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Freedman/Johnson #1
De eerste krokus
De eerste krokus van Laila Ibrahim is een meeslepende roman over slavernij en moederschap in de negentiende eeuw.
Als Lisbeth geboren wordt bij rijke plantageeigenaren, wordt slavin Mattie weggehaald bij haar eigen baby om het meisje te voeden en te verzorgen. Terwijl Lisbeth opgroeit in twee werelden, wordt de band met Mattie steeds sterker. Rituelen ontwikkelen zich: zo zoeken ze elk jaar samen naar de eerste gele krokus van de lente. Langzaam maar zeker groeit Lisbeths afkeer van de slavernij.
Als Mattie jaren later ontsnapt, volgen we het verdere leven van Lisbeth. Op haar verlovingsfeest komt ze tot een schokkende ontdekking die haar wereld compleet op z'n kop zet…
Als Lisbeth geboren wordt bij rijke plantageeigenaren, wordt slavin Mattie weggehaald bij haar eigen baby om het meisje te voeden en te verzorgen. Terwijl Lisbeth opgroeit in twee werelden, wordt de band met Mattie steeds sterker. Rituelen ontwikkelen zich: zo zoeken ze elk jaar samen naar de eerste gele krokus van de lente. Langzaam maar zeker groeit Lisbeths afkeer van de slavernij.
Als Mattie jaren later ontsnapt, volgen we het verdere leven van Lisbeth. Op haar verlovingsfeest komt ze tot een schokkende ontdekking die haar wereld compleet op z'n kop zet…
304 pages, Paperback
First published December 17, 2010
About the author
Laila Ibrahim
9 books2,267 followersMy education and experience in multiracial, developmental psychology and attachment theory provide ample fodder for my novels. My passion for early childhood education, child birth and religious education are reflected in my writing.
I was the founder and director of Woolsey Children's School where I had first hand experience loving children that were not my own. There are scenes in Yellow Crocus that were largely influenced interactions I had with children from Woolsey.
As a birth doula I had the privilege of witnessing the intensity and joy of childbirth. You can see that my birth experiences are reflected in my novels.
Spiritual themes that cross over multiple religious traditions come directly from working as the Director of Children and Family Ministries at the First Unitarian Church in Oakland.
I live in a small co-housing community in Berkeley, California, with my wonderful wife, Rinda and our beloved dog, Hazel. Our young adult children are our pride and joy.
I'm very grateful to be a full time writer starting in 2015.
I was surprised when the writing bug bit me. The idea for the story came to me in 1998, I was with a group of people talking about Tiger Woods. Someone mentioned that he identifies as much as an Asian person as an African-American person. I thought to myself, "Of course he does, his mother is Asian. You form your core identity in relationship to your primary caregivers. It's a basic part of the attachment process."
Then the image of Lisbeth, a white baby, breastfeeding in the loving arms of Mattie, an enslaved wetnurse came to me in a flash. I thought about what it would be like for Lisbeth to dearly love Mattie and then be taught by society that she wasn't a full person. I wondered how it would feel for Mattie to be forced to abandon Samuel, her own child, in the slave Quarters. Then I imagined what the experience would be like for Miss Anne, the birth mother, to have her own child twist away from her to get into Mattie's arms. These characters started to haunt me. Various scenes popped into my head. Though I had never written anything, I was being called to tell this story. For my fortieth birthday, I began the personal marathon of writing my first novel. I hope you will come to love these characters as much as I have.
At face value Living Right seems like a big leap from Yellow Crocus, but it deals with the same themes: a caregiver loving across a huge societal barrier.
I LOVED returning to Mattie, Lisbeth and Jordan for Mustard Seed. The story of finding faith in hopeless times really resonates for me. I plan to return to their families' ongoing journey after I finish my current novel-Paper Wife.
Paper Wife focuses on Mei Ling, a young Chinese woman immigrating to San Francisco through Angel Island a in the early 1920's. Reactionary anti-immigration laws in the United States and warfare in China caused people desperate for survival to be misleading about their identities so they could be united with family and have access to work. Mei Ling yearns to have a life of integrity though it was built on a foundation of lies.
Golden Poppies returns to the Freedman and Johnson families. It was fascinating to bring them to California, to look at the suffrage movement, and to see how they could keep their connection strong in spite of the very different social worlds they occupied.
I'm feeling a tug to bring the descendants of these families to the 2000s. Scarlet Carnation gets us to World War 1. I'm just starting the World War 2 era novel.
I was the founder and director of Woolsey Children's School where I had first hand experience loving children that were not my own. There are scenes in Yellow Crocus that were largely influenced interactions I had with children from Woolsey.
As a birth doula I had the privilege of witnessing the intensity and joy of childbirth. You can see that my birth experiences are reflected in my novels.
Spiritual themes that cross over multiple religious traditions come directly from working as the Director of Children and Family Ministries at the First Unitarian Church in Oakland.
I live in a small co-housing community in Berkeley, California, with my wonderful wife, Rinda and our beloved dog, Hazel. Our young adult children are our pride and joy.
I'm very grateful to be a full time writer starting in 2015.
I was surprised when the writing bug bit me. The idea for the story came to me in 1998, I was with a group of people talking about Tiger Woods. Someone mentioned that he identifies as much as an Asian person as an African-American person. I thought to myself, "Of course he does, his mother is Asian. You form your core identity in relationship to your primary caregivers. It's a basic part of the attachment process."
Then the image of Lisbeth, a white baby, breastfeeding in the loving arms of Mattie, an enslaved wetnurse came to me in a flash. I thought about what it would be like for Lisbeth to dearly love Mattie and then be taught by society that she wasn't a full person. I wondered how it would feel for Mattie to be forced to abandon Samuel, her own child, in the slave Quarters. Then I imagined what the experience would be like for Miss Anne, the birth mother, to have her own child twist away from her to get into Mattie's arms. These characters started to haunt me. Various scenes popped into my head. Though I had never written anything, I was being called to tell this story. For my fortieth birthday, I began the personal marathon of writing my first novel. I hope you will come to love these characters as much as I have.
At face value Living Right seems like a big leap from Yellow Crocus, but it deals with the same themes: a caregiver loving across a huge societal barrier.
I LOVED returning to Mattie, Lisbeth and Jordan for Mustard Seed. The story of finding faith in hopeless times really resonates for me. I plan to return to their families' ongoing journey after I finish my current novel-Paper Wife.
Paper Wife focuses on Mei Ling, a young Chinese woman immigrating to San Francisco through Angel Island a in the early 1920's. Reactionary anti-immigration laws in the United States and warfare in China caused people desperate for survival to be misleading about their identities so they could be united with family and have access to work. Mei Ling yearns to have a life of integrity though it was built on a foundation of lies.
Golden Poppies returns to the Freedman and Johnson families. It was fascinating to bring them to California, to look at the suffrage movement, and to see how they could keep their connection strong in spite of the very different social worlds they occupied.
I'm feeling a tug to bring the descendants of these families to the 2000s. Scarlet Carnation gets us to World War 1. I'm just starting the World War 2 era novel.
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Displaying 1 - 30 of 7,255 reviews
July 21, 2011
I want to wrap my arms and legs around this book and hang onto it forever. With a depth and subtlety I'm sure I didn't even fully grasp during this first read, Yellow Crocus captured my attention and my emotions on every single page. I am hungry to pick it up and start all over again. Beautiful, warm, hopeful, and inspiring, this story unfolded so seamlessly I felt like I was living it. To finish the last page left me renewed and deeply satisfied. This is the kind of book that makes me glad to be a reader and studier of the richness of life as it is told in stories. This book is a must-read for any list.
November 11, 2016
During the last 30 minutes of listening to this book, I was so full of emotion.
August 16, 2014
When I read The Invention of Wings last year , it made me think about little I really knew about slavery in spite of having read books and seen movies depicting the despicable injustices and inhumane treatment that black slaves in this country were forced to live with . Once again, this time in Yellow Crocus, the author provides a story that showed me yet another heartache that a female slave on a southern plantation in 1837 was made to bear and my education continues.
I can't begin to explain how heartbreaking this story was for probably more than half of this book. I had a knot in my stomach and felt like I couldn't breathe at times. It was gut wrenching and not surprisingly so but that didn’t make it any easier. Mattie's heart was broken as she was separated from her mother at eight, when her mother was sold. Now, Mattie at 19 is forced to leave her 3 month old son and move to her master's house to be wet nurse and care giver for his newborn baby girl Elizabeth. She can see her son Samuel once a week and only allowed to watch him through a window .
In spite of this mother's heartache, Mattie not only gives Lisbeth her milk but she gives her genuine love and becomes for Lisbeth a guiding force that shapes the strong woman that Lisbeth becomes .
This is a short book and I'm not willing to tell more of the plot because you really should find out for yourself what a fine piece of writing this is .In spite of the atrocities, this small book is also full of the hope that the yellow crocus in early spring represents. Highly recommended.
Thanks to Lake Union Publishing and NetGalley.
I can't begin to explain how heartbreaking this story was for probably more than half of this book. I had a knot in my stomach and felt like I couldn't breathe at times. It was gut wrenching and not surprisingly so but that didn’t make it any easier. Mattie's heart was broken as she was separated from her mother at eight, when her mother was sold. Now, Mattie at 19 is forced to leave her 3 month old son and move to her master's house to be wet nurse and care giver for his newborn baby girl Elizabeth. She can see her son Samuel once a week and only allowed to watch him through a window .
In spite of this mother's heartache, Mattie not only gives Lisbeth her milk but she gives her genuine love and becomes for Lisbeth a guiding force that shapes the strong woman that Lisbeth becomes .
This is a short book and I'm not willing to tell more of the plot because you really should find out for yourself what a fine piece of writing this is .In spite of the atrocities, this small book is also full of the hope that the yellow crocus in early spring represents. Highly recommended.
Thanks to Lake Union Publishing and NetGalley.
August 5, 2023
Why I chose to read this book:
1. the title and synopsis caught my eye while perusing GR;
2. my daughter gifted me a copy after seeing it on my WTR list; and,
3. August 2023 is my self-declared "Historical Fiction Month".
Praises:
1. a quick read about the relationship between a white girl and her wet nurse/mammy in Virginia during the early to mid-1800s;
2. actions and sentiments by various characters seemed realistic to this time period; and,
3. it contained a small, but interesting portion about the Underground Railroad.
Niggles:
1. for a debut novel, I thought the writing was good overall; however, it felt simplistic and predictable. I've read several fictional books about slavery in America over the years, so I was hoping for something more unique;
2. unfortunately, I felt that the character development was underwhelming, thereby leading me to feel no connection to either of the main characters; and,
3. some plot lines were overly detailed (e.g. Lisbeth's childbirth scene) whereas other were underdeveloped (e.g. Mattie's experience in the Underground Railroad.) Also, we see a huge portion of Lisbeth's experiences as she grows into womanhood, but Mattie seems to have fallen off the map!
Overall Thoughts:
I found it to be an average telling of the Antebellum Era. I wish it were more intense and emotional for me.
I have the other books in this series on my WTR list: Mustard Seed, Golden Poppies, and Scarlet Carnation which I still plan on reading, as well as another book by Laila Ibrahim that I own titled Paper Wife.
1. the title and synopsis caught my eye while perusing GR;
2. my daughter gifted me a copy after seeing it on my WTR list; and,
3. August 2023 is my self-declared "Historical Fiction Month".
Praises:
1. a quick read about the relationship between a white girl and her wet nurse/mammy in Virginia during the early to mid-1800s;
2. actions and sentiments by various characters seemed realistic to this time period; and,
3. it contained a small, but interesting portion about the Underground Railroad.
Niggles:
1. for a debut novel, I thought the writing was good overall; however, it felt simplistic and predictable. I've read several fictional books about slavery in America over the years, so I was hoping for something more unique;
2. unfortunately, I felt that the character development was underwhelming, thereby leading me to feel no connection to either of the main characters; and,
3. some plot lines were overly detailed (e.g. Lisbeth's childbirth scene) whereas other were underdeveloped (e.g. Mattie's experience in the Underground Railroad.) Also, we see a huge portion of Lisbeth's experiences as she grows into womanhood, but Mattie seems to have fallen off the map!
Overall Thoughts:
I found it to be an average telling of the Antebellum Era. I wish it were more intense and emotional for me.
I have the other books in this series on my WTR list: Mustard Seed, Golden Poppies, and Scarlet Carnation which I still plan on reading, as well as another book by Laila Ibrahim that I own titled Paper Wife.
April 29, 2013
This was a wonderfully written book! This book follows two characters, Mattie and Lisbeth, and is set in the mid-1800's in Virginia. Mattie is a slave woman for Lisbeth's family and is called in to be a wet nurse to young Elizabeth (Lisbeth). Forced to leave her own son just a few months old, Mattie is moved into the house and raises the young girl, almost as her own, for several years...
The first half of the book we gets the first several years from Mattie, but as the years wear on, it starts to shift to Lisbeth's. We get to see her turmoil as Mattie longs to be with her son and family but has also grown close to her young charge. All seems as ideal as it can be for a slave family for the first several yours but as Mattie's son grows older, problems arise.
We switch to Lisbeth as she begins o be taught about society, and her place in it. And the place of slaves, men, etc. When Mattie is no longer by her side she is forced to make her own decisions for good or bad. But what is that in the 1850's? How do you cope being divided by love from family?
I greatly appreciated the honesty the author brought forth. So many are afraid to speak or write the truth of how things were. While this book surely tones it down, it does note paint it pretty either. And the further into the book, the darker some of the subjects get. I hate when authors over sugar-coat the past. All men were NOT seen as equal then. and women were not to men. This portrays things relatively accurate. My feelings toward the characters were mild but consistently there. A light empathy.
This book hits some deep subjects. For those who get angry at the idea of slavery or past prejudice, do not read this. This refers to slaves as they were called in those days. This is not for the young readers, there is a rape scene,and whipping in this. For the mature reader this is a wonderful book for both history and the bonds of love, family, loyalty and friendship.
I received this book from Flaming Chalice Press in exchange for a fair and honest review. So special thanks to them! *No money or other exchanges involved*
2020- Touchy touchy subject these days. Touchy language. But I am glad the author kept to the truth of the matter. She didn't assume too much of how life was for everyone but enough that will make you think and wonder. Good and bad. It is sad to see how easily people just accepted things without question. The roles one plays in life. Turning a blind eye to what happens to those in the quarters. What is allowed. It is terrible. It even shows how some plantations were far worse than others. I felt more connected to the characters the second time. I even cried a bit at the end. But I did notice some bad formatting with the amazon download.
The first half of the book we gets the first several years from Mattie, but as the years wear on, it starts to shift to Lisbeth's. We get to see her turmoil as Mattie longs to be with her son and family but has also grown close to her young charge. All seems as ideal as it can be for a slave family for the first several yours but as Mattie's son grows older, problems arise.
We switch to Lisbeth as she begins o be taught about society, and her place in it. And the place of slaves, men, etc. When Mattie is no longer by her side she is forced to make her own decisions for good or bad. But what is that in the 1850's? How do you cope being divided by love from family?
I greatly appreciated the honesty the author brought forth. So many are afraid to speak or write the truth of how things were. While this book surely tones it down, it does note paint it pretty either. And the further into the book, the darker some of the subjects get. I hate when authors over sugar-coat the past. All men were NOT seen as equal then. and women were not to men. This portrays things relatively accurate. My feelings toward the characters were mild but consistently there. A light empathy.
This book hits some deep subjects. For those who get angry at the idea of slavery or past prejudice, do not read this. This refers to slaves as they were called in those days. This is not for the young readers, there is a rape scene,and whipping in this. For the mature reader this is a wonderful book for both history and the bonds of love, family, loyalty and friendship.
I received this book from Flaming Chalice Press in exchange for a fair and honest review. So special thanks to them! *No money or other exchanges involved*
2020- Touchy touchy subject these days. Touchy language. But I am glad the author kept to the truth of the matter. She didn't assume too much of how life was for everyone but enough that will make you think and wonder. Good and bad. It is sad to see how easily people just accepted things without question. The roles one plays in life. Turning a blind eye to what happens to those in the quarters. What is allowed. It is terrible. It even shows how some plantations were far worse than others. I felt more connected to the characters the second time. I even cried a bit at the end. But I did notice some bad formatting with the amazon download.
January 18, 2020
Yellow Crocus a novel by Laila Ibrahim. Bookclub read and the one will certainly make for a good discussion. I read this some years ago so knew I was in for a great good book second time around.
I am so glad I read this Novel as the saying goes “ Good goods come in small parcels”.
Yellow Crocus -is a flower that blooms in the most adverse conditions. What a great name for this Novel, makes you appreciate the thought the author put into this book.
This is a short novel and as I have been having a bad streak with books lately this was exactly the sort of book I had been searching for. I found the novel Yellow Crocus a very enjoyable book, no tricks or fireworks just a good story with a few historical facts to keep me interested.
I liked the simplicity of this novel, I believe it is the author's first book and I really look forward to future books. I sensed the author is passionate about her subject and she gets to the point and no waffling.
This book follows the relationship between an enslaved black women and a little white girl she is forced to care for. Mattie is taken from her baby son and must leave him in the care of others, and forced to become a wet nurse to Elizabeth who is the Master's first born daughter at the big house.
Yellow Crocus is story about love, relationships and slavery and how in history mankind are guilty of so much pain and suffering of, and it’s through books like this one we are reminded of these times and we do need reminding how cruel life has been in the past and sadly in present times also.
I really grew very quickly to love the characters in this novel they are well developed and the story is well constructed.
The ending of the Novel I did feel was a little contrived but did not take away from my overall enjoyment of the book.
If you liked the
The Kitchen House you may well will enjoy this Book.
I am so glad I read this Novel as the saying goes “ Good goods come in small parcels”.
Yellow Crocus -is a flower that blooms in the most adverse conditions. What a great name for this Novel, makes you appreciate the thought the author put into this book.
This is a short novel and as I have been having a bad streak with books lately this was exactly the sort of book I had been searching for. I found the novel Yellow Crocus a very enjoyable book, no tricks or fireworks just a good story with a few historical facts to keep me interested.
I liked the simplicity of this novel, I believe it is the author's first book and I really look forward to future books. I sensed the author is passionate about her subject and she gets to the point and no waffling.
This book follows the relationship between an enslaved black women and a little white girl she is forced to care for. Mattie is taken from her baby son and must leave him in the care of others, and forced to become a wet nurse to Elizabeth who is the Master's first born daughter at the big house.
Yellow Crocus is story about love, relationships and slavery and how in history mankind are guilty of so much pain and suffering of, and it’s through books like this one we are reminded of these times and we do need reminding how cruel life has been in the past and sadly in present times also.
I really grew very quickly to love the characters in this novel they are well developed and the story is well constructed.
The ending of the Novel I did feel was a little contrived but did not take away from my overall enjoyment of the book.
If you liked the
The Kitchen House you may well will enjoy this Book.
August 31, 2013
Yellow Crocus received such overwhelmingly good reviews on Goodreads, and I like historical fiction, especially tales set in early America. For example, I loved The Kitchen House, which also dealt with pre-Civil War slavery. So I was really looking forward to reading this book. My expansive local library doesn't have it, so I put in an inter-library loan request and received the book from a library in Oklahoma. All good so far. Then I started reading. And, boy, was I disappointed. What could have been a powerful story was overly tidy and simplified. Sometimes the book skipped details that could have been important -- such as Elizabeth's mother's feelings for her daughter and how these feelings helped shape the girl, or how Elizabeth's father's beliefs influenced his treatment of slaves -- and other times it bogged down in details that added nothing. Apart from Mattie and Elizabeth, the characters were not adequately developed, and their motivations were unclear. The dialogue was inconsistent and sometimes pointless:
"...Next year I would like to have crocus blooming in our yard."
"That would be lovely," Matthew replied, smiling at his wife.
"Though the bulbs are quite expensive..."
"It is a luxury we can afford," he assured her.
"Thank you, Matthew," Lisbeth smiled back. "Can you believe we have lived here for nearly a year?"
"It has passed quickly."
And, while the author certainly doesn't paint slavery in a favorable light, the "fairy tale" ending wasn't believable. A really talented editor might have been able to salvage this book, refining the marginal writing and helping Yellow Crocus to become all it had the potential to be.
"...Next year I would like to have crocus blooming in our yard."
"That would be lovely," Matthew replied, smiling at his wife.
"Though the bulbs are quite expensive..."
"It is a luxury we can afford," he assured her.
"Thank you, Matthew," Lisbeth smiled back. "Can you believe we have lived here for nearly a year?"
"It has passed quickly."
And, while the author certainly doesn't paint slavery in a favorable light, the "fairy tale" ending wasn't believable. A really talented editor might have been able to salvage this book, refining the marginal writing and helping Yellow Crocus to become all it had the potential to be.
February 14, 2016
It's so interesting to me sometimes how my brain works. I've seen this book on Goodreads for a while now, and yet I never gave it any thought at all, never showed even the slightest spark of interest in looking to see what it was about because of the cover:
To me, that just about screams "Christian Romance". Ick.
But then I saw the Kindle edition cover when browsing the Kindle Unlimited options, and THAT one spoke to me and said that this book might be one that could interest me.
So I picked it up and read it. Well, to be fair, I half listened to it (because KU also includes audiobooks!) and half read it. I finished it in just a few hours, during a drive to my NJ Bookclub and back, and then at home after, and though it was a quick read... I'm just not sure what I really thought about it.
In a lot of ways, this was very similar to The Help. This was an impression that was very much helped along by the audio, which was read by Bahni Turpin who read both books. I happened to really enjoy The Help... but for some reason, this book just felt pretty unrealistic to me in a few key ways. And, you know, if I was fair, I would apply some of these same complaints to The Help... but life isn't fair, and neither am I.
See here's the thing, I know that The Help had flaws, but I enjoyed the story and the characters and the atmosphere and the feel of the story so much that I was able to just lose myself in the book and ignore them. And for me, that doesn't happen as often as I would like it to. I have this habit of not being able to turn off my inner critic sometimes. OK lots of the time. I'm the girl who will call out the illogical physics during a ghost fight on top of a moving vehicle that is in a book about trying to kill God during near death experiences. Just saying.
ANYWAY - so, when I can just enjoy a book and I DON'T get caught up in all the flaws and stuff that take me out of the moment, that makes me happy.
This book tried too hard to make me happy, and it ruined everything. OK, maybe not everything. I'm still giving it 3 stars, but... it's a generous three. Maybe 2 1/2 rounded up. OK probably 2.
You see, as much as I like being happy from the "I'm loving this book and I'm lost in the story and nothing else matters" feels... I'm not a happy ending fan. Sure, I might secretly hope for one... but if it's too contrived in order to have one, then I will resent it. And that's the main problem that I had with this book. It was just too contrived.
There will be spoilers. You've been warned.
We have Mattie, our slave new mother who was pulled away from her 3 month old son in order to nurse newborn Elizabeth. Excuse me, Miss Elizabeth. Mattie is heartbroken that she has to be away from her baby, but she comes to love Lisbeth, and the two form a bond over many years. Mattie suffers being away from her family and home, but Lisbeth, who of course is young and doesn't know any better than what her parents teach her, thinks that Mattie should be happy because her life is easier than it was as a field-hand. She's just ignorant, which is understandable.
Anyway... Years later, Mattie's son is sold to a nearby family, and he runs away with his father (who was on another nearby plantation). Mattie is "questioned" about it, by which I mean that they whip her in the hopes that she would spill their whereabouts. She doesn't, but she shortly finds out that she is pregnant... and at that point she decides that she will run too when she can. She decides to run a few months after her daughter is born.
So up until this point, the point of Mattie's run, I was digging the story. After this point, it started to just go south for me. Semi-pun intended. You see, it's SUPPOSED to seem as though it was a really harrowing and dangerous escape, but it wasn't. It was too easy and not well enough explained why. We're to understand that she was helped along by the Underground Railroad... But I wanted details as to how it was planned and such. It really just seemed like a series of convenient escapes. At one point she's spotted, and, with no explanation at all, suddenly had made herself sick with poisonous plants that she'd swallowed at some point in preparation for being stopped which she didn't know would happen? I dunno. She got out of that by puking all over the place though, so mission accomplished.
It was all kind of like that. We're supposed to interpret this as being a kind of luck-slash-resourceful-slash-determination thing, but it just seemed too contrived for me. It was too quick, too easy.
So, let's hop back over to Lisbeth, because for a while Mattie goes out of our story once she makes her destination. Lisbeth is now being groomed to be a Proper Southern Wife, blah blah blah. She goes along with everything because making a good match with a wealthy dude is much more important than happiness. Nevermind that the one decent guy she knows is pretty much mocked for being "almost an abolitionist!"
Well, mere days before her wedding, she spots future hubby raping a young slave girl. She freaks out (because, mind you, she's "innocent" and had no idea such a thing occurred), and future hubby was like "Don't sweat it, once we're hitched I won't stick it to anyone but you!" Mother and Daddy basically tell her to get over it, but she can't. She's haunted by the frightened eyes of the girl being raped. So, knowing that her life in the area is over if she breaks her engagement, she proposes to Mr. Almost An Abolitionist and asks him to take her with him when he moves (conveniently) away. They do this, she breaks off her previous engagement, everyone flips their shit, and then they move...
...To the exact town where Mattie ended up. Neither one of them knew that, of course. We're just supposed to believe that it was purely a coincidence that in ALL of the possible Northern locations they each could have chosen, they each chose the same one. Like fate or something.
And then of course when Lisbeth's pregnancy starts getting complicated, they bring in a midwife to assist, and you'll NEVER guess who it is. Never in a million bajillion trillion years.
It was MATTIE!
Look, I get that people want happy endings to slavery stories. They want the slaves to be freed, and for white people to have learned the error of their racist, shitty ways, and for there to be a happy-ever-after. But that's not really how it was. It wasn't a romanticized forced-but-fateful bond between a slave and her charge. It was just fucking slavery. It's not sweet, no matter how much sugar you pile onto the page.
There were bits that I liked, and as I said, I really enjoyed the first half. But the second half just felt so contrived to accomplish that happy-ever-after, that "growth" from Lisbeth, where she realized that slaves REALLY are people, too. I didn't feel like these characters were REAL... they were just vehicles for the plot and the lesson. And that spoiled the whole thing for me.
To me, that just about screams "Christian Romance". Ick.
But then I saw the Kindle edition cover when browsing the Kindle Unlimited options, and THAT one spoke to me and said that this book might be one that could interest me.
So I picked it up and read it. Well, to be fair, I half listened to it (because KU also includes audiobooks!) and half read it. I finished it in just a few hours, during a drive to my NJ Bookclub and back, and then at home after, and though it was a quick read... I'm just not sure what I really thought about it.
In a lot of ways, this was very similar to The Help. This was an impression that was very much helped along by the audio, which was read by Bahni Turpin who read both books. I happened to really enjoy The Help... but for some reason, this book just felt pretty unrealistic to me in a few key ways. And, you know, if I was fair, I would apply some of these same complaints to The Help... but life isn't fair, and neither am I.
See here's the thing, I know that The Help had flaws, but I enjoyed the story and the characters and the atmosphere and the feel of the story so much that I was able to just lose myself in the book and ignore them. And for me, that doesn't happen as often as I would like it to. I have this habit of not being able to turn off my inner critic sometimes. OK lots of the time. I'm the girl who will call out the illogical physics during a ghost fight on top of a moving vehicle that is in a book about trying to kill God during near death experiences. Just saying.
ANYWAY - so, when I can just enjoy a book and I DON'T get caught up in all the flaws and stuff that take me out of the moment, that makes me happy.
This book tried too hard to make me happy, and it ruined everything. OK, maybe not everything. I'm still giving it 3 stars, but... it's a generous three. Maybe 2 1/2 rounded up. OK probably 2.
You see, as much as I like being happy from the "I'm loving this book and I'm lost in the story and nothing else matters" feels... I'm not a happy ending fan. Sure, I might secretly hope for one... but if it's too contrived in order to have one, then I will resent it. And that's the main problem that I had with this book. It was just too contrived.
There will be spoilers. You've been warned.
We have Mattie, our slave new mother who was pulled away from her 3 month old son in order to nurse newborn Elizabeth. Excuse me, Miss Elizabeth. Mattie is heartbroken that she has to be away from her baby, but she comes to love Lisbeth, and the two form a bond over many years. Mattie suffers being away from her family and home, but Lisbeth, who of course is young and doesn't know any better than what her parents teach her, thinks that Mattie should be happy because her life is easier than it was as a field-hand. She's just ignorant, which is understandable.
Anyway... Years later, Mattie's son is sold to a nearby family, and he runs away with his father (who was on another nearby plantation). Mattie is "questioned" about it, by which I mean that they whip her in the hopes that she would spill their whereabouts. She doesn't, but she shortly finds out that she is pregnant... and at that point she decides that she will run too when she can. She decides to run a few months after her daughter is born.
So up until this point, the point of Mattie's run, I was digging the story. After this point, it started to just go south for me. Semi-pun intended. You see, it's SUPPOSED to seem as though it was a really harrowing and dangerous escape, but it wasn't. It was too easy and not well enough explained why. We're to understand that she was helped along by the Underground Railroad... But I wanted details as to how it was planned and such. It really just seemed like a series of convenient escapes. At one point she's spotted, and, with no explanation at all, suddenly had made herself sick with poisonous plants that she'd swallowed at some point in preparation for being stopped which she didn't know would happen? I dunno. She got out of that by puking all over the place though, so mission accomplished.
It was all kind of like that. We're supposed to interpret this as being a kind of luck-slash-resourceful-slash-determination thing, but it just seemed too contrived for me. It was too quick, too easy.
So, let's hop back over to Lisbeth, because for a while Mattie goes out of our story once she makes her destination. Lisbeth is now being groomed to be a Proper Southern Wife, blah blah blah. She goes along with everything because making a good match with a wealthy dude is much more important than happiness. Nevermind that the one decent guy she knows is pretty much mocked for being "almost an abolitionist!"
Well, mere days before her wedding, she spots future hubby raping a young slave girl. She freaks out (because, mind you, she's "innocent" and had no idea such a thing occurred), and future hubby was like "Don't sweat it, once we're hitched I won't stick it to anyone but you!" Mother and Daddy basically tell her to get over it, but she can't. She's haunted by the frightened eyes of the girl being raped. So, knowing that her life in the area is over if she breaks her engagement, she proposes to Mr. Almost An Abolitionist and asks him to take her with him when he moves (conveniently) away. They do this, she breaks off her previous engagement, everyone flips their shit, and then they move...
...To the exact town where Mattie ended up. Neither one of them knew that, of course. We're just supposed to believe that it was purely a coincidence that in ALL of the possible Northern locations they each could have chosen, they each chose the same one. Like fate or something.
And then of course when Lisbeth's pregnancy starts getting complicated, they bring in a midwife to assist, and you'll NEVER guess who it is. Never in a million bajillion trillion years.
It was MATTIE!
Look, I get that people want happy endings to slavery stories. They want the slaves to be freed, and for white people to have learned the error of their racist, shitty ways, and for there to be a happy-ever-after. But that's not really how it was. It wasn't a romanticized forced-but-fateful bond between a slave and her charge. It was just fucking slavery. It's not sweet, no matter how much sugar you pile onto the page.
There were bits that I liked, and as I said, I really enjoyed the first half. But the second half just felt so contrived to accomplish that happy-ever-after, that "growth" from Lisbeth, where she realized that slaves REALLY are people, too. I didn't feel like these characters were REAL... they were just vehicles for the plot and the lesson. And that spoiled the whole thing for me.
August 17, 2021
3 ⭐⭐⭐
August 17, 2017
What could have been a beautiful story but turned into just a show of sugary affection because the author didn’t capture the relationship between master and the servant and the effect of slavery on it.
Yellow Crocus explores the relationship of Elizabeth, the white master, and Mattie, the black servant. When Elizabeth was born, she was handed to Mattie. It was Mattie’s job to see the needs of child, feeding and bathing etc. As the child grew up, the bond between these two also got stronger. Elizabeth’s parents sell Mattie’s son to a neighboring plantation. The child could not survive there and escapes, never to be found again. Mattie was questioned and beaten, and soon was relieved from the duties as Elizabeth’s nanny. She too soon fled to Ohio to be with her son and her husband. And years later, fate brought both these women together.
This story is so simple. With such high ratings I expected so much from this considering the subject matter of the story. While reading the book I never felt the “sufferings” of poor slaves. Mattie was quite liked in the white household and well taken care of. She can’t blame her masters for mistreating her or beating her. Had she been working in fields, perhaps it would have been a different story. Escaping was her own decision.
As for Elizabeth, she was deeply attached to Mattie but she soon forgot about her once she started going to classes which groomed her in how to be a perfect lady and dance practices. Soon the only motive of her life was to be married off to a rich heir and be an heiress. She seemed so flimsy. One minute she wanted to be a heiress, the next she just ran away from everything. It never got well with me.
Both characters had no emotion that touched me. They felt flat and one dimensional to me. Moreover, the story didn’t do justice to the slavery in 1800s. for most part, it seemed like they were living like one big happy family. And perhaps that’s what author wanted to show in this story but it didn’t go well for me. When I think of slavery, I think of brutality, gore, selfishness, cruelty, helplessness, dejection, anger, but I didn’t get any of that here.
It just didn’t work for me.
Yellow Crocus explores the relationship of Elizabeth, the white master, and Mattie, the black servant. When Elizabeth was born, she was handed to Mattie. It was Mattie’s job to see the needs of child, feeding and bathing etc. As the child grew up, the bond between these two also got stronger. Elizabeth’s parents sell Mattie’s son to a neighboring plantation. The child could not survive there and escapes, never to be found again. Mattie was questioned and beaten, and soon was relieved from the duties as Elizabeth’s nanny. She too soon fled to Ohio to be with her son and her husband. And years later, fate brought both these women together.
This story is so simple. With such high ratings I expected so much from this considering the subject matter of the story. While reading the book I never felt the “sufferings” of poor slaves. Mattie was quite liked in the white household and well taken care of. She can’t blame her masters for mistreating her or beating her. Had she been working in fields, perhaps it would have been a different story. Escaping was her own decision.
As for Elizabeth, she was deeply attached to Mattie but she soon forgot about her once she started going to classes which groomed her in how to be a perfect lady and dance practices. Soon the only motive of her life was to be married off to a rich heir and be an heiress. She seemed so flimsy. One minute she wanted to be a heiress, the next she just ran away from everything. It never got well with me.
Both characters had no emotion that touched me. They felt flat and one dimensional to me. Moreover, the story didn’t do justice to the slavery in 1800s. for most part, it seemed like they were living like one big happy family. And perhaps that’s what author wanted to show in this story but it didn’t go well for me. When I think of slavery, I think of brutality, gore, selfishness, cruelty, helplessness, dejection, anger, but I didn’t get any of that here.
It just didn’t work for me.
February 13, 2019
4.5 stars rounded up. ‘Yellow Crocus’ was a wonderful surprise of gifted storytelling by Laila Ibrahim. Richly detailed with lush, living, characters, I was immersed in the culture and times of mid-1800s Virginia. An interesting time to be sure, but horrific in its enslavement of African Americans. Born into slavery, Mattie, twenty years old, is a field hand, until the birth of her son, Samuel. Then, because Mrs. Wainwright has just had a baby girl, Mattie is taken from her own child to be a wet nurse to the little white baby girl, Elisabeth. Although Mattie is heartbroken at not being able to be with her own child, she develops a bond with baby Lisbeth. Ibrahim’s attention to the details of childbirth and nursing children is enhanced by her experience as a birth doula as she states on her GR’s author page. Ibrahim’s story is about the bond that grows between this little white baby and her enslaved nurse; it feels tender and true. As an RN who worked in a newborn nursery for over twenty years, I attended many deliveries, so I appreciated the warmth and attention Ibrahim brought to this part of the story. My favorite part of my duties as a nursery nurse was after the hubbub of the delivery had died down and everyone had left except the parents, and I helped the infant attach to his / her mother’s breast for the first time. I could almost always feel it; the bond of attachment taking shape and growing.
This story will follow Lisbeth through her growing up years and her training as a genteel Southern lady. She is taught that women mind the home and that men are in charge and not to interfere with the decisions a man makes. The man is in charge of the slaves and the woman has little to no input. Mother tells her that the slaves are like children and that the system is for their own protection. Lisbeth’s love for Mattie, her nurse, causes her to question the way things are. When something happens that rocks Lisbeth's world, which point of view will predict her future? That of her parents, or that of her experience in life? That of her deepest bond?
Bahni Turpin narrates this audiobook, and she is magnificent. I was spellbound by her voice. An actress, born in Pontiac, Michigan, I was astonished by her intonation of a rich southern accent and the way she differentiates the characters by voice. Turpin enveloped me in the mellifluous atmosphere of southern life; the hard places of that life alive and aware within the marvelous richness of her silky voice.
Each year, Mattie and Lisbeth would search for the first sign of spring, a yellow crocus. They would celebrate by having a picnic. Celebrating new life, new beginnings, and the love that holds everything together, Laila Ibrahim, has created a wonderful story that I’m sure I will listen to again. There’s a treasure trove inside, not locked away, a story of profound and deep love. Come, and read it.
This story will follow Lisbeth through her growing up years and her training as a genteel Southern lady. She is taught that women mind the home and that men are in charge and not to interfere with the decisions a man makes. The man is in charge of the slaves and the woman has little to no input. Mother tells her that the slaves are like children and that the system is for their own protection. Lisbeth’s love for Mattie, her nurse, causes her to question the way things are. When something happens that rocks Lisbeth's world, which point of view will predict her future? That of her parents, or that of her experience in life? That of her deepest bond?
Bahni Turpin narrates this audiobook, and she is magnificent. I was spellbound by her voice. An actress, born in Pontiac, Michigan, I was astonished by her intonation of a rich southern accent and the way she differentiates the characters by voice. Turpin enveloped me in the mellifluous atmosphere of southern life; the hard places of that life alive and aware within the marvelous richness of her silky voice.
Each year, Mattie and Lisbeth would search for the first sign of spring, a yellow crocus. They would celebrate by having a picnic. Celebrating new life, new beginnings, and the love that holds everything together, Laila Ibrahim, has created a wonderful story that I’m sure I will listen to again. There’s a treasure trove inside, not locked away, a story of profound and deep love. Come, and read it.
July 21, 2024
(2.5 stars)
After reading works by Harriet Beecher Stowe, Frederick Douglass, Harriet Jacobs, even Toni Morrison...I found "Yellow Crocus" to be a simple, romanticized narrative of a relationship between a white girl whose family owns slaves and her wet nurse/servant. This work overall did not delve into the moral, psychological, or political complexity of slavery. Lisbeth does not hold the same understanding and acceptance of slavery as her slave owning family, but she doesn't fight against it as much as removing herself from it. While this story mentioned the immorality of slavery, Christian duty, and mentions of politics (secession/ abolitionists), it did not go into depth into any of these subjects. Either having Lisbeth tune out or not care to understand what was going on. While the book did spend a good dramatic chunk on how Mattie escaped, it did not follow what happened after Mattie and her family settled in as escaped slaves and all the dangers, fear and struggle that also would entail. The story briefly did touch upon how unacceptable it was for Lisbeth and Mattie to have a friendship even after they reunited.
Overall, there was a lack of depth in subject and development in the characters, many 2D characters as well...I would say this is perhaps a good intro to someone interested in what such a relationship could have been like.
After reading works by Harriet Beecher Stowe, Frederick Douglass, Harriet Jacobs, even Toni Morrison...I found "Yellow Crocus" to be a simple, romanticized narrative of a relationship between a white girl whose family owns slaves and her wet nurse/servant. This work overall did not delve into the moral, psychological, or political complexity of slavery. Lisbeth does not hold the same understanding and acceptance of slavery as her slave owning family, but she doesn't fight against it as much as removing herself from it. While this story mentioned the immorality of slavery, Christian duty, and mentions of politics (secession/ abolitionists), it did not go into depth into any of these subjects. Either having Lisbeth tune out or not care to understand what was going on. While the book did spend a good dramatic chunk on how Mattie escaped, it did not follow what happened after Mattie and her family settled in as escaped slaves and all the dangers, fear and struggle that also would entail. The story briefly did touch upon how unacceptable it was for Lisbeth and Mattie to have a friendship even after they reunited.
Overall, there was a lack of depth in subject and development in the characters, many 2D characters as well...I would say this is perhaps a good intro to someone interested in what such a relationship could have been like.
This entire review has been hidden because of spoilers.
September 28, 2020
I was not expecting “Yellow Crocus” by Laila Ibrahim to be such a fantastic read. This book has been on my shelf for a few years now. Just shows how quickly we can pass by a jewel. I am now started reading “Mustard Seed” by Laila Ibrahim which is a sequel to “Yellow Crocus”.
June 10, 2019
Mattie’s son Samuel was just three months old when Mattie became wet nurse to Elizabeth, brand new daughter at the big house. It was the 1800s and slavery was part of life. Mattie and her family knew no other way; she had last seen her mother when she’d been sold - her sister Rebecca, husband Emmanuel, son Samuel and Poppy were her family.
As Lisbeth grew, her love and devotion to Mattie strengthened. She would visit Mattie’s family at the slave’s quarters each week, becoming close to them all. But Lisbeth’s parents only tolerated her affection to Mattie and it wasn’t long before circumstances changed and the harshness of life as a slave showed its true form. Freedom seemed a long way off…
Yellow Crocus by Laila Ibrahim is an exceptional read. The yellow crocus – a little flower - would show its head at the beginning of spring. It became a symbol of hope to the families. Mattie is a wonderful character, as is Lisbeth and I found myself cheering them on while being disgusted at the prejudices and automatic “ownership” that threaded through the book. I have no hesitation in recommending this debut novel highly.
As Lisbeth grew, her love and devotion to Mattie strengthened. She would visit Mattie’s family at the slave’s quarters each week, becoming close to them all. But Lisbeth’s parents only tolerated her affection to Mattie and it wasn’t long before circumstances changed and the harshness of life as a slave showed its true form. Freedom seemed a long way off…
Yellow Crocus by Laila Ibrahim is an exceptional read. The yellow crocus – a little flower - would show its head at the beginning of spring. It became a symbol of hope to the families. Mattie is a wonderful character, as is Lisbeth and I found myself cheering them on while being disgusted at the prejudices and automatic “ownership” that threaded through the book. I have no hesitation in recommending this debut novel highly.
October 31, 2014
This book had the bones of an excellent story, but the way the personalities were expressed, the language of the people, the mood of the setting- all together it just didn't mesh for me. Nor for slavery times under these conditions. It seems a kind of fairy tale, almost like a Hansel and Gretel level aspect of nasty downside and not that era's reality of nasty. Those women, but especially Mattie, just ran flat. It isn't that she couldn't have loved Elizabeth or vice-versa, it was just the thought patterns and understandings between them weren't of the period in their types of acknowledgments. It was far more the tone of 1930-1960's, rather than that of 1830's-1860's.
But that was not the only issue in the writing for me. It was far, far too simplistic to the context of everyday life for all of the characters. The birth scenes were written as for a children's story. And the other characters beyond the two main protagonists and their husbands, characters like Mrs. Ann or the doctor, or Elizabeth's grandmother- were basically cut out stereotypes. The intrinsic conflict Mattie would have had was far deeper and more unsurmountable than this book shows. IMHO, that's my opinion. I know others enjoyed it far more and the characters seemed to work as real for them. Not for me, because fear of reprisals weren't part of parcel of this story, nor of Mattie's self-identity. And I'm almost sure that would have been.
But that was not the only issue in the writing for me. It was far, far too simplistic to the context of everyday life for all of the characters. The birth scenes were written as for a children's story. And the other characters beyond the two main protagonists and their husbands, characters like Mrs. Ann or the doctor, or Elizabeth's grandmother- were basically cut out stereotypes. The intrinsic conflict Mattie would have had was far deeper and more unsurmountable than this book shows. IMHO, that's my opinion. I know others enjoyed it far more and the characters seemed to work as real for them. Not for me, because fear of reprisals weren't part of parcel of this story, nor of Mattie's self-identity. And I'm almost sure that would have been.
February 27, 2012
This is a book that I had never heard of, but really deserves more recognition. Set on the Tidewater plantation in Virginia, before the Civil War, it follows Mattie who is a slave and wet nurse and Elizabeth, the newborn daughter of the plantation. Wonderfully written, with many poignant moments, this novel is a brilliant read of time and place. I am so glad I was not born in that time, a time when women were told want to think, talk about, existed only to please a man and make an advantageous marriage. They were taught not to question anything. So glad Elizabeth didn't follow thus path.
March 5, 2012
Wow! Another favorite to add to my top all time best! I've had this book in my list of samples for nearly a year. I remembered I read the first chapter about a young, slave who was required to leave her own baby to nurse the newborn girl of the Mistress in the big house. The relationship between Mattie & Lisbeth is so full of love, I couldn't help but adore them. I read this in just 2 days, which is fast for me. I didn't want it to end, I absolutely loved it so!! If you liked The Help The Kitchen House, Redfield Farm, or Mudbound, you will certainly want to read this spectacular book. It is hard to believe this is the author's debut novel. She writes with such tenderness, compassion & insight. I hope she continues to share her gift with her fans! I wish I could give more than 5 stars!!
April 25, 2017
At first, the main character seemed to be Mattie, an enslaved person on the Fair Oaks plantation. We find out that Mattie's family has been enslaved on the Fair Oaks plantation since 1705 when the law changed regarding West African Indentured Servants. Her ancestor was mere months from completing his term of Indentured Servitude. Mattie has an infant son, Samuel, and a husband, Emmanuel, who lives on another plantation and visits. Mattie has been chosen to come from the fields to wet nurse the new baby at the Big House. That baby is Elizabeth/Lisbeth.
This novel is well researched but clearly written for the white gaze and to lessen white guilt and culpability, especially that of white women. The enslaved narrative of Mattie isn't that brutal (she's owned by 'good white folks' and at first doesn't even want to be free) and as a result isn't a realistic storyline for that time period. Mattie isn't even a fully fleshed out character. She exists purely so Lisbeth can grow as a character. Using an enslaved character to elevate a white slave owner character's narrative is nauseating, insulting, and frankly racist. This is a perpetuation of what chattel slavery already was, using Black folks' labor to benefit white people.
Eventually Mattie's story is dropped entirely in favor of a white slave owning girl growing up to realize with horror that slavery isn't best for the 'negroes'. A term I don't believe was in popular use in the 1800's by slave owners. They referred to enslaved persons as niggers or nigras. I think the author doesn't wish to use that term, which is why the author should be writing about another time period. Also no whippings/beatings on a plantation of that size in the mid 1840-50's is unrealistic with historical records. This is post Nat Turner's rebellion. White slave owners kept slaves in line with threats and regular shows of unspeakable violence. That was stepped up post Nat Turner's rebellion.
Threats of violence and use of excessive force is how less than 10 white people were safe admist hundreds of oppressed enslaved person's. They used violence to insight fear and horror. Otherwise slavery, segregation, oppression doesn't work. This entire premise is ridiculous and NOT at all historically accurate.
Again, every attempt is made to make Lisbeth's family cluelessly cruel while still presenting them as basically good, God-fearing folks who don't understand slavery is evil. Power corrupts and the unlimited power that white folks were able to exercise during this time period lead to massive abuses. Slavery simply didn't function as portrayed in this idealized version for the purposes of this novel. As the descendant of enslaved West Africans I'm offended at this portrayal.
There's no exploration on the part of Lisbeth's character of the fact that she oppressed her beloved Mattie. That she is in fact a slave owner. Instead this seems to feed into the bad white man narrative with no acknowledgement that white women are every bit as evil and oppressive as white men. They don't get a pass cause they were 'practically' property themselves. Bullshit, white women raped slaves, beat them, tortured children and were slave owners. They are responsible for their actions and complicit in what happened.
My assumption is that the author is white and this book is to lessen white guilt and white culpability for the peculiar institution.
I'm not interested in a lessening of white guilt at the expense of the full picture of slavery being told. Valerie Martin handles this perfectly in 'Property'. If a white author isn't prepared to take it to that level, they should focus on a different period in history.
I give this a reluctant 1.5 stars. Mostly for presenting white abolitionists as the racists they were. Matthew refers to Black folks as 'lesser races'. Most abolitionists did not consider Black folks equal to whites. Also, most abolitionists were equally abolitionists because owning people was bad for white people, especially Christians, as concerns over the treatment of Black folks. Read some abolitionist writings. Today, we would consider them racist. Which means they were racist then as well. It's ironic but unsurprising given the pervasiveness of racism and antiblackness.
The author apparently is a 'multicultural developmental psychologist'. That's what developed her outlook.
Barf.
Downgraded to a single star.
White liberals are amongst the worst at casual racism and this book is chock full of it.
FAIL!
This novel is well researched but clearly written for the white gaze and to lessen white guilt and culpability, especially that of white women. The enslaved narrative of Mattie isn't that brutal (she's owned by 'good white folks' and at first doesn't even want to be free) and as a result isn't a realistic storyline for that time period. Mattie isn't even a fully fleshed out character. She exists purely so Lisbeth can grow as a character. Using an enslaved character to elevate a white slave owner character's narrative is nauseating, insulting, and frankly racist. This is a perpetuation of what chattel slavery already was, using Black folks' labor to benefit white people.
Eventually Mattie's story is dropped entirely in favor of a white slave owning girl growing up to realize with horror that slavery isn't best for the 'negroes'. A term I don't believe was in popular use in the 1800's by slave owners. They referred to enslaved persons as niggers or nigras. I think the author doesn't wish to use that term, which is why the author should be writing about another time period. Also no whippings/beatings on a plantation of that size in the mid 1840-50's is unrealistic with historical records. This is post Nat Turner's rebellion. White slave owners kept slaves in line with threats and regular shows of unspeakable violence. That was stepped up post Nat Turner's rebellion.
Threats of violence and use of excessive force is how less than 10 white people were safe admist hundreds of oppressed enslaved person's. They used violence to insight fear and horror. Otherwise slavery, segregation, oppression doesn't work. This entire premise is ridiculous and NOT at all historically accurate.
Again, every attempt is made to make Lisbeth's family cluelessly cruel while still presenting them as basically good, God-fearing folks who don't understand slavery is evil. Power corrupts and the unlimited power that white folks were able to exercise during this time period lead to massive abuses. Slavery simply didn't function as portrayed in this idealized version for the purposes of this novel. As the descendant of enslaved West Africans I'm offended at this portrayal.
There's no exploration on the part of Lisbeth's character of the fact that she oppressed her beloved Mattie. That she is in fact a slave owner. Instead this seems to feed into the bad white man narrative with no acknowledgement that white women are every bit as evil and oppressive as white men. They don't get a pass cause they were 'practically' property themselves. Bullshit, white women raped slaves, beat them, tortured children and were slave owners. They are responsible for their actions and complicit in what happened.
My assumption is that the author is white and this book is to lessen white guilt and white culpability for the peculiar institution.
I'm not interested in a lessening of white guilt at the expense of the full picture of slavery being told. Valerie Martin handles this perfectly in 'Property'. If a white author isn't prepared to take it to that level, they should focus on a different period in history.
I give this a reluctant 1.5 stars. Mostly for presenting white abolitionists as the racists they were. Matthew refers to Black folks as 'lesser races'. Most abolitionists did not consider Black folks equal to whites. Also, most abolitionists were equally abolitionists because owning people was bad for white people, especially Christians, as concerns over the treatment of Black folks. Read some abolitionist writings. Today, we would consider them racist. Which means they were racist then as well. It's ironic but unsurprising given the pervasiveness of racism and antiblackness.
The author apparently is a 'multicultural developmental psychologist'. That's what developed her outlook.
Barf.
Downgraded to a single star.
White liberals are amongst the worst at casual racism and this book is chock full of it.
FAIL!
August 14, 2022
Novela ambientada en el siglo XIX en EEUU, que cuenta la relación entra una esclava y una niña blanca, hija de sus dueños. Cuenta la unión de estas, y como cambio la vida de ambas por completo aun siendo tan diferentes.
A través de Elizabeth, la niña blanca y de Mattie la esclava negra la cual es separada de su hijo para ser su ama de cría, vamos a conocer la sociedad de ese momento, la esclavitud, el racismo...
Una novela que sin entrar demasiado en detalle, sin descripciones vamos a ir conociendo lo que significa no tener derechos, libertad, el que te traten de inferior, el cómo y por qué vendían a los esclavos, la diferencia de clases..
Es verdad que se centra muy poco en ciertos personajes que me hubiera gustado que tratase más , pero una historia bonita, emotiva y que se lee en un suspiro.
El final, queda bastante cerrado, aunque hay una segunda parte, e intuyo que se centrará más en personajes, y en acontecimientos históricos de esa época.
Un libro cortito, ágil, que te va dejar un mensaje detrás de todo, y es que luches por lo que quieres, por tu sueños, cueste lo que cueste. Ahora toca leer su segunda parte "Un granito de arena" para cerrar la historia.
A través de Elizabeth, la niña blanca y de Mattie la esclava negra la cual es separada de su hijo para ser su ama de cría, vamos a conocer la sociedad de ese momento, la esclavitud, el racismo...
Una novela que sin entrar demasiado en detalle, sin descripciones vamos a ir conociendo lo que significa no tener derechos, libertad, el que te traten de inferior, el cómo y por qué vendían a los esclavos, la diferencia de clases..
Es verdad que se centra muy poco en ciertos personajes que me hubiera gustado que tratase más , pero una historia bonita, emotiva y que se lee en un suspiro.
El final, queda bastante cerrado, aunque hay una segunda parte, e intuyo que se centrará más en personajes, y en acontecimientos históricos de esa época.
Un libro cortito, ágil, que te va dejar un mensaje detrás de todo, y es que luches por lo que quieres, por tu sueños, cueste lo que cueste. Ahora toca leer su segunda parte "Un granito de arena" para cerrar la historia.
April 15, 2017
This was a very well written book - definitely grabs you and weaves a haunting story of life on the plantation. I highly recommend this if you enjoyed other popular stories about this era, and books that focus on relationships between slaves and their owners!
I'll give it an honest 3.5 stars. I kind of feel bad....as if that doesn't do it justice. It is just a reflection of my feelings and emotions about the book. It was VERY engaging, I just did not enjoy the content and connections with the characters. It starts out building the relationship between Elizabeth, a newborn and Mattie - her wet nurse. For me it was a bit awkward since the first 20% is basically Mattie's care for Elizabeth through breast feeding. I honestly just got tired of the 50 ways to describe latch on. And then in her next few years of being a toddler, again I couldn't get on board with the behavior from her Grandmother and Mother. I realize this is the reality of the era - but it grated on my nerves!!! I won't really reveal too much more - I just found myself not looking forward to what was happening!! I definitely feel like the minority in this though!!!
I'll give it an honest 3.5 stars. I kind of feel bad....as if that doesn't do it justice. It is just a reflection of my feelings and emotions about the book. It was VERY engaging, I just did not enjoy the content and connections with the characters. It starts out building the relationship between Elizabeth, a newborn and Mattie - her wet nurse. For me it was a bit awkward since the first 20% is basically Mattie's care for Elizabeth through breast feeding. I honestly just got tired of the 50 ways to describe latch on. And then in her next few years of being a toddler, again I couldn't get on board with the behavior from her Grandmother and Mother. I realize this is the reality of the era - but it grated on my nerves!!! I won't really reveal too much more - I just found myself not looking forward to what was happening!! I definitely feel like the minority in this though!!!
October 31, 2014
This is the wonderful, heart-wrenching, but also heart-warming story of the relationship between a young white girl and her slave nanny.
Beautifully written and simply told. I finished it in one sitting.
July 23, 2015
I completely used this book. I picked it solely because it fitted my A-Z challenge for a book starting with the letter Y. Then I noticed it was available on kindle unlimited, so I signed up for a month's free trial, read the book and cancelled my subscription.
Mind you, I feel this book does a fair amount of using itself. It certainly falls into that territory of playing with your heartstrings, making you feel good about humanity and giving you a happy ever after. Was it realistic? No. Did it have a touch of white saviour about it? Yes. Did it delve into the deeply troubled history of slavery? Not really. Any book that is about slavery and leaves you with a feel good ending, has somewhere missed the point for me.
However...did I enjoy it? Yep. I read it in just a few hours, quickly turning the pages and really wanting to find out what was going to happen to the two main characters. Just after half way through the story seemed to take a turn. We stopped reading about Mattie (the black slave character) and were left solely to continue with Elizabeth's story (the young white daughter of a slave owner). I was still invested in the story, but it became kind of obvious, as it succumbed to historical fiction slave story tropes. I still liked the book, it was a good, quick read, but if I give the story further analysis I start to find it problematic. Only you know if this is the sort of thing that bothers you or not.
A generous 3 stars.
Mind you, I feel this book does a fair amount of using itself. It certainly falls into that territory of playing with your heartstrings, making you feel good about humanity and giving you a happy ever after. Was it realistic? No. Did it have a touch of white saviour about it? Yes. Did it delve into the deeply troubled history of slavery? Not really. Any book that is about slavery and leaves you with a feel good ending, has somewhere missed the point for me.
However...did I enjoy it? Yep. I read it in just a few hours, quickly turning the pages and really wanting to find out what was going to happen to the two main characters. Just after half way through the story seemed to take a turn. We stopped reading about Mattie (the black slave character) and were left solely to continue with Elizabeth's story (the young white daughter of a slave owner). I was still invested in the story, but it became kind of obvious, as it succumbed to historical fiction slave story tropes. I still liked the book, it was a good, quick read, but if I give the story further analysis I start to find it problematic. Only you know if this is the sort of thing that bothers you or not.
A generous 3 stars.
September 12, 2014
This was rehashed drivel about a slave owning white girl made into a hero for recognizing the basic humanity of the enslaved people around her.
I'm over it.
I'm over it.
February 12, 2015
3.5 stars.
Why is the crocus purple when the book is called "Yellow" Crocus? The book was good, but everything was all nice and neat. This period was anything but sweet. I did like it though.
Why is the crocus purple when the book is called "Yellow" Crocus? The book was good, but everything was all nice and neat. This period was anything but sweet. I did like it though.
December 31, 2018
I really enjoyed this piece of historical fiction. It has been on my tbr for a long time and then I recently read a review that the audio was good. I listened to it and it was great.
November 26, 2025
Me ha gustado mucho.
La chica y la aya de cría, unas valientes, cada una en su ámbito, y unas luchadoras, siendo la época que es, casi al comienzo de la guerra de Secesión y viviendo en un estado del sur, esclavista, da mas valor a sus actos.
Con un final lacrimógeno pero emotivo, vemos como se desarrolla un vínculo, no por ello menos importante, entre una niña blanca y su ama de cría, y como va evolucionando su vida y los avatares del destino y las decisiones que ambas van a tomar en pos de su felicidad.
valoración: 8.5/10
La 2ª parte caerá pero ya el año que viene...
Sinopsis: «Mattie nunca fue del todo mía en realidad, y la conciencia de este hecho tenía que haberme colmado con la misma prontitud y certeza que la leche de sus senos. Pese a ser “posesión” de mi familia, pese a hallarse en el centro mismo de mi universo, sus afectos más profundos habitaban en otra parte. Por eso el consuelo de tenerla iba de la mano del miedo a perderla un día. La que sigue es nuestra historia»
En el instante de nacer, Lisbeth se ve apartada de su madre y queda a cargo de Mattie, una esclava a la que han separado de su propio hijo para que ejerza de ama de leche. Comienza así una relación intensa que conformará la vida de ambas durante décadas. Es Mattie, y no su familia, quien le enseña a disfrutar de las pequeñas cosas, quien le abre los ojos ante la injustica de la esclavitud, quien le enseña a amar incondicionalmente.
Pero ¿es posible que dos mujeres de origen tan dispar compartan semejante vínculo sin consecuencias? Este relato conmovedor de amor improbable sigue el viaje emprendido por cada una de ellas en busca de su propia libertad.
La chica y la aya de cría, unas valientes, cada una en su ámbito, y unas luchadoras, siendo la época que es, casi al comienzo de la guerra de Secesión y viviendo en un estado del sur, esclavista, da mas valor a sus actos.
Con un final lacrimógeno pero emotivo, vemos como se desarrolla un vínculo, no por ello menos importante, entre una niña blanca y su ama de cría, y como va evolucionando su vida y los avatares del destino y las decisiones que ambas van a tomar en pos de su felicidad.
valoración: 8.5/10
La 2ª parte caerá pero ya el año que viene...
Sinopsis: «Mattie nunca fue del todo mía en realidad, y la conciencia de este hecho tenía que haberme colmado con la misma prontitud y certeza que la leche de sus senos. Pese a ser “posesión” de mi familia, pese a hallarse en el centro mismo de mi universo, sus afectos más profundos habitaban en otra parte. Por eso el consuelo de tenerla iba de la mano del miedo a perderla un día. La que sigue es nuestra historia»
En el instante de nacer, Lisbeth se ve apartada de su madre y queda a cargo de Mattie, una esclava a la que han separado de su propio hijo para que ejerza de ama de leche. Comienza así una relación intensa que conformará la vida de ambas durante décadas. Es Mattie, y no su familia, quien le enseña a disfrutar de las pequeñas cosas, quien le abre los ojos ante la injustica de la esclavitud, quien le enseña a amar incondicionalmente.
Pero ¿es posible que dos mujeres de origen tan dispar compartan semejante vínculo sin consecuencias? Este relato conmovedor de amor improbable sigue el viaje emprendido por cada una de ellas en busca de su propia libertad.
June 5, 2020
Yellow Crocus (Yellow Crocus #1) by Laila Ibrahim starts with Mattie, a field slave, being forced to leave her infant son to be the wet nurse for newly born Lisbeth Wainwright. Lisbeth is born into wealth on the Tidewater Plantation in Virginia in 1834. I have very mixed feelings about this book. The writing was at times endearing and poignant, but at other times it was simplistic and prosaic.
Currently, America is in the midst of protests that were started after the death of George Floyd on May 25, 2020. Mr. Floyd, a black man, died when a white Minneapolis police officer knelt on Mr. Floyd’s neck for almost nine minutes. Because of this environment, I wanted to read a book that might give me a better insight into the beginnings of racial inequality. Without understanding the past, it is difficult to grapple with the present. Unfortunately, Yellow Crocus does not have the depth of other novels, such as The Invention of Wings or The Good Lord Bird, to make the reader deeply feel the emotions of that time.
The friendship and enduring love between Mattie and Lisbeth were very sweet. The novel focuses on Lisbeth’s personal life instead of what was going on around her. There were lengthy conversations about which fabric and pattern were best to make a ball gown and the social etiquette requirements of a young lady. I found these to be boring.
There was some discussion of how the owners believed their slaves were less than human. It did not even occur to many of them that slaves had emotions or even felt real pain. There is one scene where Lisbeth sees a white man raping a slave. Every person Lisbeth told, dismissed it as no big deal. The story would have been so much better if more time had been spent on the serious issue of slavery.
3-stars.
Currently, America is in the midst of protests that were started after the death of George Floyd on May 25, 2020. Mr. Floyd, a black man, died when a white Minneapolis police officer knelt on Mr. Floyd’s neck for almost nine minutes. Because of this environment, I wanted to read a book that might give me a better insight into the beginnings of racial inequality. Without understanding the past, it is difficult to grapple with the present. Unfortunately, Yellow Crocus does not have the depth of other novels, such as The Invention of Wings or The Good Lord Bird, to make the reader deeply feel the emotions of that time.
The friendship and enduring love between Mattie and Lisbeth were very sweet. The novel focuses on Lisbeth’s personal life instead of what was going on around her. There were lengthy conversations about which fabric and pattern were best to make a ball gown and the social etiquette requirements of a young lady. I found these to be boring.
There was some discussion of how the owners believed their slaves were less than human. It did not even occur to many of them that slaves had emotions or even felt real pain. There is one scene where Lisbeth sees a white man raping a slave. Every person Lisbeth told, dismissed it as no big deal. The story would have been so much better if more time had been spent on the serious issue of slavery.
3-stars.
January 31, 2013
This book was strange. The first 20% of it was breastfeeding scenes. Not an exaggeration. Finding out the author is a doula was not particularly surprising. The book also suffers from White Savior Syndrome. The narrative is solid, but lacks depth. Overall, a half-decent quick read for fans of historical fiction.
January 3, 2018
Am 14. April 1837 wird Elizabeth Ann Waynwright geboren. Sie kommt direkt zu einer Amme: Mattie. Mattie ist 20 Jahre alt, schwarz und Sklavin. Mattie muss ihren eigenen Sohn Samuel, der gerade mal drei Monate alt ist, vernachlässigen, um sich um das Baby ihrer Herrschaft zu kümmern und es zu stillen. Schnell baut sich zwischen Mattie und Lisbeth eine starke Bindung auf, die über die Jahre hinweg bestehen bleiben wird.
Mein Leseeindruck:
Dieses Buch wollte ich lesen, weil ich "Vom Winde verweht" sehr gerne mag und in diese Zeit zurückkehren wollte. Die Geschichte von "Gelber Krokus" ist natürlich ganz anders als "Vom Winde verweht", trotzdem hatte ich viel Freude an diesem Buch.
Die Geschichte von Mattie und Lisbeth hat mich berühren können und ich habe die beiden sehr gerne begleitet. Im Buch begleiten wir diese beiden außergewöhnlichen Frauen über 20 Jahre lang. Es war für mich sehr interessant, ihre Entwicklung mitzuverfolgen.
Mein Leseeindruck:
Dieses Buch wollte ich lesen, weil ich "Vom Winde verweht" sehr gerne mag und in diese Zeit zurückkehren wollte. Die Geschichte von "Gelber Krokus" ist natürlich ganz anders als "Vom Winde verweht", trotzdem hatte ich viel Freude an diesem Buch.
Die Geschichte von Mattie und Lisbeth hat mich berühren können und ich habe die beiden sehr gerne begleitet. Im Buch begleiten wir diese beiden außergewöhnlichen Frauen über 20 Jahre lang. Es war für mich sehr interessant, ihre Entwicklung mitzuverfolgen.
September 3, 2022
I read this for my book club. It is so good! This book made me angry and sad but it was also very touching. I am very tempted to search out the other 2 installments and find out what else happens to these characters.
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