of course, for chilling Gothics and moody, beautiful poetry, but a lot of people don't realize he was also a brilliant satirist and wit, and this short piece shows exactly why he was so considered. Wonderfully, wickedly, hilariously funny!
Every time I read this story I laugh. Poe is so sarcastic. It comes across as a big "F you" to his critics and a dig at those branches of thought he found silly. I'm laughing now just thinking about it.
Lu dans le recueil "La Chute de la Maison Usher et autres histoires extraordinaires" des éditions RBA coleccionables.
Dix-septième nouvelle du recueil. Et encore une fois, une nouvelle amusante. Je ne savais pas qu'Edgar Poe écrivait autant de comédie noire. En l'occurrence, un jeune homme très désagréable passe son temps à parier sa tête au diable et au bout d'un moment, le diable vient récupérer son dû. Donc on est sur de l'horreur mais très clairement aussi sur de la comédie et qui fonctionne assez bien.
2 stars, because I respect that Poe disapproved of transcendentalism and that he believed all fiction should have a moral; but no more stars than that because the presentation of the moral of this story was pretty boorish.
Never Bet the Devil Your Head is another quick and enjoyable Poe read, another you can complete in a single sitting when you want to pass a small amount of time.
Although this is not my favourite Poe read, it was an interesting little tale. You knew where things were going, yet that did not prevent you from enjoying the outcome. With the sarcasm I’ve come to expect of Poe, Never Bet the Devil Your Head is a pleasing little read.
3.5 Stars rounded up to 4 Stars. I love Poe's wit in the way he responded to the "ignoramus" [Poe's word] critics that said his tales had no moral to impart to readers.
Never Bet the Devil Your Head is often subtitled A Tale with a Moral. "This satire was Poe's literary response to the charge by critics writing in the Transcendentalist magazine The Dial that his fiction lacked moral content. He takes the inclusion of a moral in the story to a ridiculous extreme [O Boy did he! When one ticked Poe off he went after you like a Pit Bull] by making every incident he relates a cause for the expression of yet another principle. Despite assertions of his contempories that Poe's satire is aimed at literary pedanticism, transcendentalism, and The Dial, Poe denied having any specific targets. Instead he wrote, 'The tale in question is a mere Extravaganza leveled at no one in particular, but hitting right and left at things in general.' " Sova Dawn B. (2001). Edgar Allan Poe, A to Z : the essential reference to his life and work. New York: Checkmark Books. (170) "Poe once wrote in a letter to Thomas Holley Chivers that he did not dislike transcendentalists, 'only the pretenders and sophists among them.' " Silverman, Kenneth. (1991). Edgar A. Poe: Mournful and Never-ending Remembrance. New York: Harper Perennial. (169)
NOTE: "Transcendentalism was a movement [by the German philosopher Immanuel Kant] of philosophical idealism that rejected the emphasis on empirical inquiry of the 18th-century Enlightenment and focused instead on the value of the senses and intuition in revealing truth. . . . Poe rejected the idea of the idealism of the movement, which rather than turn to scientific measurement and inquiry to make sense of the world, believed that pure reason in the absence of external evidence would elicit an immediate perception of truth. Unlike the transcendentalists, most of the narrators and characters in Poe's stories and poems cannot trust their senses are eliciting truths or correctly representing their situations, nor can we as readers. Further, in his preoccupation with scientific advances, Poe appeared to have rejected the idealism that pervaded the thinking of the Transcendentalists." Sova Dawn B. (2001). Edgar Allan Poe, A to Z : the essential reference to his life and work. New York: Checkmark Books. (241)
Από τον ποε περίμενα κάτι καλύτερο, όπως πολλή καλά ξέρουμε ότι ο ποε έχει κάνει κάποια πολύ καλά βιβλία και γενικά η γραφή του είναι πολύ ιδιεταιρη και μερικές φορές πολύπλοκη. Αυτό το βιβλίο είναι αρκετά έξυπνο με μαύρο χιούμορ αλλά σε κουράζει, βεβαία είναι ένα καλό βιβλίο για να αρχίσεις να διαβάζεις ποε αλλά είναι πολλά μυθιστορήματα που δεν βγάζουν κανένα νόημα είναι ένα μέτριο μικρό βιβλίο που ναι μεν έχει κάποιες καλές στιγμές αλλά εγώ προσωπικά δεν τρελάθηκα περίμενα κάτι διαφορετικό!
Un pequeño cuento oscuro con la moraleja puesta en el título. No hay duda: Edgar Alan Poe, usted es diabólico Jajajaja 😂
Este breve relato trata del trágico destino de su joven amigo Toby Dammit. Donde Poe utiliza el apellido de este amigo, como una pequeña premonición a su fatal y cruel destino: “Damm it”, que en inglés significa ”maldita sea”. ☹️🎻 Pero ¡momento! que aquí no se trata de un destino basado en la mala suerte, ya que a pesar de lo breve de la historia si llegamos a conocer qué Dammit pasó por violencia familiar. Lo que según Poe afianzó su forma de ser y lo llevó a vivir un trágico destino. ¿Debatible, no? 🤔
De todas formas, les dejo el dato: este pequeño cuento también se encuentra gratis en Apple Books. 📚 Algo chiqui como para despedir marzo. ✌️🤓
Sometimes I forget how great a satirist Poe was, and this story just proves it.
"I bedewed his grave with my tears, worked a bar sinister on his family escutcheon, and for the general expenses of his funeral sent in my very moderate bill to the transcendentalists. The scoundrels refused to pay, so I had Mr. Dammit dug up at once, and sold him for dog’s meat. "
*Read in an Edgar Allan Poe Tales of Horror Collection* I'm so here for sassy Poe 😆 A moral story wrapped up in a neat little package; 1800's language and phrasing sure is something else 🙈
Es un cuento satírico y mordaz que critica el moralismo excesivo y la hipocresía de la sociedad. La historia es narrada por un personaje anónimo que recuerda a su amigo Toby Dammit, un hombre impulsivo y rebelde que desprecia las normas y constantemente desafía el destino con su frase favorita: "Te apuesto mi cabeza al diablo a que puedo hacerlo".
A lo largo del relato, el narrador describe cómo Toby, a pesar de sus advertencias, insiste en apostar su cabeza al diablo en cada situación arriesgada. Su arrogancia y actitud temeraria lo llevan a un desenlace irónico y macabro cuando, en un desafío final, su destino se cumple de la manera más literal posible.
"I felt particularly puzzled, and when a man is particularly puzzled he must knit his brows and look savage, or else he is pretty sure to look like a fool..."
That was my favourite part. Everything else sounded self-righteous to me. I imagine it was the thoughts of the people in high school and college who tried (and failed) to bully me out of my dark make-up, black clothing, rock music and coloured hair.