Consider it a good sign that I finished book three before I reviewed book two, that’s what I’m saying. Sure, there’s a few problems, but that’s because at this point, I’m going to judge Underwood against the major leagues. (Will now abandon sports analogies as they will be doomed to fail). In this story, a vampire is found dead, apparently murdered by a gravely wounded ogre. It is about to set off long-standing antagonism between the two communities.
The mystery is not as straightforward as it seems, particularly clouded with local politics and confounded with appropriate red herrings and complex relationships. On the other hand, it continues the pattern of ‘takes-a-licking-and-keeps-on-ticking’ method of Ozzy’s interactions. Granted, this is intermittent, also being propelled forward with actual problem-solving interactions. Like early Dresden, he feels more scrappy/survivalistic than overpowered, although there’s hints here that there might be something extra going on.
“Not a smell. Almost, but not quite. It’s something else.” He narrowed his eyes and peered at me. “You’re…brighter, somehow. It’s as if you’re wrapped in silver and gold.”
The characterization is up to par, (darn it!) with complexity in some of the villains and in a marginalized species. I wasn’t a fan of Ozzy continuing to be seduced by the Dealer, but I understand it, and it’s a fun and complex way to move things forward, with a lot of potential for ambiguity. Nor am I a fan of his emotional unintelligence, but apparently, he’s trying. Lillian gets a chance to hold Ozzy accountable, which is rather nice. I will note that their relationship takes a major step forward here, and it feels awkward. Maybe it’s a guy point-of-view thing.
Having read three back-to-back, I felt like Underwood may be a bit of a pants writer (at last! This one definitely isn't from sports). The populations of the Strange seem large, and appear to rely largely upon glamours to conceal their identities from the Unaware. Yet, Lost Falls is weird enough to attract tourists and have a radio show devoted to the strange. Underwood tries to use the threat of ‘humans coming after us with pitchforks and torches’ at one point, and it’s hard to believe that would be a threat. It’s repeated in a couple different fashions as justification for why everyone in the community should be invested in preventing a war between the ogres and vampires, and was similarly used in book one for the goblins, and book two for the witch-hunters and ghouls. Yet the only concealment mechanisms we’re given is glamours and hiding with these larger population groups. On a similar note, I think Lillian’s existential challenges from book 2 are largely ignored here. Thus the pantser thought.
But these complaints are the sort of thing that only comes together when I’m binging, which is my own fault. This is a nice return to the fun in UF. I’d recommend the series if you really wanted to like early Dresden but found it too slow.