Lilian Ramsey, a friend of our main protagonist, Odelia Grey, suspects that her son is the Blonde Bomber. Now, no one knows if this particular serial killer is actually blonde and the police know he hasn’t bombed anyone or anything. However, the media gave the killer this nickname since his victims all fit the stereotype normally referred to as a “blonde bombshell.” So, the police, the public and the reader are stuck with the moniker.
Lil is concerned that her son, Dr. Brian Eddy, might be the killer for several reasons: he knew at least one of the victims from his practice as a top-of-the-line plastic surgeon, he had actually met several of them in both online chat rooms and in person, and he was conveniently out of town at the time of all four murders. And each of the victims, found naked, raped, tied to a tree with the word “whore” cut into their abdomen bear a close resemblance to Brian’s wife, Jane Sharp, a more than prominent interior decorator in the LA area. And Jane is not the most faithful of wives.
Lil asks Odelia to use her skills and resources to help her prove that Brian is NOT the killer. With her husband, Greg, agreeing to fully partner with her and with her attorney and boss, Michael Steele, providing her with both legal advice and flexible working hours, Odelia agrees to the request. And since she is, for once, not looking for a murderer but to prove that a specific someone is simply not the bad guy, even Detective Dev Frye agrees to assist with whatever information he can release to her.
Well, Odelia may not be looking for a murderer, but if you have read the previous books in the series, you know full well that the murderer is going to find her. It is only a matter of time and asking the right question of the wrong person.
This tale could perhaps be classified as a cozy mystery, since the violence is not graphically explained in detail. There is no sparing of graphic words, however. Nor is there any soft-stepping around topics such as sexually oriented chat rooms, false online identities, and serial promiscuity.
In actuality, Jaffarian has presented us with quite the serious mystery. She builds the tension gradually but consistently and it is not easy to tell the truth from the lies in this particular outing. However, for the first time in the series, there is just the barest feeling that a deus ex machina has been used towards the end – if one particular oddity had not occurred at the beginning of the final crisis, the outcome of that crisis would probably have been far different.
On the positive side, Jaffarian allows considerable character growth to occur in this entry, and not just in Odelia. It should be quite interesting to see where this growth takes the various series regulars in future tales.