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Too Wanton to Wed
From a New York Times and USA Today bestselling author:
TRAPPED IN DARKNESS
Violet Whitechapel committed an unspeakable crime to save a child. To escape the hangman’s noose, she takes refuge in a crumbling abbey with secrets darker than her own. When its master offers her a temporary post, Violet cannot say no. Just as she begins to see him in a new light, her past catches up to her and endangers them all…
THEIR PASSION BURNS BRIGHT
Alistair Waldegrave keeps his daughter imprisoned in the black heart of his Gothic abbey. As he searches for a cure to the disease the villagers call demonic, his new governess brings much needed light into their lives. But how can the passion between them survive the darkness encroaching from outside their sheltered walls?
Gothic Love Stories
Too Wicked to Kiss
Too Sinful to Deny
Too Tempting to Resist
Too Wanton to Wed
A prior edition was published as Dark Surrender.
TRAPPED IN DARKNESS
Violet Whitechapel committed an unspeakable crime to save a child. To escape the hangman’s noose, she takes refuge in a crumbling abbey with secrets darker than her own. When its master offers her a temporary post, Violet cannot say no. Just as she begins to see him in a new light, her past catches up to her and endangers them all…
THEIR PASSION BURNS BRIGHT
Alistair Waldegrave keeps his daughter imprisoned in the black heart of his Gothic abbey. As he searches for a cure to the disease the villagers call demonic, his new governess brings much needed light into their lives. But how can the passion between them survive the darkness encroaching from outside their sheltered walls?
Gothic Love Stories
Too Wicked to Kiss
Too Sinful to Deny
Too Tempting to Resist
Too Wanton to Wed
A prior edition was published as Dark Surrender.
386 pages, Kindle Edition
First published August 23, 2019
About the author
Erica Ridley
135 books2,224 followersGet freebies and 99¢ deals at: https://ridley.vip
Erica Ridley is a New York Times and USA Today best-selling author of historical romance novels, including THE DUKE HEIST, featuring the Wild Wynchesters. Why seduce a duke the normal way, when you can accidentally kidnap one in an elaborately planned heist?
In the 12 Dukes of Christmas series, enjoy witty, heartwarming Regency romps nestled in a picturesque snow-covered village. After all, nothing heats up a winter night quite like finding oneself in the arms of a duke!
Two popular series, the Dukes of War and Rogues to Riches, feature roguish peers and dashing war heroes who find love amongst the splendor and madness of Regency England.
When not reading or writing romances, Erica can be found eating couscous in Morocco, zip-lining through rainforests in Costa Rica, or getting hopelessly lost in the middle of Budapest.
Erica Ridley is a New York Times and USA Today best-selling author of historical romance novels, including THE DUKE HEIST, featuring the Wild Wynchesters. Why seduce a duke the normal way, when you can accidentally kidnap one in an elaborately planned heist?
In the 12 Dukes of Christmas series, enjoy witty, heartwarming Regency romps nestled in a picturesque snow-covered village. After all, nothing heats up a winter night quite like finding oneself in the arms of a duke!
Two popular series, the Dukes of War and Rogues to Riches, feature roguish peers and dashing war heroes who find love amongst the splendor and madness of Regency England.
When not reading or writing romances, Erica can be found eating couscous in Morocco, zip-lining through rainforests in Costa Rica, or getting hopelessly lost in the middle of Budapest.
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Displaying 1 - 30 of 85 reviews
August 13, 2019
A woman on the run for a crime of both self-defense and in the defense of an innocent child. A man willing to go to any lengths to save his daughter from a deadly disease and a life of imprisonment in her own home. A lonely child who cannot feel the joy of the warmth of the sun on her body.
Erica Ridley’s TOO WANTON TO WED is a tale of loving so much that nothing is beyond the impossible as two strangers find a common bond in protecting and loving a child doomed to live in solitude her entire life. Sometimes Fate brings strangers together, their secrets buried deep and it take the wisdom of a child to open their eyes to love. But can she open their hearts to trust when so many lies of omission are discovered?
This tale is one of love, for a child, for a relationship that seemed impossible and for a chance to start over, leaving old lives behind and looking forward to a brighter future.
I loved this story, the strength of each character, their good hearts and even their misguided lies of omission. A little mysterious, a little dark, but the ray of sunshine that shows through is colored with a romance that cannot be denied.
I received a complimentary ARC edition from WebMotion! This is my honest and voluntary review.
Series: Gothic Love Stories - Book 4
Publisher: WebMotion; 2 edition (August 23, 2019)
Publication Date: August 23, 2019
Genre: Historical Romance
Print Length: 390 pages
Available from: Amazon
For Reviews, Giveaways, Fabulous Book News, follow: http://tometender.blogspot.com
Erica Ridley’s TOO WANTON TO WED is a tale of loving so much that nothing is beyond the impossible as two strangers find a common bond in protecting and loving a child doomed to live in solitude her entire life. Sometimes Fate brings strangers together, their secrets buried deep and it take the wisdom of a child to open their eyes to love. But can she open their hearts to trust when so many lies of omission are discovered?
This tale is one of love, for a child, for a relationship that seemed impossible and for a chance to start over, leaving old lives behind and looking forward to a brighter future.
I loved this story, the strength of each character, their good hearts and even their misguided lies of omission. A little mysterious, a little dark, but the ray of sunshine that shows through is colored with a romance that cannot be denied.
I received a complimentary ARC edition from WebMotion! This is my honest and voluntary review.
Series: Gothic Love Stories - Book 4
Publisher: WebMotion; 2 edition (August 23, 2019)
Publication Date: August 23, 2019
Genre: Historical Romance
Print Length: 390 pages
Available from: Amazon
For Reviews, Giveaways, Fabulous Book News, follow: http://tometender.blogspot.com
August 12, 2019
Too Wanton to Wed is the fourth and final book in the Gothic Love Stories series by Erica Ridley. Like the others, it can easily be read as a standalone.
Violet Whitechapel is on the run for a crime she committed in self-defence. Knowing that she would need to pay for a barrister if she has any chance of proving her innocence she runs away in the hope of finding somewhere safe to live and work.
That place ends up being Alistair Waldegrave's home. She thought she was seeking sanctuary in what looked like a monastery or nunnery but the gothic building turned out to be owned and lived in by Alistair. When she turns up on his doorstep she keeps secret why she is there, but he doesn't mind. He realises that she will make a perfect governess for his daughter.
Alistair keeps her locked up for her own safety, the tiniest bit of sunlight blisters her skin and if she burns too much she would die. She is resentful of her father and attacks him whenever he enters her room. He hopes that with a female companion and teacher she might not be so angry.
Violet is happy to take on the position, not only does she feel safe, but she soon realises that the little girl needs her. She settles into a nice routine and the more time she spends with both father and daughter the more she finds herself loving them. She can't have a future with them with the hangman's noose looming though. She is earning enough to pay for a London Barrister but she dreads the day that she has to leave to face the music. Will Alistair ever forgive her lying to him, even if it is by omission, will her life be worth living without him even if she does prove her innocence? I am not telling!
What I will say though is that this book, in my opinion, is the very best of the series. The atmosphere was set from the start both with the tragedy at the beginning of the story, to the gothic home of Alistair. Its catacombs and dark rooms all boarded up really set the scene. Then there was the poor child, Lily, who couldn't go out into the sun. Alistair's need to find a cure for her bordered on obsession. Keeping her safe was also at the forefront of his mind. Seeing the light and love that Violet brought to the house was wonderful and when she and Alistair gave into their passion I could have cried for them both. They were so perfect for each other but neither could see a future for themselves together. I did cry at one point in the book, a couple of scenes involving Lily really got to me. But don't worry, there may be dark, sad moments in this story but there are some equally wonderful happy ones too that will have you smiling. I loved this story and really am very happy to recommend it!!
Violet Whitechapel is on the run for a crime she committed in self-defence. Knowing that she would need to pay for a barrister if she has any chance of proving her innocence she runs away in the hope of finding somewhere safe to live and work.
That place ends up being Alistair Waldegrave's home. She thought she was seeking sanctuary in what looked like a monastery or nunnery but the gothic building turned out to be owned and lived in by Alistair. When she turns up on his doorstep she keeps secret why she is there, but he doesn't mind. He realises that she will make a perfect governess for his daughter.
Alistair keeps her locked up for her own safety, the tiniest bit of sunlight blisters her skin and if she burns too much she would die. She is resentful of her father and attacks him whenever he enters her room. He hopes that with a female companion and teacher she might not be so angry.
Violet is happy to take on the position, not only does she feel safe, but she soon realises that the little girl needs her. She settles into a nice routine and the more time she spends with both father and daughter the more she finds herself loving them. She can't have a future with them with the hangman's noose looming though. She is earning enough to pay for a London Barrister but she dreads the day that she has to leave to face the music. Will Alistair ever forgive her lying to him, even if it is by omission, will her life be worth living without him even if she does prove her innocence? I am not telling!
What I will say though is that this book, in my opinion, is the very best of the series. The atmosphere was set from the start both with the tragedy at the beginning of the story, to the gothic home of Alistair. Its catacombs and dark rooms all boarded up really set the scene. Then there was the poor child, Lily, who couldn't go out into the sun. Alistair's need to find a cure for her bordered on obsession. Keeping her safe was also at the forefront of his mind. Seeing the light and love that Violet brought to the house was wonderful and when she and Alistair gave into their passion I could have cried for them both. They were so perfect for each other but neither could see a future for themselves together. I did cry at one point in the book, a couple of scenes involving Lily really got to me. But don't worry, there may be dark, sad moments in this story but there are some equally wonderful happy ones too that will have you smiling. I loved this story and really am very happy to recommend it!!
August 14, 2019
After being involved in a murder, Violet only thinks of running. When she is discovered at Waldegrave Abbey, she is drawn into its shadows, its secrets, and potentially more.
I received a free copy of the Gothic Love Stories box-set from Netgalley, in exchange for an honest review.
When defending one of her vulnerable students from some lecherous gentlemen, Violet is not sorry to have had a hand in their deaths. Knowing the law won't hesitate to punish her for her crimes, she runs away, seeking to live long enough to hire a lawyer who might moderate her sentence. She runs as far as she can, before collapsing on Waldegrave land.
Violet is taken within the dark walls, and given the chance to live a dark life, with monsters and vampires.
Alistair Waldegrave hadn't been planning on adding to his staff, but he will try anything to bring happiness to his feral daughter, even assigning the mysterious Violet as her governess.
In his over-protectiveness of his ill daughter, he has allowed Waldegrave Abbey to become a tomb, with its inhabitants merely existing. They need Violet to break the cycle, as much as anything else.
I really enjoyed this one.
This is the fourth and final book in the Gothic Love Stories box-set, and it was a perfect story to end with.
It is beautifully gothic, with the darkness and secrets, with the rumours of demons and vampires; and one little girl in so much pain it hurts everyone around her.
I loved that this was focussing on both members of the Waldegrave family, not just the romantic storyline of Violet and Alistair.
I don't like children, they are horrible creatures, but Alistair's daughter Lillian has to be one of the most well-written and emotionally-moving side-characters I have ever read. She is not there as a token character, or to help move the main plot along, she is the plot. Lillian is a main character in her own right.
I really liked Alistair, he would go to the ends of the world for his daughter, but he is tired of being seen as the villain, for trying to keep her safe. He's stuck in the past, putting his whole life on pause, ready for the day when his daughter will be well again; but months have turned into years and he is losing hope.
He is great for Violet, and I did a little cheer when there were a a few moments that could have gone down the usual judgey-romantic-angst trope, but instead he was perfectly supportive.
I loved Violet as our main character. She came from nothing, a street urchin, who found a passion in art and teaching young girls. She lives each day as if it were her last and never has regrets.
With her own troubled history, Violet is wonderfully sympathetic to her students, encouraging them to live again. She brings this positivity to the dark halls of Waldegrave Abbey, and she can't help but fall for Alistair and his daughter.
I did more cheering as Violet is completely independent and doesn't need a man to swoop in and save her. She makes her own plans and sees them through.
I very much enjoyed this finale to the box-set, and I'm looking forward to reading more of Ridley's work.
I received a free copy of the Gothic Love Stories box-set from Netgalley, in exchange for an honest review.
When defending one of her vulnerable students from some lecherous gentlemen, Violet is not sorry to have had a hand in their deaths. Knowing the law won't hesitate to punish her for her crimes, she runs away, seeking to live long enough to hire a lawyer who might moderate her sentence. She runs as far as she can, before collapsing on Waldegrave land.
Violet is taken within the dark walls, and given the chance to live a dark life, with monsters and vampires.
Alistair Waldegrave hadn't been planning on adding to his staff, but he will try anything to bring happiness to his feral daughter, even assigning the mysterious Violet as her governess.
In his over-protectiveness of his ill daughter, he has allowed Waldegrave Abbey to become a tomb, with its inhabitants merely existing. They need Violet to break the cycle, as much as anything else.
I really enjoyed this one.
This is the fourth and final book in the Gothic Love Stories box-set, and it was a perfect story to end with.
It is beautifully gothic, with the darkness and secrets, with the rumours of demons and vampires; and one little girl in so much pain it hurts everyone around her.
I loved that this was focussing on both members of the Waldegrave family, not just the romantic storyline of Violet and Alistair.
I don't like children, they are horrible creatures, but Alistair's daughter Lillian has to be one of the most well-written and emotionally-moving side-characters I have ever read. She is not there as a token character, or to help move the main plot along, she is the plot. Lillian is a main character in her own right.
I really liked Alistair, he would go to the ends of the world for his daughter, but he is tired of being seen as the villain, for trying to keep her safe. He's stuck in the past, putting his whole life on pause, ready for the day when his daughter will be well again; but months have turned into years and he is losing hope.
He is great for Violet, and I did a little cheer when there were a a few moments that could have gone down the usual judgey-romantic-angst trope, but instead he was perfectly supportive.
I loved Violet as our main character. She came from nothing, a street urchin, who found a passion in art and teaching young girls. She lives each day as if it were her last and never has regrets.
With her own troubled history, Violet is wonderfully sympathetic to her students, encouraging them to live again. She brings this positivity to the dark halls of Waldegrave Abbey, and she can't help but fall for Alistair and his daughter.
I did more cheering as Violet is completely independent and doesn't need a man to swoop in and save her. She makes her own plans and sees them through.
I very much enjoyed this finale to the box-set, and I'm looking forward to reading more of Ridley's work.
August 23, 2019
Can two persons keeping secrets from each other find a way to another heart and trust.
So this is the last one in this re-edited series, here, no paranormal aspect, only a dark house looping over its inhabitants and their own darkness.
It was also a romance with not two but three protagonists, the incommensurable love of a father for his ill child, the fresh love of the woman who takes care of this child and the newly found love between the father and this woman.
It was a lovely story, each one withholding the blackness of their past, afraid they may push back the other.
The tale is articulated around Lily’s care and how love and understanding succeed where everything else failed.
Violet is no damsel-in-distress nor shrinking violet, she has a past, and innocent she is not having grew up in the slums of Whitechapel but she won’t let wealthy peers get the better of her just because they have their rank for them. This is how during her escape she stumbles upon this desolated edifice and in the life of its residents.
Alistair has molded his life to the rhythm of his daughter’s. For her he has sacrificed everything but alone he is unable to convey his love to her when she sees herself as his prisoner.
Lily suffers from a severe affliction with unable her to see the light of the sun. Because of past burns, her father keeps her locked after she might hurt herself more, not seing the damage it does to her own view of their very particular family.
Violet’s arrival is the fresh breath they needed.
But she also awakens pains and demons they thought buried.
This was a lovely tale of second chance, with very flawed characters whom love will bring on the right path.
4.5 stars
I was granted an advance copy by the author but I had previously preordered the whole series.
Here is my true and unbiased opinion.
https://m.facebook.com/story.php?stor...
So this is the last one in this re-edited series, here, no paranormal aspect, only a dark house looping over its inhabitants and their own darkness.
It was also a romance with not two but three protagonists, the incommensurable love of a father for his ill child, the fresh love of the woman who takes care of this child and the newly found love between the father and this woman.
It was a lovely story, each one withholding the blackness of their past, afraid they may push back the other.
The tale is articulated around Lily’s care and how love and understanding succeed where everything else failed.
Violet is no damsel-in-distress nor shrinking violet, she has a past, and innocent she is not having grew up in the slums of Whitechapel but she won’t let wealthy peers get the better of her just because they have their rank for them. This is how during her escape she stumbles upon this desolated edifice and in the life of its residents.
Alistair has molded his life to the rhythm of his daughter’s. For her he has sacrificed everything but alone he is unable to convey his love to her when she sees herself as his prisoner.
Lily suffers from a severe affliction with unable her to see the light of the sun. Because of past burns, her father keeps her locked after she might hurt herself more, not seing the damage it does to her own view of their very particular family.
Violet’s arrival is the fresh breath they needed.
But she also awakens pains and demons they thought buried.
This was a lovely tale of second chance, with very flawed characters whom love will bring on the right path.
4.5 stars
I was granted an advance copy by the author but I had previously preordered the whole series.
Here is my true and unbiased opinion.
https://m.facebook.com/story.php?stor...
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February 25, 2022This book seems to exist under many different names as well, like
and
.
Erica Ridley usually gives me a decent read, sometimes even a 4 or 5 star. This one - shame on me! - I know I read but do not know if I liked it or not. 2 years went by since I finished it.
and
.Erica Ridley usually gives me a decent read, sometimes even a 4 or 5 star. This one - shame on me! - I know I read but do not know if I liked it or not. 2 years went by since I finished it.
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November 7, 2019🎁 FREE on Amazon today (11/7/2019)! 🎁
August 26, 2019
I'm so mystified by this series....and so absolutely FRUSTRATED! Unfortunately, I can't write my opinions of this novel without revealing spoilers...
The novel started out great! Plenty of delightfully dark, gothic mystery. I was intrigued by the story from the first chapter and curious to see how our protagonists would resolve their problems. I was absolutely captivated by Violet and Alistair's plight. Constantly wondering if Violet was going to be discovered or if Alistair would ever find a way to free his daughter from her "prison." Since the Abbey made a perfect hiding place for Violet, I became entranced reading how she made such a drastic change to not only Lillian's life, but how Violet began to mend the relationship between father and daughter. It was beautiful and I was eagerly anticipating the happily ever after...
Then came the last 100 pages...
Overall, a breathtaking beginning but such a disappointing ending. The first book in this series was amazing, the second I still haven't finished because I think the characters are so horrible. The third was ok, but this fourth one was just a mess. Three stars for a solid, perfect start but a part of me wishes I hadn't read it at all.
The novel started out great! Plenty of delightfully dark, gothic mystery. I was intrigued by the story from the first chapter and curious to see how our protagonists would resolve their problems. I was absolutely captivated by Violet and Alistair's plight. Constantly wondering if Violet was going to be discovered or if Alistair would ever find a way to free his daughter from her "prison." Since the Abbey made a perfect hiding place for Violet, I became entranced reading how she made such a drastic change to not only Lillian's life, but how Violet began to mend the relationship between father and daughter. It was beautiful and I was eagerly anticipating the happily ever after...
Then came the last 100 pages...
Overall, a breathtaking beginning but such a disappointing ending. The first book in this series was amazing, the second I still haven't finished because I think the characters are so horrible. The third was ok, but this fourth one was just a mess. Three stars for a solid, perfect start but a part of me wishes I hadn't read it at all.
August 19, 2019
I have read this book under the previous title Dark Surrender but enjoyed reading it again. Violet Whitechapel found safety teaching art at Livingstone School for Girls, but when a new heir takes over, she is forced to defend a girl from two men. Certain the men were dead, she ran for her life until she stumbles wearily upon a crumbling abbey. Alistair Waldegrave’s daughter had an unknown disease and the villagers call her “demonic” due to her reaction to sunlight. Violet understands Lily and is hired to tutor her, bringing a lightness to the household. Will Violets past catches up to her and will Alistair overcome the villagers fear and his daughter? This was a great book and I loved the characters and the love that grew between Lilly and Violet.
October 14, 2020
Gothic? I didn't think this was a dark or gothic story. A good read, which was entertaining and enjoyable. I liked it. 4☆
August 18, 2019
Too Wanton To Wed by Erica Ridley
Gothic Love Stories #4
When you reread a book and it is as good as or better than the first time you read it then it is a good book. This is one of those good books for me!
Violet Whitechapel has been given a life caring for young girls in dire straights – girls much like herself not so many years ago. She educates them in art and gives them shelter as she nourishes their bodies and minds until the man who set the school up dies and the inheritor arrives to make things “different” and a whole lot less savory. In saving a young girl at the school she fears her own life may be in danger so...she runs. At the end of her resources – monetary and physical – she stumbles onto Waldegrave Abbey. When she wakes she is asked to become the governess for Lily, a nine year old child living in the Abbey. She believes the job will provide the money she needs to clear her name so agrees.
This story has a father who loves his daughter so much that he is willing to do anything to keep her safe. It has a woman who has done what she must to survive but has always wished for a family. It has a little girl that suffers a congenital disease that is life threatening in some circumstances. It has some wonderful supporting characters and some evil ones, too. It also has a love story that drew me in much as it drew in both Violet and Alistair. It also has a little girl who wants a family willing to play matchmaker to get it.
I loved this book...adored it, in fact! I am sure I will read it again. It will definitely stand the test of time.
Thank you to the author for the ARC – This is my honest review.
5 Stars
Gothic Love Stories #4
When you reread a book and it is as good as or better than the first time you read it then it is a good book. This is one of those good books for me!
Violet Whitechapel has been given a life caring for young girls in dire straights – girls much like herself not so many years ago. She educates them in art and gives them shelter as she nourishes their bodies and minds until the man who set the school up dies and the inheritor arrives to make things “different” and a whole lot less savory. In saving a young girl at the school she fears her own life may be in danger so...she runs. At the end of her resources – monetary and physical – she stumbles onto Waldegrave Abbey. When she wakes she is asked to become the governess for Lily, a nine year old child living in the Abbey. She believes the job will provide the money she needs to clear her name so agrees.
This story has a father who loves his daughter so much that he is willing to do anything to keep her safe. It has a woman who has done what she must to survive but has always wished for a family. It has a little girl that suffers a congenital disease that is life threatening in some circumstances. It has some wonderful supporting characters and some evil ones, too. It also has a love story that drew me in much as it drew in both Violet and Alistair. It also has a little girl who wants a family willing to play matchmaker to get it.
I loved this book...adored it, in fact! I am sure I will read it again. It will definitely stand the test of time.
Thank you to the author for the ARC – This is my honest review.
5 Stars
August 17, 2019
I think this book in one of my very favorite. Violet Whitechapel is on the run for murder when she collapses on the front steps of an ancient Abbey. Little does she know that the man within is suspected of being a vampire. Has she run from one deadly situation into another? I think Ridley is a master at developing her characters into touchable, believable people. She layers them carefully, and then through the course of the story strips them down to the core of their hearts. Their motivations stay true to their understanding of their surroundings - true or false. I loved the tortured hero Alistair Waldegrave. “His black hair was shiny and thick, and curled slightly at the nape. His sooty lashes and dark eyes stood out starkly against the pale beauty of his face, but his most arresting feature was the wide, perfect mouth above his strong chin. He’d dressed for dinner in clothes equally as outdated as his earlier vestments, but nothing could hide the fine quality of both cloth and cut, or the leanly muscled figure beneath the costume. His movements were graceful, his every gesture confident and purposeful.” Ridley just hits it out of the park with this one. There are several steamy sex scenes. I have adored Ms. Ridley’s Regency romances - my favorite being Lord of Pleasure, but I certainly hope she is planning on writing more gothic romances. I was gifted a copy of this book.
August 26, 2019
Former street urchin turned art instructor Violet Whitechapel is now on the run after committing a terrible crime to save a child. Delirious with hunger and fatigue, she stumbles upon a secluded abbey and begs refuge. When its master offers her a position as a governess to his daughter for a one month trial period, Violet cannot refuse.
Alistair Waldegrave keeps his daughter, Lillian, locked away for her own safety. Both he and Lillian are afflicted with a terrible disease that renders them incapable of tolerating any sunlight. As he continues to search for a cure to their disease, the new governess begins to bring him hope he hadn't felt since the death of his beloved wife. But just as Violet begins to feel comfortable in her new home, her past catches up to her and threatens any hope she was building for a future with the Waldegraves.
This was a good read and I enjoyed the overall story and mostly enjoyed the characters, though the pacing was too slow to hold my interest entirely in some parts. Overall, this was a good ending to a solid series.
I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own.
Alistair Waldegrave keeps his daughter, Lillian, locked away for her own safety. Both he and Lillian are afflicted with a terrible disease that renders them incapable of tolerating any sunlight. As he continues to search for a cure to their disease, the new governess begins to bring him hope he hadn't felt since the death of his beloved wife. But just as Violet begins to feel comfortable in her new home, her past catches up to her and threatens any hope she was building for a future with the Waldegraves.
This was a good read and I enjoyed the overall story and mostly enjoyed the characters, though the pacing was too slow to hold my interest entirely in some parts. Overall, this was a good ending to a solid series.
I voluntarily read and reviewed an advanced copy of this book. All thoughts and opinions are my own.
August 16, 2019
Violet Whitechapel has found safety & happiness teaching art but when she catches new owner of the home attacking a child she doesn't think but just acts. To escape the hangman’s noose, she takes refuge in a crumbling abbey with secrets darker than her own. When its master offers her a temporary post, Violet cannot say no. Alistair Waldegrave keeps his daughter imprisoned in the black heart of his Gothic abbey. As he searches for a cure to the disease the villagers call demonic, his new governess brings much needed light into their lives.
A well written well paced book that drew me in from the start & held me captivated until the final page. Strong likeable characters added to the enjoyment. I loved the way Violet ‘s patience worked wonders on Lily & how Alistair & Lily's relation also changed. I did feel the ending was a little rushed
My honest review is for a special copy I voluntarily read
A well written well paced book that drew me in from the start & held me captivated until the final page. Strong likeable characters added to the enjoyment. I loved the way Violet ‘s patience worked wonders on Lily & how Alistair & Lily's relation also changed. I did feel the ending was a little rushed
My honest review is for a special copy I voluntarily read
August 21, 2019
The first book in this gothic romance package, Too wicked to
kiss is absolutely divine and sexy as hell. The romantic encounters between Gavin and Evangeline were delightful, I love everything about this one now it's onto the other. Too sinful to deny wasn’t up to scratch, it lacks enticement and Susan isn’t a good leading character. Now this other Too tempting to resist isn’t doing it for me either, it’s a bit bland. Well, I have come to the conclusion that the best was first, not that the other stories aren't good, Too wanton to wed is not sizzling enough for me.
kiss is absolutely divine and sexy as hell. The romantic encounters between Gavin and Evangeline were delightful, I love everything about this one now it's onto the other. Too sinful to deny wasn’t up to scratch, it lacks enticement and Susan isn’t a good leading character. Now this other Too tempting to resist isn’t doing it for me either, it’s a bit bland. Well, I have come to the conclusion that the best was first, not that the other stories aren't good, Too wanton to wed is not sizzling enough for me.
October 29, 2019
Although the setting was dark and gothic, the nuts and bolts of the plot seemed pretty standard Regency fare to me. The Violet and Alistair both had secrets and lies that, when revealed, caused repeated rifts between them. Their common "project" brought them to see the good in each other. There is suspense, danger, and a lot of angst. For those expecting the typical light and "clean" stories from Erica Ridley, this book contains on-the-page-sex.
I voluntarily read a complimentary copy provided by the author via Netgalley and I offer my honest opinion in response.
I voluntarily read a complimentary copy provided by the author via Netgalley and I offer my honest opinion in response.
October 25, 2024
This book still has me sitting here wondering what the heck it was that I just read. Normally I am a fan of this author's work, in fact my usual complaint is that her stories are too short. However, I think the problem with this one (among other things) was that it was too long.
I mean I get it. Whenever you have a longer length novel, you need words to fill the pages. Sadly, in this case there were a lot of un-needed words. First you have Violet who is on the run due to something that happened where she used to live, and although at first she's more than a little apprehensive about agreeing to stay at the abbey (I mean who in their right mind would want to live in a dreary, cold abbey where all of the windows are boarded up tight), she realizes that it is her best course of action being that people don't come there. So she agrees to become the governess to Alistair's daughter, and let's just say the child doesn't make the best first impression on readers. But Violet sees something in the girl, and within no time has earned her trust. Their friendship was something I truly enjoyed (although there were times such as when Violet tried to do something nice for Lily only have have her hard work thrown back in her face) that I wished Violet would have taken a firmer tone instead of shutting down. I understand why Lily acted out, and could even sympathize to an extent (Lily has a severe reaction to being in sunlight that causes blistering in seconds), but she also got away with far too much for far too long.
When it comes to Alistair and Violet however? Well that is a whole different story. Oh it's obvious that they are attracted to each other. Just as it's obvious that Alistair is grateful that she came into their lives, as he can see the change in his child (plus it gives him more time to devote to his studies). However... two other things are just as obvious. One, Alistair holds her to a very high standard, repeatedly referring to her as an angel sent to help them. And two, not only does he still harbor feelings for his dead wife, but he also considers himself a gentleman. Yet, time and again he crosses certain lines with Violet taking liberties that she freely gives, and then becomes horrified by his actions and pulls away. And yet, each and every time Violet either instigates or participates. Once they actually take that final step and sleep together, Alistair realizes that Violet is not virgin, and somehow that ruins his entire image of her? In his "righteous fury" he says some pretty horrible things to her, but of course she ends up forgiving him after they are tricked into having a picnic in the library by Lily.
One would say that is enough angst for one story (and for me it really was), but of course, we still had the plotline of what happened that sent Violet running in the first place that still needs to be resolved. And it was, although not in a way that I either expected, nor that made any sense. Good. Now we can get on with the happily ever after right? Wrong. Now we have Violet finding out that this entire time, Alistair has been keeping a secret from her. One that she deems is so terrible that she packs her things and runs off, despite her likeness being plastered all over wanted posters in the town. She manages to find shelter in an inn (which I'm surprised the owner did turn her in for the reward money), but then if I suppose she had done that, the drama couldn't have continued. Now Lily, somehow assuming that Violet would be at the inn, heads there herself in the dead of night, only to be horribly burned then next morning when the sun comes up due to Violet not closing the drapes in the room.
Of course Alistair is summoned, and he immediately blames Violet for what happened because she didn't close the drapes. He doesn't blame himself for being the reason she left in the first place, nor does he place any blame on his child who despite being young, still should have known better. At no point does he place the blame on himself, even though a missive was sent to his house the night prior that had he not been getting drunk (something completely out of character for him), he would have seen and been able to go and rescue his child home before morning.
Surely, that is enough drama for anyone right? Apparently not for this author as just as Alistair and Violet are about to reconnect (again) and declare their love for one another, we now have villagers burning the abbey down (although having stone walls I'm confused how this was possible), forcing Alistair and his daughter to make a run for it. There is some tension, some angst, but eventually all's well and we jump to the epilogue.
Which while incredibly sweet as we see them in wedded bliss gives us no answers about Lily's future. Is there any hope of her sickness being cured so that she can live a normal life? Or is she destined to always live in the shadows along with her father and step-mother? And what happens if they have children of their own down the line, are they to be raised the same way? I wish we would have gotten a little less of the drama and a little more answers to those kinds of questions instead of being left to wonder about them.
I do still have the last book in this series to read, which is apparently also about vampires (what the villagers originally thought Alistair was), so hopefully that one is better.
I mean I get it. Whenever you have a longer length novel, you need words to fill the pages. Sadly, in this case there were a lot of un-needed words. First you have Violet who is on the run due to something that happened where she used to live, and although at first she's more than a little apprehensive about agreeing to stay at the abbey (I mean who in their right mind would want to live in a dreary, cold abbey where all of the windows are boarded up tight), she realizes that it is her best course of action being that people don't come there. So she agrees to become the governess to Alistair's daughter, and let's just say the child doesn't make the best first impression on readers. But Violet sees something in the girl, and within no time has earned her trust. Their friendship was something I truly enjoyed (although there were times such as when Violet tried to do something nice for Lily only have have her hard work thrown back in her face) that I wished Violet would have taken a firmer tone instead of shutting down. I understand why Lily acted out, and could even sympathize to an extent (Lily has a severe reaction to being in sunlight that causes blistering in seconds), but she also got away with far too much for far too long.
When it comes to Alistair and Violet however? Well that is a whole different story. Oh it's obvious that they are attracted to each other. Just as it's obvious that Alistair is grateful that she came into their lives, as he can see the change in his child (plus it gives him more time to devote to his studies). However... two other things are just as obvious. One, Alistair holds her to a very high standard, repeatedly referring to her as an angel sent to help them. And two, not only does he still harbor feelings for his dead wife, but he also considers himself a gentleman. Yet, time and again he crosses certain lines with Violet taking liberties that she freely gives, and then becomes horrified by his actions and pulls away. And yet, each and every time Violet either instigates or participates. Once they actually take that final step and sleep together, Alistair realizes that Violet is not virgin, and somehow that ruins his entire image of her? In his "righteous fury" he says some pretty horrible things to her, but of course she ends up forgiving him after they are tricked into having a picnic in the library by Lily.
One would say that is enough angst for one story (and for me it really was), but of course, we still had the plotline of what happened that sent Violet running in the first place that still needs to be resolved. And it was, although not in a way that I either expected, nor that made any sense. Good. Now we can get on with the happily ever after right? Wrong. Now we have Violet finding out that this entire time, Alistair has been keeping a secret from her. One that she deems is so terrible that she packs her things and runs off, despite her likeness being plastered all over wanted posters in the town. She manages to find shelter in an inn (which I'm surprised the owner did turn her in for the reward money), but then if I suppose she had done that, the drama couldn't have continued. Now Lily, somehow assuming that Violet would be at the inn, heads there herself in the dead of night, only to be horribly burned then next morning when the sun comes up due to Violet not closing the drapes in the room.
Of course Alistair is summoned, and he immediately blames Violet for what happened because she didn't close the drapes. He doesn't blame himself for being the reason she left in the first place, nor does he place any blame on his child who despite being young, still should have known better. At no point does he place the blame on himself, even though a missive was sent to his house the night prior that had he not been getting drunk (something completely out of character for him), he would have seen and been able to go and rescue his child home before morning.
Surely, that is enough drama for anyone right? Apparently not for this author as just as Alistair and Violet are about to reconnect (again) and declare their love for one another, we now have villagers burning the abbey down (although having stone walls I'm confused how this was possible), forcing Alistair and his daughter to make a run for it. There is some tension, some angst, but eventually all's well and we jump to the epilogue.
Which while incredibly sweet as we see them in wedded bliss gives us no answers about Lily's future. Is there any hope of her sickness being cured so that she can live a normal life? Or is she destined to always live in the shadows along with her father and step-mother? And what happens if they have children of their own down the line, are they to be raised the same way? I wish we would have gotten a little less of the drama and a little more answers to those kinds of questions instead of being left to wonder about them.
I do still have the last book in this series to read, which is apparently also about vampires (what the villagers originally thought Alistair was), so hopefully that one is better.
August 19, 2019
Lily is running for her life when she finds strange refuge. Alistair is seeking a cure for his daughter so he can keep her safe. All three together will find that they were each what they were searching. This is a great story about the unending love a father has for his daughter and the depths he would go to protect. These are some great characters that you will want to visit with more than once.
August 12, 2019
This was a good story of a father’s love. The multiple explicit sex scenes ruined it for me.
Read
October 4, 2025Very good
September 4, 2019
2.5
Now I did enjoy this story, it was pretty fun to read but this is my second least favourite of the series. I didn’t feel very much tension in this story. Unlike in the first two of the series where there was high stakes and there was a sense of tension and impending doom/disaster. Whereas with this story I didn’t feel the same when reading. There was a deadline, in a way, and some tension but there wasn’t enough to grip me completely.
I think that this might be because there wasn’t a strong a mystery to figure out. One of the main characters is accused of murder, runs away and ends up hiding under a false name. But this happens very quickly in the story. After that I felt like there wasn’t much tension or drama around this until the later half of the story. Until then it’s very monotone, being trapped inside Waldegrave Abbey means that very little of the outside world comes in as if it doesn’t exist. The characters are very cut off from the outside which means that there is a delay for news to reach them. So the story is very much centred around what happens inside the Abbey, which in all honesty isn’t very much.
Violet teaches Lily and gets her to make art and have some manners, Alistair is awkward and doesn’t know how to talk to his daughter, Lily hates her father, Violet and Alistair try not to let their feelings get the better of them (Alistair especially tries to act like a gentleman and put distance between them). This is repeated so much that it took me a while to get through the story. It just felt a bit too slow for me. I would have liked it to have moved at a faster pace earlier in the story as it picked up the pace towards the end.
I also think that the ending wrapped things a bit too quickly for my liking. Especially as so much of the story progressed slowly it felt so rush in the final chapter that I was felt feeling a bit disappointed and a bit like “is this it?”
I wasn’t a big fan of the romance, which might be why it took me so long to read this book, it just didn’t feel that strong to me and felt a little flat and forced.
Some things I did like about Violet and Alistair’s romance was that they helped each other move forwards and put their past behind them so they could be together. Alistair was still very much in mourning for his dead wife (even though it’s been almost a decade since she died) and needed to move on with his life. For Violet it was learning to actually trust a man and allow herself to trust her own feelings.
I really liked that it wasn’t a pure, virginal woman and an experience man. As that is a very common theme in Romance. So I liked that that was an important part of the story and Violet and Alistair’s relationship. As it makes Alistair realize that he very much idealizes the women in his life and often likens them to angels when they aren’t actually as angelic as he imagines.
The setting I thought was very interesting as Waldegrave Abbey is dark, creepy and filled with secrets. There is literally no natural light allowed inside, with all of the windows covered and every door with an automatic lock so only those with a key can get in and out. There are also catacombs that the characters travel between the main house and the sanctuary. Which just added to the creepiness. As well as a preserved bedchamber that belong to the late Mrs Waldegrave. I think that the only thing I didn’t like was that the house and sanctuary ended up feeling pretty homey and fairly familiar too quickly. I would have liked there to have been a longer duration of creepiness to be honest.
I did like that there was also some supernatural elements, accusations of vampirism and being the spawn of Satan. Which caused some violence and twists and turns in the story that kept it interesting.
I did find this interesting and an alright read but it was just a bit slow for me. I like slow burns but this wasn’t an exciting slow burn. I knew that in the end the two of them would end up together. Even though they were battling their feelings for one another it was pretty obvious that they would end up together in the end.
Now I did enjoy this story, it was pretty fun to read but this is my second least favourite of the series. I didn’t feel very much tension in this story. Unlike in the first two of the series where there was high stakes and there was a sense of tension and impending doom/disaster. Whereas with this story I didn’t feel the same when reading. There was a deadline, in a way, and some tension but there wasn’t enough to grip me completely.
I think that this might be because there wasn’t a strong a mystery to figure out. One of the main characters is accused of murder, runs away and ends up hiding under a false name. But this happens very quickly in the story. After that I felt like there wasn’t much tension or drama around this until the later half of the story. Until then it’s very monotone, being trapped inside Waldegrave Abbey means that very little of the outside world comes in as if it doesn’t exist. The characters are very cut off from the outside which means that there is a delay for news to reach them. So the story is very much centred around what happens inside the Abbey, which in all honesty isn’t very much.
Violet teaches Lily and gets her to make art and have some manners, Alistair is awkward and doesn’t know how to talk to his daughter, Lily hates her father, Violet and Alistair try not to let their feelings get the better of them (Alistair especially tries to act like a gentleman and put distance between them). This is repeated so much that it took me a while to get through the story. It just felt a bit too slow for me. I would have liked it to have moved at a faster pace earlier in the story as it picked up the pace towards the end.
I also think that the ending wrapped things a bit too quickly for my liking. Especially as so much of the story progressed slowly it felt so rush in the final chapter that I was felt feeling a bit disappointed and a bit like “is this it?”
I wasn’t a big fan of the romance, which might be why it took me so long to read this book, it just didn’t feel that strong to me and felt a little flat and forced.
Some things I did like about Violet and Alistair’s romance was that they helped each other move forwards and put their past behind them so they could be together. Alistair was still very much in mourning for his dead wife (even though it’s been almost a decade since she died) and needed to move on with his life. For Violet it was learning to actually trust a man and allow herself to trust her own feelings.
I really liked that it wasn’t a pure, virginal woman and an experience man. As that is a very common theme in Romance. So I liked that that was an important part of the story and Violet and Alistair’s relationship. As it makes Alistair realize that he very much idealizes the women in his life and often likens them to angels when they aren’t actually as angelic as he imagines.
The setting I thought was very interesting as Waldegrave Abbey is dark, creepy and filled with secrets. There is literally no natural light allowed inside, with all of the windows covered and every door with an automatic lock so only those with a key can get in and out. There are also catacombs that the characters travel between the main house and the sanctuary. Which just added to the creepiness. As well as a preserved bedchamber that belong to the late Mrs Waldegrave. I think that the only thing I didn’t like was that the house and sanctuary ended up feeling pretty homey and fairly familiar too quickly. I would have liked there to have been a longer duration of creepiness to be honest.
I did like that there was also some supernatural elements, accusations of vampirism and being the spawn of Satan. Which caused some violence and twists and turns in the story that kept it interesting.
I did find this interesting and an alright read but it was just a bit slow for me. I like slow burns but this wasn’t an exciting slow burn. I knew that in the end the two of them would end up together. Even though they were battling their feelings for one another it was pretty obvious that they would end up together in the end.
June 11, 2026
I bought this on sale via the author's newsletter
TRIGGER: Double attempted assaults on two women, and another one later on, pedophilia.
The story is extremely sad and dark, but everything was perfect according to Violet when speaking to the little girl. But by 49%, I was tired of Lillian's attitude; she is absolutely awful. The papa was no better by feeling undermined all the time, with nothing to boost his self-esteem. The gravestone party was the stupidest idea I've ever heard. Frankly, not the best from this author; I've read better.
TRIGGER: Double attempted assaults on two women, and another one later on, pedophilia.
The story is extremely sad and dark, but everything was perfect according to Violet when speaking to the little girl. But by 49%, I was tired of Lillian's attitude; she is absolutely awful. The papa was no better by feeling undermined all the time, with nothing to boost his self-esteem. The gravestone party was the stupidest idea I've ever heard. Frankly, not the best from this author; I've read better.
January 3, 2020
Having read a lot of Erica Ridley's Lords and Dukes, I was very happy to receive the Gothic Love Stories Arc, with 4(!) e-books in one. Yay!
Too Wicked to Kiss is the first one, about Evangeline Pemberton who is on the run from her evil stepfather, only to wound up at the haunted castle of the excentric Gavin Lioncroft, rumored to be a murderer. When a murder occurs at the castle, will Evangeline be safe? A wonderful who-dunnit-story with a lot of twists and turns. Four out of five stars from me.
Too sinful to Deny is the second part, which continues with lady Susan Stanton, who we have met at the first part. Because Susan didn't was a very friendly character in the first part I had a lot of issues with connecting to Susan and feel sympathy for her exile. However, Evan Bothwick does an excellent job of creating the correct scenario for you to pick up feelings for Susan as well. Three out of five stars from me.
After two long stories, Too Tempting to Resist is a lot shorter and more fastpaced. We meet Rebecca who needs to find a husband within months to ensure a roof above her head. And although she still has a bruised heart, who can help her better to find a suitor, then with the help of her former friend (and crusher of heart) Daniel, the current Lord of Stonebury? But when they meet, sparks still fly. How to find a husband, when Daniel keeps distracting her? A cute and cozy read: four out of five stars from me.
The last story Too Wanton to Wed just stole my breath. This story is heart wrenching, wonderful and shocking. Alistair Waldegrave is desperately looking for a cure for his nine-year-old daughter Lillian, who is suffering from a rare disease, where she burns from the rays of the sun. Seeing no solution but to keep his daughter locked down in the abbey, to keep her from the sun, he has estranged himself from her. So, when a mysterious woman lands on his doorstep, who happens to be a governess, Alistair takes a leap of faith and hires her on the spot. Violet can't believe her luck: while being on the run from a crime to save an innocent orphan girl, she stumbles upon a very strange and desolate abbey. The owner hires her as a governess for his daughter. Violet and Lillian form an unlikely bond, from the recognizable situation they both are in. As an orphan herself, Violet knows how it feels to long for some companionship and love. Not only from the little girl under her charge, but also from her loving father. But Alistair doesn't think he deserves happiness. But while the bonds within the abbey are slowly growing, so is the danger from outside: both Violet's past and the gossiping of the village are threatening to destroy everything which has been build inside the abbey. Can those broken souls find happiness again? Find out for yourself, don't forget your tissues. Wonderful read! Five out of five stars from me and a special thank you to Netgalley for providing the arc.
Too Wicked to Kiss is the first one, about Evangeline Pemberton who is on the run from her evil stepfather, only to wound up at the haunted castle of the excentric Gavin Lioncroft, rumored to be a murderer. When a murder occurs at the castle, will Evangeline be safe? A wonderful who-dunnit-story with a lot of twists and turns. Four out of five stars from me.
Too sinful to Deny is the second part, which continues with lady Susan Stanton, who we have met at the first part. Because Susan didn't was a very friendly character in the first part I had a lot of issues with connecting to Susan and feel sympathy for her exile. However, Evan Bothwick does an excellent job of creating the correct scenario for you to pick up feelings for Susan as well. Three out of five stars from me.
After two long stories, Too Tempting to Resist is a lot shorter and more fastpaced. We meet Rebecca who needs to find a husband within months to ensure a roof above her head. And although she still has a bruised heart, who can help her better to find a suitor, then with the help of her former friend (and crusher of heart) Daniel, the current Lord of Stonebury? But when they meet, sparks still fly. How to find a husband, when Daniel keeps distracting her? A cute and cozy read: four out of five stars from me.
The last story Too Wanton to Wed just stole my breath. This story is heart wrenching, wonderful and shocking. Alistair Waldegrave is desperately looking for a cure for his nine-year-old daughter Lillian, who is suffering from a rare disease, where she burns from the rays of the sun. Seeing no solution but to keep his daughter locked down in the abbey, to keep her from the sun, he has estranged himself from her. So, when a mysterious woman lands on his doorstep, who happens to be a governess, Alistair takes a leap of faith and hires her on the spot. Violet can't believe her luck: while being on the run from a crime to save an innocent orphan girl, she stumbles upon a very strange and desolate abbey. The owner hires her as a governess for his daughter. Violet and Lillian form an unlikely bond, from the recognizable situation they both are in. As an orphan herself, Violet knows how it feels to long for some companionship and love. Not only from the little girl under her charge, but also from her loving father. But Alistair doesn't think he deserves happiness. But while the bonds within the abbey are slowly growing, so is the danger from outside: both Violet's past and the gossiping of the village are threatening to destroy everything which has been build inside the abbey. Can those broken souls find happiness again? Find out for yourself, don't forget your tissues. Wonderful read! Five out of five stars from me and a special thank you to Netgalley for providing the arc.
August 6, 2023
3.5 stars. This was written a while back, when Erica Ridley was still finding her footing in the HR genre. This is billed as "Gothic", but if you're really into Gothic novels this won't satisfy you. There is a bit of effective mood building at the beginning, as the MFC encounters the MMC's spooky estate, but I would classify this mostly as a family drama with sex scenes (not all of them effective) thrown in.
It doesn't take the MFC long to realize that the little girl she's caring for isn't inherently wild or mentally disturbed, but she is rebelling against her solitude and enclosure in a home kept dark due to her skin's deadly reaction to sunlight. (Interestingly, this is a real, though rare, medical condition). MMC is dealing with his own inner demons, fighting the guilt he feels at not being a better father and desperately trying to find a cure for his daughter.
I'm going to admit, a little of MMC's brooding went a long way for me, and although he's a sympathetic character for most of the book, at a certain point his repetitive self-flagellation wore me out. I could have also done without what I call the "guilty until proven innocent" interrogation scene, the multiple scenes that start with sex and are interrupted by MMC's moralistic apologies, and in particular, the slut-shaming convo. Slut-shaming turns me off pretty much any MMC, even if he gives great grovel afterward.
As for the MFC, besides caring for MMC's daughter, she is hiding out on the estate in order to escape murder charges, in a situation that amounts to self-defense and the defense of a child. This is probably the weakest aspect of the book. SPOILERS AHEAD................................................I thought she'd be recognized much earlier and her decision toward the end to take off without having actually met with lawyers is just silly. Then there's a big, unrealistic twist that comes across as a cop-out.
I appreciated the MFC's strength and resilience, and she's likable enough, but didn't buy that she was a sexual abuse victim who distrusts men. Her sexual behavior toward MMC is abrupt, recurrent, and way too open. (IMO portraying women who have been victims of sex abuse in romance novels is a very tricky thing; not a lot of writers possess the nuance for it.)
Where the book shines, and where most of the stars come from, is in the scenes of bonding between MFC and MMC's daughter. Their relationship seemed strong and genuine. Many of the emotional scenes involving the three of them work as well.
Steam: level 3-ish.
Nitpicks: as in most of Erica Ridley's books, the vernacular is American. Also, there are a couple of plotlines left hanging.
Overall: sort of an awkward stage for Erika Ridley, nothing truly Gothic here but the architecture, but if you like family drama with some steam between the MC's you'll probably like this.
It doesn't take the MFC long to realize that the little girl she's caring for isn't inherently wild or mentally disturbed, but she is rebelling against her solitude and enclosure in a home kept dark due to her skin's deadly reaction to sunlight. (Interestingly, this is a real, though rare, medical condition). MMC is dealing with his own inner demons, fighting the guilt he feels at not being a better father and desperately trying to find a cure for his daughter.
I'm going to admit, a little of MMC's brooding went a long way for me, and although he's a sympathetic character for most of the book, at a certain point his repetitive self-flagellation wore me out. I could have also done without what I call the "guilty until proven innocent" interrogation scene, the multiple scenes that start with sex and are interrupted by MMC's moralistic apologies, and in particular, the slut-shaming convo. Slut-shaming turns me off pretty much any MMC, even if he gives great grovel afterward.
As for the MFC, besides caring for MMC's daughter, she is hiding out on the estate in order to escape murder charges, in a situation that amounts to self-defense and the defense of a child. This is probably the weakest aspect of the book. SPOILERS AHEAD................................................I thought she'd be recognized much earlier and her decision toward the end to take off without having actually met with lawyers is just silly. Then there's a big, unrealistic twist that comes across as a cop-out.
I appreciated the MFC's strength and resilience, and she's likable enough, but didn't buy that she was a sexual abuse victim who distrusts men. Her sexual behavior toward MMC is abrupt, recurrent, and way too open. (IMO portraying women who have been victims of sex abuse in romance novels is a very tricky thing; not a lot of writers possess the nuance for it.)
Where the book shines, and where most of the stars come from, is in the scenes of bonding between MFC and MMC's daughter. Their relationship seemed strong and genuine. Many of the emotional scenes involving the three of them work as well.
Steam: level 3-ish.
Nitpicks: as in most of Erica Ridley's books, the vernacular is American. Also, there are a couple of plotlines left hanging.
Overall: sort of an awkward stage for Erika Ridley, nothing truly Gothic here but the architecture, but if you like family drama with some steam between the MC's you'll probably like this.
August 24, 2019
Too Wanton to Wed is an updated and re-edited version of Ms. Ridley’s Dark Surrender which I read and reviewed last year. I have to say, this is quite a good atmospheric, gothic romance written by the author.
Our heroine, Violet Whitechapel, flees when she believes she accidentally murders someone violating one of her art students at the soon to be closed school at which she teaches. She ends up broken down and hungry at an old abbey estate in a small, superstitious community. She is fed and taken care of by the lord of the estate and his employees, and soon offered a position by the lord to act as a governess for his daughter.
Alistair Waldegrave and his daughter Lillian, are virtual prisoners, confined to the environs inside the old abbey and outbuildings, due to their light sensitivity illness. Lillian's mother died in delivering her daughter, and Alistair has done everything he can to protect and provide for his daughter with the help of his few trusted retainers.
Violet readily takes on the role she was hired to do though Lillian is a difficult, temperamental child to establish a relationship with. Violet is soon successful and a loving bond is established with Lillian as her pupil. At the same time, feelings are growing between Violet and Alistair, though Alistair is reluctant to trust Violet and withholds secrets from her, as she does with him.
Ms. Ridley has established plenty of Gothic atmosphere with creepy catacombs, dark passages, boarded up windows, superstitious villagers plus a few villains. She has also done a good job with the emotional portrayal of both main characters and managed to create a moving story of how they were able to overcome the challenges each one of them had faced in their lives, how they came to trust one another, and then accept and embrace their love for one another. Please note, there are some passionate love scenes in this work but not overly abundant.
Reasons I enjoyed this book: Romantic, Happily Ever After; Wonderful characters; Haunting; Unpredictable; Twisted
I received an ARC of this book and offer this voluntary review. All opinions stated are my own.
Our heroine, Violet Whitechapel, flees when she believes she accidentally murders someone violating one of her art students at the soon to be closed school at which she teaches. She ends up broken down and hungry at an old abbey estate in a small, superstitious community. She is fed and taken care of by the lord of the estate and his employees, and soon offered a position by the lord to act as a governess for his daughter.
Alistair Waldegrave and his daughter Lillian, are virtual prisoners, confined to the environs inside the old abbey and outbuildings, due to their light sensitivity illness. Lillian's mother died in delivering her daughter, and Alistair has done everything he can to protect and provide for his daughter with the help of his few trusted retainers.
Violet readily takes on the role she was hired to do though Lillian is a difficult, temperamental child to establish a relationship with. Violet is soon successful and a loving bond is established with Lillian as her pupil. At the same time, feelings are growing between Violet and Alistair, though Alistair is reluctant to trust Violet and withholds secrets from her, as she does with him.
Ms. Ridley has established plenty of Gothic atmosphere with creepy catacombs, dark passages, boarded up windows, superstitious villagers plus a few villains. She has also done a good job with the emotional portrayal of both main characters and managed to create a moving story of how they were able to overcome the challenges each one of them had faced in their lives, how they came to trust one another, and then accept and embrace their love for one another. Please note, there are some passionate love scenes in this work but not overly abundant.
Reasons I enjoyed this book: Romantic, Happily Ever After; Wonderful characters; Haunting; Unpredictable; Twisted
I received an ARC of this book and offer this voluntary review. All opinions stated are my own.
September 19, 2019
Violet Whitechapel, is a woman on the run. In the defense of an innocent child, she accidentally murdered two men. In an attempt to save her own life, she ran as far and as fast as she could and found herself at the doorstep of a broken down Abbey. Its owner is a desperate recluse in search of a cure. Alistair Waldegrave, the owner of Waldegrave Abbey, is desperate to find a cure for the deadly disease that afflicts his daughter and forces him to keep her imprisoned in her own home. Lilian suffers horribly and is incapable of tolerating any sunlight. Alistair must keep his daughter's life a secret from superstitious townsfolk who think him and his wildly misbehaving daughter are--- vampires.
This was a good read and I enjoyed the overall story and mostly enjoyed the characters. I know this is bad to say... and I'm a mom, so I feel super horrible about it but I really disliked Lilly. OMG, that girl needed something! I know the whole story progression was supposed to come from Violet helping to tame the wild-feral child and help Alistair wake up from his super-indulgent, super-obsessive cure researching coma and bring life back into them. I know, I know that but... ugh, there is not such a fine line between overindulgence and unconditional love that you can't see the difference. No one ever disciplined her or even said "you were wrong to throw paint all over those paintings that took Violet days, weeks to paint FOR YOU", no one ever made her apologize. Nothing! And could Violet have been more disrespectful? I mean she was about to jump his bones right on top of his wife's grave. My goodness, could they not have moved further away? And the whole chemistry/relationship build-up was just not there for me.
Ok, so I'm just going to chalk this one up to a miss for me. On the whole, the story was good and the overall love relationship worked out, but it just didn't click for me.
*This was an ARC generously provided by NetGalley in exchange for an honest review.*
This was a good read and I enjoyed the overall story and mostly enjoyed the characters. I know this is bad to say... and I'm a mom, so I feel super horrible about it but I really disliked Lilly. OMG, that girl needed something! I know the whole story progression was supposed to come from Violet helping to tame the wild-feral child and help Alistair wake up from his super-indulgent, super-obsessive cure researching coma and bring life back into them. I know, I know that but... ugh, there is not such a fine line between overindulgence and unconditional love that you can't see the difference. No one ever disciplined her or even said "you were wrong to throw paint all over those paintings that took Violet days, weeks to paint FOR YOU", no one ever made her apologize. Nothing! And could Violet have been more disrespectful? I mean she was about to jump his bones right on top of his wife's grave. My goodness, could they not have moved further away? And the whole chemistry/relationship build-up was just not there for me.
Ok, so I'm just going to chalk this one up to a miss for me. On the whole, the story was good and the overall love relationship worked out, but it just didn't click for me.
*This was an ARC generously provided by NetGalley in exchange for an honest review.*
August 29, 2019
Too Wanton to Wed (4 stars)
After Violet commits murder (of a sort) to save a child, she flees to avoid retribution. She stumbles upon Waldegrave Abbey, where its denizens live inside the darkness of its boarded-up walls, for a shocking reason—a sensitivity to sunlight. Alistair doesn’t look like a vampire, nor does his young daughter, who is kept locked away. As Lily’s new governess, Violet seeks to bring some light into the little girl’s world while hiding from the demons of her own.
This story was full of mystery and the gothic element is at a high with the comparisons to vampirism, the dungeon-like structure of the abbey, and late night walks. I would have enjoyed some more concern over Violet’s original situation throughout the entire story, but the way it wove back into the narrative did feel natural.
The building of Violet and Alistair’s relationship was done well, as was the mending of Lily’s devastating childhood and Alistair’s heart. There is a brief epilogue that wraps everything up, but unlike the one in Too Wicked, it was too abrupt and didn’t give quite the same sense of completion.
One thing I hope for the future is that a grown-up Lily gets her own story!
I received an ARC of the entire Gothic Love Stories series via Netgalley in exchange for an honest review. Check out my full series review or my individual Goodreads reviews:
#1: Too Wicked to Kiss
#2: Too Sinful to Deny
#3: Too Tempting to Resist
#4: Too Wanton to Wed (this book)
After Violet commits murder (of a sort) to save a child, she flees to avoid retribution. She stumbles upon Waldegrave Abbey, where its denizens live inside the darkness of its boarded-up walls, for a shocking reason—a sensitivity to sunlight. Alistair doesn’t look like a vampire, nor does his young daughter, who is kept locked away. As Lily’s new governess, Violet seeks to bring some light into the little girl’s world while hiding from the demons of her own.
This story was full of mystery and the gothic element is at a high with the comparisons to vampirism, the dungeon-like structure of the abbey, and late night walks. I would have enjoyed some more concern over Violet’s original situation throughout the entire story, but the way it wove back into the narrative did feel natural.
The building of Violet and Alistair’s relationship was done well, as was the mending of Lily’s devastating childhood and Alistair’s heart. There is a brief epilogue that wraps everything up, but unlike the one in Too Wicked, it was too abrupt and didn’t give quite the same sense of completion.
One thing I hope for the future is that a grown-up Lily gets her own story!
I received an ARC of the entire Gothic Love Stories series via Netgalley in exchange for an honest review. Check out my full series review or my individual Goodreads reviews:
#1: Too Wicked to Kiss
#2: Too Sinful to Deny
#3: Too Tempting to Resist
#4: Too Wanton to Wed (this book)
August 23, 2019
Gothic romance at it's best! When I began the first book in this series, I was so excited to be reading stories with a gothic setting. The dark and the light. The tortured hero and the redemption he needed from the heroine. Each book has been true to the genre and as I read this last in the series, I could only feel a small sadness they were at an end!
Their death was and accident, but Violet could not be sorry. Her life was forever changed and she hated to leave the girls she had taught and helped come off the streets just as she had. But she had no choice but to run.
When her funds ran out as did her body, she stumbled upon an enormous building which looked like a monastary but all the windows were boarded up. Would this be her end?
She ended up at Waldegrave Abbey where Alistar Waldegrave had his daughter Lily locked in and all he could contemplate was finding her a doctor that could help her illness.
She had collapsed and ended up inside the dark Abbey where she met Alistar. When he realized she had been a teacher/governess he hired her to work with his daughter.
Erica Ridley weaves a tale with her descriptive prose that makes you feel you are there with Violet and can literally be part of her emotions. She is such a fighter from having to survive not that many years ago. She has a strong, wonderful heart and empathy for Lily, Alistar's daughter and brings light to the darkness for those around her.
But will the past catch up for her crimes and can these two really find a love to endure?
Truly loved this story and know I will read this series again. I highly recommend!
Their death was and accident, but Violet could not be sorry. Her life was forever changed and she hated to leave the girls she had taught and helped come off the streets just as she had. But she had no choice but to run.
When her funds ran out as did her body, she stumbled upon an enormous building which looked like a monastary but all the windows were boarded up. Would this be her end?
She ended up at Waldegrave Abbey where Alistar Waldegrave had his daughter Lily locked in and all he could contemplate was finding her a doctor that could help her illness.
She had collapsed and ended up inside the dark Abbey where she met Alistar. When he realized she had been a teacher/governess he hired her to work with his daughter.
Erica Ridley weaves a tale with her descriptive prose that makes you feel you are there with Violet and can literally be part of her emotions. She is such a fighter from having to survive not that many years ago. She has a strong, wonderful heart and empathy for Lily, Alistar's daughter and brings light to the darkness for those around her.
But will the past catch up for her crimes and can these two really find a love to endure?
Truly loved this story and know I will read this series again. I highly recommend!
August 20, 2019
This is a great story of misunderstandings, mystery, strange happening at a boarded up Abby feared by the townspeople. Violet Whitechapel never knew her mother or father, she was raised on the streets in London. She had an horrible hard life, till she gets a job teaching other young girls saved from the streets at Livingstone School for girls. This is the only home she has ever known.
When the owner dies, the new owner is a young brash evil man who thinks girls,and women are only here for his use. When Violet finds him trying to rape one of the young girls with a friend of his waiting his turn, she saves the girl but both men are wounded. Violet runs for her life. She ends up at a strange Abby as she is about pass out from lack of food and shelter. When she wakes it is to a dark and unworldly place. The Abby is owned by Alistair Waldegrave who has not been out of it for nine years, since the birth of her daughter Lillian. Lillian has a horrible illness that if the sun touches her she is badly burned. As Violet, Alistair and Lillian learn to trust each other and grow to learn about the others. The feelings between them all is unique. The love and passion between Alistair and Violet will either tear them apart or help save them. How Violet uses her past to help
a scared and lonely little girl is a tear get er. You will cry, laugh and hold your breath doing this book. A wonderful book of 2nd chances, trust, and love just might win over all.
I received an ARC of from the author and this is my honest opinion.
When the owner dies, the new owner is a young brash evil man who thinks girls,and women are only here for his use. When Violet finds him trying to rape one of the young girls with a friend of his waiting his turn, she saves the girl but both men are wounded. Violet runs for her life. She ends up at a strange Abby as she is about pass out from lack of food and shelter. When she wakes it is to a dark and unworldly place. The Abby is owned by Alistair Waldegrave who has not been out of it for nine years, since the birth of her daughter Lillian. Lillian has a horrible illness that if the sun touches her she is badly burned. As Violet, Alistair and Lillian learn to trust each other and grow to learn about the others. The feelings between them all is unique. The love and passion between Alistair and Violet will either tear them apart or help save them. How Violet uses her past to help
a scared and lonely little girl is a tear get er. You will cry, laugh and hold your breath doing this book. A wonderful book of 2nd chances, trust, and love just might win over all.
I received an ARC of from the author and this is my honest opinion.
October 2, 2019
TOO WANTON TO WED is the fourth book in the Gothic Love Stories series, but was originally released as a stand-alone novella, DARK SURRENDER.
Violet was born to nothing, not even a real name of her own. Through luck, she is taken in at the Livingstone School for Girls in Lancashire. Because of her talent, she later became an instructor in art. Unfortunately, for those born with nothing, bad luck becomes normal and expected. When the school is closed and one of her students is attacked, Violet finds herself on the run with only the clothes on her back, a few coins, and her wits. When she falls on the doorsteps of Waldegrave Abbey, Alistair Waldegrave instructs the staff to provide her with bath, food, and a night of rest. One night as a Good Samaritan recipient becomes a temporary position for Violet as governess to Alistair’s daughter, Lillian.
There are many avenues of passion in this story – art, parental love, and romantic. All are well written and all consuming. The story is well paced and continually moving forward. I never wanted to put it down to deal with real life. This was definitely a book to get lost within the pages.
Who should read it? Anyone who likes romance, a touch of crime novel, and a hint of paranormal activity.
Note: While I received this book as a gifted ARC, my opinions are my own and are given freely.
Title: TOO WANTON TO WED
Series: Gothic Love Stories #4
Category /Genre: Historic Romance
Recommended for: 18+ due to sexual content
Grammar/editing: received as an unedited ARC
Received from: Erica Ridley
Violet was born to nothing, not even a real name of her own. Through luck, she is taken in at the Livingstone School for Girls in Lancashire. Because of her talent, she later became an instructor in art. Unfortunately, for those born with nothing, bad luck becomes normal and expected. When the school is closed and one of her students is attacked, Violet finds herself on the run with only the clothes on her back, a few coins, and her wits. When she falls on the doorsteps of Waldegrave Abbey, Alistair Waldegrave instructs the staff to provide her with bath, food, and a night of rest. One night as a Good Samaritan recipient becomes a temporary position for Violet as governess to Alistair’s daughter, Lillian.
There are many avenues of passion in this story – art, parental love, and romantic. All are well written and all consuming. The story is well paced and continually moving forward. I never wanted to put it down to deal with real life. This was definitely a book to get lost within the pages.
Who should read it? Anyone who likes romance, a touch of crime novel, and a hint of paranormal activity.
Note: While I received this book as a gifted ARC, my opinions are my own and are given freely.
Title: TOO WANTON TO WED
Series: Gothic Love Stories #4
Category /Genre: Historic Romance
Recommended for: 18+ due to sexual content
Grammar/editing: received as an unedited ARC
Received from: Erica Ridley
August 5, 2019
Violet is on the run after saving a child from unspeakable harm. After weeks traveling alone, she stumbles upon what appears to be an abandoned abbey. She is exhausted and passes out before even making it inside. She awakes to find herself inside and laying in a bed. The owner of the home, Alistair, offers her a job. She becomes his daughter's governess. She has fallen in love with the family and all seems to be going well, until her past catches up with her...
Alistair is at his wits end. Since his daughter was born, he has been trying to find a cure for her with no luck. But in recent years, his daughter has become uncontrollable. He fears that she will attack the servants, so has become the only person that has contact with her. That is until Violet stumbles into their lives. She is a miracle worker. His daughter is no longer the angry, miserable little girl that she has become the last several years. But when Violet's past comes back to haunt her, that might all change. Can Alistair save the family he has finally built for himself?
I LOVED this story!! It was different than most historical romances and that gives it a lot of appeal. I loved watching these three become a family and work through all of their troubles. This was a great addition to the Gothic Love Stories series!
Alistair is at his wits end. Since his daughter was born, he has been trying to find a cure for her with no luck. But in recent years, his daughter has become uncontrollable. He fears that she will attack the servants, so has become the only person that has contact with her. That is until Violet stumbles into their lives. She is a miracle worker. His daughter is no longer the angry, miserable little girl that she has become the last several years. But when Violet's past comes back to haunt her, that might all change. Can Alistair save the family he has finally built for himself?
I LOVED this story!! It was different than most historical romances and that gives it a lot of appeal. I loved watching these three become a family and work through all of their troubles. This was a great addition to the Gothic Love Stories series!
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