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The Solace of Open Spaces
"Everything in nature invites us constantly to be what we are. We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still." Whether she's reflecting on nature's teachings, divulging her experiences as a cowpuncher, or painting vivid word portraits of the people she lives and works with, Gretel Ehrlich's observations are lyrical and funny, wise and authentic. After moving from the city to a vast new state, she writes of adjusting to cowboy life, boundless open spaces, and the almost incomprehensible harshness of a Wyoming winter:
"When it's fifty below, the mercury bottoms out and jiggles there as if laughing at those of us still above ground. Once I caught myself on tiptoes, peering down into the thermometer as if there were an extension inside inscribed with higher and higher declarations of physical misery: ninety below to the power of ten and so on."
After experiencing the isolated life of a sheep herder, she writes, "Keenly observed the world is transformed. The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient."
Ehrlich's gift is one of subtle precision. She writes beauty into the plainest of thoughts and meaning into the simplest of ideas: "True solace is finding none, which is to say, it is everywhere." --Kathryn True
192 pages, Paperback
First published January 1, 1984
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14488 people want to read
About the author
Gretel Ehrlich
57 books352 followersGretel Ehrlich is an American travel writer, novelist, essayist, and poet born on a horse ranch near Santa Barbara, California and educated at both Bennington College in Vermont and UCLA film school. After working in film for 10 years and following the death of a loved one, she began writing full-time in 1978 while living on a Wyoming ranch where she had been filming. Her first book, The Solace of Open Spaces, is a collection of essays describing her love of the region.
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Displaying 1 - 30 of 753 reviews
April 23, 2017
When I requested this title in NetGalley, I did not realize it was an older book of essays coming up for a reprinting. I actually have another book from the author on my "around the world" shelves at home - This Cold Heaven: Seven Seasons in Greenland. So she was on my vague periphery, but I was very happy to have had a chance to read this book, even if it isn't new.
In the late 1970s, Ehrlich travels to Wyoming on a documentary assignment. Her then-lover ends up dying, and she just stays and stays. This book collects her writings about the wide-open, the west, the prairie, and the people who live there. I understand that she first wrote these as journal entries, then as letters, and eventually revised them into a publishable form.
I loved them. I loved her insight into the sometimes elusive ranchers, sheepherders, farmhands, and cowboys. I loved her insight into herself. I loved her attention to details in nature, her ability to stop, slow down, and pay attention. I didn't include any of those quotes here since technically I have a review copy, but may return to this space once it is back out.
Thanks to NetGalley and Open Road Media for the chance to read this forgotten gem.
In the late 1970s, Ehrlich travels to Wyoming on a documentary assignment. Her then-lover ends up dying, and she just stays and stays. This book collects her writings about the wide-open, the west, the prairie, and the people who live there. I understand that she first wrote these as journal entries, then as letters, and eventually revised them into a publishable form.
I loved them. I loved her insight into the sometimes elusive ranchers, sheepherders, farmhands, and cowboys. I loved her insight into herself. I loved her attention to details in nature, her ability to stop, slow down, and pay attention. I didn't include any of those quotes here since technically I have a review copy, but may return to this space once it is back out.
Thanks to NetGalley and Open Road Media for the chance to read this forgotten gem.
March 30, 2018
A beautiful book with a great deal of thought put into words. The Solace of Open Spaces by Gretel Erlich is a collection of a dozen loosely connected chapters about the author’s experiences living and working amid Wyoming’s vast open spaces. The book was written in 1985 and still feels current.
The author has been fairly compared to Annie Dillard and Thoreau and at times her use of prose is pure poetry. She indicated it took her more than five years to write the 130 pages that comprise the book. There are four chapters in this book that I fell in love with: The Solace of Open Spaces, The Smooth Skull of Winter, On Water, and the last chapter entitled A Storm, The Cornfield and Elk.
One of my favorite paragraphs from that last chapter:
“The French call the autumn leaf feuille morte. When the leaves are finally corrupted by frost they rain down into themselves until the tree, disowning itself, goes bald. All through autumn we hear a double voice: one says everything is ripe; the other says everything is dying. The paradox is exquisite. We feel what the Japanese call “aware” - an almost untranslatable word meaning something like beauty tinged with sadness”
A solid 4.5.
The author has been fairly compared to Annie Dillard and Thoreau and at times her use of prose is pure poetry. She indicated it took her more than five years to write the 130 pages that comprise the book. There are four chapters in this book that I fell in love with: The Solace of Open Spaces, The Smooth Skull of Winter, On Water, and the last chapter entitled A Storm, The Cornfield and Elk.
One of my favorite paragraphs from that last chapter:
“The French call the autumn leaf feuille morte. When the leaves are finally corrupted by frost they rain down into themselves until the tree, disowning itself, goes bald. All through autumn we hear a double voice: one says everything is ripe; the other says everything is dying. The paradox is exquisite. We feel what the Japanese call “aware” - an almost untranslatable word meaning something like beauty tinged with sadness”
A solid 4.5.
May 13, 2023
We are told in the preface that the author wrote what is collected here in this volume from 1979 – 1984. In assembling this book, she arranged the essays in chronological order.
Some essays are autobiographical. These mirror the circumstances shaping her life at the time. We hear of the suffering and death of a beloved partner. Both were still young at the time. She stumbles through this early experience.
The common denominator for all the essays is their focus on life in the American West. She took on a variety of jobs in Wyoming. The arid, windblown landscapes barren of trees, mantled in dust and sagebrush is the backdrop for that which we read. We see how fellow Westerners care for each other and their livestock. We have been taught to view cowboys as tough and resilient, which they are. They have a soft, gentle and caring side too. Their lives encompass working with, caring for and saving the lives of animals and on occasions human beings too. A helping hand can be the difference between life and death. The author shows us the soft as well as the hard side of those who have chosen the inhospitable environment of the West as their home. It is the character of these denizens that Gretel Ehrlich brings to the fore. Along the way we view Native American traditions and celebrations. The Sundance celebration is one example. Gretel and her husband’s honeymoon destination was that year’s champion rodeo competition. We are told of shepherding, methods of irrigation and violent thunderstorms. None of this is spoken of clinically. It is spoken of by one who has seen what she speaks of. She speaks with love and understanding of that which she knows.
The book is not about the “solace of open spaces”, as the title indicates. It is instead about the men and women who inhabit such places. Those not attuned to Wyoming’s inherent beauty may declare it to be empty and without interest. It is a matter of perspective. One’s attitude will influence one’s view of the book.
The writing reads often as prose poetry—most frequently when the landscape and its inhabitants are described. This is what I liked most about the book. I have never been out west. This was new territory for me. I am more at home om wooded, lushly vegetated, hilly terrain. Yet I do appreciate the wide open vistas at the sea. Places inhabited by few do attract me, and so I easily connect to Gretel Ehrlich’s musings. Here follow a few short quotes. See what you think:
“Space represents sanity.”
“He hung up his life on the peg of solitude.”
“The ducks flying in pairs made me feel lonely.”
“I know what the world is made of and still love all of it.”
“In a rancher’s world, courage has less to do with facing danger than with acting spontaneously, usually on behalf of an animal or another rider.”
“Tides of weather bring the days and take them away.”
Those asking, “What do you do?” then later responding “Don’t you get bored?” made me smile. There are those of us who never get bored left alone out in nature.
“A band of 1500 sheep move across the range like a single body of water.”
Do the words evoke a vivid picture in your head? They do in mine.
“Sheep graze up a slope, not down like cows do.”
Interesting, huh?
“We live in a culture that has lost its memory.”
These quotes mist suffice. Taste them. Try to determine if you think the book will speak to you.
The audiobook is read by the author. There is a slow, languorous melody to the reading. I like this. The narration works well with the prose. It’s good, so I am giving it three stars, just as I have given the book itself. I am not a big fan of essays. I prefer long over short books, but I wanted to give this a try. I am glad I did.
Some essays are autobiographical. These mirror the circumstances shaping her life at the time. We hear of the suffering and death of a beloved partner. Both were still young at the time. She stumbles through this early experience.
The common denominator for all the essays is their focus on life in the American West. She took on a variety of jobs in Wyoming. The arid, windblown landscapes barren of trees, mantled in dust and sagebrush is the backdrop for that which we read. We see how fellow Westerners care for each other and their livestock. We have been taught to view cowboys as tough and resilient, which they are. They have a soft, gentle and caring side too. Their lives encompass working with, caring for and saving the lives of animals and on occasions human beings too. A helping hand can be the difference between life and death. The author shows us the soft as well as the hard side of those who have chosen the inhospitable environment of the West as their home. It is the character of these denizens that Gretel Ehrlich brings to the fore. Along the way we view Native American traditions and celebrations. The Sundance celebration is one example. Gretel and her husband’s honeymoon destination was that year’s champion rodeo competition. We are told of shepherding, methods of irrigation and violent thunderstorms. None of this is spoken of clinically. It is spoken of by one who has seen what she speaks of. She speaks with love and understanding of that which she knows.
The book is not about the “solace of open spaces”, as the title indicates. It is instead about the men and women who inhabit such places. Those not attuned to Wyoming’s inherent beauty may declare it to be empty and without interest. It is a matter of perspective. One’s attitude will influence one’s view of the book.
The writing reads often as prose poetry—most frequently when the landscape and its inhabitants are described. This is what I liked most about the book. I have never been out west. This was new territory for me. I am more at home om wooded, lushly vegetated, hilly terrain. Yet I do appreciate the wide open vistas at the sea. Places inhabited by few do attract me, and so I easily connect to Gretel Ehrlich’s musings. Here follow a few short quotes. See what you think:
“Space represents sanity.”
“He hung up his life on the peg of solitude.”
“The ducks flying in pairs made me feel lonely.”
“I know what the world is made of and still love all of it.”
“In a rancher’s world, courage has less to do with facing danger than with acting spontaneously, usually on behalf of an animal or another rider.”
“Tides of weather bring the days and take them away.”
Those asking, “What do you do?” then later responding “Don’t you get bored?” made me smile. There are those of us who never get bored left alone out in nature.
“A band of 1500 sheep move across the range like a single body of water.”
Do the words evoke a vivid picture in your head? They do in mine.
“Sheep graze up a slope, not down like cows do.”
Interesting, huh?
“We live in a culture that has lost its memory.”
These quotes mist suffice. Taste them. Try to determine if you think the book will speak to you.
The audiobook is read by the author. There is a slow, languorous melody to the reading. I like this. The narration works well with the prose. It’s good, so I am giving it three stars, just as I have given the book itself. I am not a big fan of essays. I prefer long over short books, but I wanted to give this a try. I am glad I did.
July 13, 2022
This Land
«La caratteristica principale del paesaggio è quella che un imprenditore edile eufemisticamente descriverebbe come «robaccia indigena fin sotto la porta di casa», ossia un misto di assetati arbusti di pianta del sale, serpenti, lepri dalla coda nera, mosche dei cervi, polvere rossa ,ciuffi di fiori selvatici, greti di fiume e totale assenza di alberi. Se sulle Grandi Pianure il panorama è una sinfonia, un inno suonato dall’erba, il Wyoming sembra piuttosto scaturito dal delirio di un architetto: un gran ruzzolare e acciottolare di pietra infusa di colori tenui, esangui, un gigante di roccia che un rumore improvviso abba strappato un sonno profondo e gettato in piena luce.»
Il Wyoming è la terra della salvia, scrive Greta Ehrilch, e io non lo immaginavo, ma anche del vento, della neve, del freddo che ti si insinua nelle ossa e ti anestetizza la mente, e qui è rispondente al mio immaginario.
Ma è soprattutto terra di cowboy veri, non quelli dei film e del nostro immaginario - il cowboy della Marlboro, per esempio - idealizzati e iconizzati - «Quando sono a New York e mi viene nostalgia del Wyoming, cerco con lo sguardo le pubblicità della Marlboro in metropolitana. […] Ma gli uomini sui poster, con i loro sguardi severi, privi di umorismo, non mi ricordano nessuno che conosca lì. Nella foga di idealizzarlo, paradossalmente abbiamo spogliato il cowboy della sua vera essenza. Se è «ombroso e taciturno» sarà perché non ha nessuno con cui parlare. Se «cavalca verso il tramonto», è perché è dalle quattro del mattino che sposta bestiame in sella al suo cavallo e dopo quindici ore di lavoro vuole solo tornare a casa dalla famiglia. Se da un lato è «un individualista convinto», è anche parte di una comunità: quello al ranch è un lavoro di squadra.» - di ranch sterminati, di isolamento da tutto e da tutti, di mandrie e pascoli sterminati, di natura che scandisce ritmi di vita in cui gli esseri umani si inseriscono adattandosi, piegandosi, resistendo.
È bello questo memoir, che nasce sotto forma di diario inviato a un'amica e la cui stesura è compresa fra il 1979 e il 1984, composto da scritti divisi per tematiche - i cowboy, appunto, i rodeo, la danza del sole - che incrociano gli incontri e gli stati d’animo dell’autrice che, californiana di nascita e newyorkese di adozione, arriva nel Wyoming per girare un documentario, resta per elaborare un lutto e finisce per non andare più via.
This Land, la collana di Black Coffee dedicata al territorio e alla natura degli Stati Uniti d’America si conferma una delle iniziative editoriali migliori di questi ultimi tempi, e per me, che da un po’ di tempo sto cercando di approfondire la storia degli stati che compongono la federazione degli USA allo scopo di identificarli e riconoscerli sempre più nella differenze e nelle loro caratteristiche e unicità, una miniera inesauribile.
Questa lettura, per esempio, mi ha portata alla visione del film “Heaven’s Gate” di Michael Cimino dopo un accenno alla ”guerra di Johnson County, che non fu una semplice sparatoria fra buoni e cattivi bensì una vera e propria lotta di classe fra la borghesia terriera e i colonie abbienti, la sconcertante riprova del fatto che dopotutto l’Ovest non fosse il santuario di egualitarismo che ripensava” e proseguirà, probabilmente, con i racconti del Wyoming di Annie Proulx.
«Il freddo ha un effetto anestetizzante: il battito cardiaco rallenta e la vista della neve che cade copiosa induce sonnolenza. […] A compensare la solennità di questo paesaggio lunare, l’aurora boreale danza sopra i Big Horn irradiando il suo pallore invernale nel cielo notturno e così ci rammenta che, mentre tutti fanno ritorno ai loro nidi e alle loro tane, la natura continua a dar sfogo all’irrefrenabile, orgasmica energia che la anima.
L’inverno ha il cranio liscio, e i nostri scivoloni sul ghiaccio nero sono scivoloni cerebrali. Quando la claustrofobia inizia a farsi sentire, il cervello preme contro le pareti del cranio e la mente, soffocata, dilaga - invade letteralmente se stessa. Migrati gli uccelli canori, restano solo i saprofagi: gazze ladre, corvi, aquile. Loro spolpano un cervo morto in mezzo alla strada, noi ci infliggiamo piccole crudeltà a vicenda.
Capita che soffriamo di cecità da neve, che perdiamo la percezione dei colori e siamo costretti a operare una scelta fra cosa vedere e cosa invece ignorare, mentre il dolore ci rende muti. Ma in cambio di tanto patire c’è una ricompensa in termini di lucidità di pensiero e rinvigorimento dello spirito e del corpo. Passiamo la stagione e pattinare sugli stagni - specchi d’acqua che d’estate sono appena sufficienti a saziare la sete del bestiame - e ad ogni spinta la mente scorge un riflesso sempre più nitido di sé sul ghiaccio. Lucenti pensieri ci solcano la mente.
D’inverno, la coscienza somiglia a un’acquaforte.»
«La caratteristica principale del paesaggio è quella che un imprenditore edile eufemisticamente descriverebbe come «robaccia indigena fin sotto la porta di casa», ossia un misto di assetati arbusti di pianta del sale, serpenti, lepri dalla coda nera, mosche dei cervi, polvere rossa ,ciuffi di fiori selvatici, greti di fiume e totale assenza di alberi. Se sulle Grandi Pianure il panorama è una sinfonia, un inno suonato dall’erba, il Wyoming sembra piuttosto scaturito dal delirio di un architetto: un gran ruzzolare e acciottolare di pietra infusa di colori tenui, esangui, un gigante di roccia che un rumore improvviso abba strappato un sonno profondo e gettato in piena luce.»
Il Wyoming è la terra della salvia, scrive Greta Ehrilch, e io non lo immaginavo, ma anche del vento, della neve, del freddo che ti si insinua nelle ossa e ti anestetizza la mente, e qui è rispondente al mio immaginario.
Ma è soprattutto terra di cowboy veri, non quelli dei film e del nostro immaginario - il cowboy della Marlboro, per esempio - idealizzati e iconizzati - «Quando sono a New York e mi viene nostalgia del Wyoming, cerco con lo sguardo le pubblicità della Marlboro in metropolitana. […] Ma gli uomini sui poster, con i loro sguardi severi, privi di umorismo, non mi ricordano nessuno che conosca lì. Nella foga di idealizzarlo, paradossalmente abbiamo spogliato il cowboy della sua vera essenza. Se è «ombroso e taciturno» sarà perché non ha nessuno con cui parlare. Se «cavalca verso il tramonto», è perché è dalle quattro del mattino che sposta bestiame in sella al suo cavallo e dopo quindici ore di lavoro vuole solo tornare a casa dalla famiglia. Se da un lato è «un individualista convinto», è anche parte di una comunità: quello al ranch è un lavoro di squadra.» - di ranch sterminati, di isolamento da tutto e da tutti, di mandrie e pascoli sterminati, di natura che scandisce ritmi di vita in cui gli esseri umani si inseriscono adattandosi, piegandosi, resistendo.
È bello questo memoir, che nasce sotto forma di diario inviato a un'amica e la cui stesura è compresa fra il 1979 e il 1984, composto da scritti divisi per tematiche - i cowboy, appunto, i rodeo, la danza del sole - che incrociano gli incontri e gli stati d’animo dell’autrice che, californiana di nascita e newyorkese di adozione, arriva nel Wyoming per girare un documentario, resta per elaborare un lutto e finisce per non andare più via.
This Land, la collana di Black Coffee dedicata al territorio e alla natura degli Stati Uniti d’America si conferma una delle iniziative editoriali migliori di questi ultimi tempi, e per me, che da un po’ di tempo sto cercando di approfondire la storia degli stati che compongono la federazione degli USA allo scopo di identificarli e riconoscerli sempre più nella differenze e nelle loro caratteristiche e unicità, una miniera inesauribile.
Questa lettura, per esempio, mi ha portata alla visione del film “Heaven’s Gate” di Michael Cimino dopo un accenno alla ”guerra di Johnson County, che non fu una semplice sparatoria fra buoni e cattivi bensì una vera e propria lotta di classe fra la borghesia terriera e i colonie abbienti, la sconcertante riprova del fatto che dopotutto l’Ovest non fosse il santuario di egualitarismo che ripensava” e proseguirà, probabilmente, con i racconti del Wyoming di Annie Proulx.
«Il freddo ha un effetto anestetizzante: il battito cardiaco rallenta e la vista della neve che cade copiosa induce sonnolenza. […] A compensare la solennità di questo paesaggio lunare, l’aurora boreale danza sopra i Big Horn irradiando il suo pallore invernale nel cielo notturno e così ci rammenta che, mentre tutti fanno ritorno ai loro nidi e alle loro tane, la natura continua a dar sfogo all’irrefrenabile, orgasmica energia che la anima.
L’inverno ha il cranio liscio, e i nostri scivoloni sul ghiaccio nero sono scivoloni cerebrali. Quando la claustrofobia inizia a farsi sentire, il cervello preme contro le pareti del cranio e la mente, soffocata, dilaga - invade letteralmente se stessa. Migrati gli uccelli canori, restano solo i saprofagi: gazze ladre, corvi, aquile. Loro spolpano un cervo morto in mezzo alla strada, noi ci infliggiamo piccole crudeltà a vicenda.
Capita che soffriamo di cecità da neve, che perdiamo la percezione dei colori e siamo costretti a operare una scelta fra cosa vedere e cosa invece ignorare, mentre il dolore ci rende muti. Ma in cambio di tanto patire c’è una ricompensa in termini di lucidità di pensiero e rinvigorimento dello spirito e del corpo. Passiamo la stagione e pattinare sugli stagni - specchi d’acqua che d’estate sono appena sufficienti a saziare la sete del bestiame - e ad ogni spinta la mente scorge un riflesso sempre più nitido di sé sul ghiaccio. Lucenti pensieri ci solcano la mente.
D’inverno, la coscienza somiglia a un’acquaforte.»
June 11, 2011
The Solace of Open Spaces (1985), by Gretel Ehrlich
I recently discovered Gretel Ehrlich, not that she isn’t well known by others. The discovery merely reflects my ignorance...and yet, I get great joy from finding new food—someone whose words I immediately want to absorb. I found the book in a used book store. The title alone intrigued me—one who thinks that soul nurturing places, solitude and silence are the final luxuries. And her essays are about Wyoming, my neighbor state and our least populated one—to me, a feature, not a bug. Also, two of my favorite authors, Annie Dillard and Edward Abbey, who I’ve re-read multiple times, gave her high praise. I expect to read more of Ehrlich.
In the preface, she tells us that she “suffered a tragedy and made a drastic geographical and cultural move fairly baggageless,” but she wasn’t losing her grip. She added:
What I had lost (at least for a while) was my appetite for the life I had left: city surroundings, old friends, familiar comforts. It had occurred to me that comfort was only a disguise for discomfort, reference points, a disguise for what will always change...For the first time I was able to take up residence on earth with no alibis, no self-promoting schemes.
In her first essay, she writes of John, a sheep man who put her to work—extended hours of it, which she says woke her up:
The arid country was a clean slate. Its absolute indifference steadied me...Because ranch work is a physical, and these days, economic strain, being ‘at home on the range’ is a matter of vigor, self-reliance, and common sense. A person’s life is not a series of dramatic events for which he or she is applauded or exiled but a slow accumulation of days, seasons, years, fleshed out by the generational weight of one’s family and anchored by a land-bound sense of place.
Later, she quotes someone but can’t remember who, “In nature there are neither rewards nor punishments; there are only consequences.” Yep, “absolute indifference.” And even later, “There is nothing in nature that can’t be taken as a sign of both mortality an invigoration...Everything in nature invites us constantly to be what we are....”
She says:
The solitude in which westerners live makes them quiet...Sentence structure is shortened. Descriptive words are dropped, even verbs...What’s behind this laconic style is shyness. There is no vocabulary for the subject of feelings. It’s not a hangdog shyness, or anything coy— always there’s a robust spirit in evidence behind the restraint...The silence is profound. Instead of talking, we seem to share one eye. Keenly observed, the world is transformed. The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient.
As the book continues, she writes of Wyoming’s history, the changes caused by fences and isolationist conservative people who believe that “honesty is stronger medicine than sympathy, which may console but often conceals.” She also tells us about hermits, madness, cabin fever, extended drunks, suicide, sheepherders as “outsiders,” and people so ornery that they’d “rather starve than agree on anything.”
She says, “Disfigurement is synonymous with the whole idea of a frontier. As soon as we lay our hands on it, the freedom we thought it represented is quickly gone.” She writes of some very strong women and the effects of brutal “smooth-skulled winters.”
Living well here has always been the art of making do in emotional as well as material ways. Traditionally, at least, ranch life has gone against materialism and has stood for the small achievements of the human conjoined with the animal, and the simpler pleasures...The toughness I was learning was not a martyred doggedness, a dumb heroism, but the art of accommodation. I thought: to be tough is to be fragile; to be tender is to be truly fierce.
She explains all this, and tells us about men, something other than the romanticized Marlboro man version: “If he’s ‘strong and silent’ it’s because there’s probably no one to talk to.” There is an effect of “geographical vastness,” on “emotional evolution” but also a “true vulnerability in evidence...”
Ehrlich delves into the unsentimental relationship with animals—they must produce. And:
Animals hold us to what is present: to who we are at the time, not who we’ve been or how are bank accounts describe us. What’s obvious to an animal is not the embellishment that fattens our emotional resumes but what’s bedrock and current in us...we’re transparent to them and thus exposed—we’re finally ourselves.
She writes about water, or the lack thereof: “We can drown it it or else stay buoyant, quench our thirst, stay alive.” And she tells us about “farmer’s work” of irrigation vs. ranching. She gets married, buys a ranch, tells us about the National Finals Rodeo, then held in Oklahoma City. (It’s now in Las Vegas.) She writes about her attendance the “Crow Fair” and a “Sun Dance” and ends the book as poetically as she began it—beautifully written, insightful—a wonderful book.
I recently discovered Gretel Ehrlich, not that she isn’t well known by others. The discovery merely reflects my ignorance...and yet, I get great joy from finding new food—someone whose words I immediately want to absorb. I found the book in a used book store. The title alone intrigued me—one who thinks that soul nurturing places, solitude and silence are the final luxuries. And her essays are about Wyoming, my neighbor state and our least populated one—to me, a feature, not a bug. Also, two of my favorite authors, Annie Dillard and Edward Abbey, who I’ve re-read multiple times, gave her high praise. I expect to read more of Ehrlich.
In the preface, she tells us that she “suffered a tragedy and made a drastic geographical and cultural move fairly baggageless,” but she wasn’t losing her grip. She added:
What I had lost (at least for a while) was my appetite for the life I had left: city surroundings, old friends, familiar comforts. It had occurred to me that comfort was only a disguise for discomfort, reference points, a disguise for what will always change...For the first time I was able to take up residence on earth with no alibis, no self-promoting schemes.
In her first essay, she writes of John, a sheep man who put her to work—extended hours of it, which she says woke her up:
The arid country was a clean slate. Its absolute indifference steadied me...Because ranch work is a physical, and these days, economic strain, being ‘at home on the range’ is a matter of vigor, self-reliance, and common sense. A person’s life is not a series of dramatic events for which he or she is applauded or exiled but a slow accumulation of days, seasons, years, fleshed out by the generational weight of one’s family and anchored by a land-bound sense of place.
Later, she quotes someone but can’t remember who, “In nature there are neither rewards nor punishments; there are only consequences.” Yep, “absolute indifference.” And even later, “There is nothing in nature that can’t be taken as a sign of both mortality an invigoration...Everything in nature invites us constantly to be what we are....”
She says:
The solitude in which westerners live makes them quiet...Sentence structure is shortened. Descriptive words are dropped, even verbs...What’s behind this laconic style is shyness. There is no vocabulary for the subject of feelings. It’s not a hangdog shyness, or anything coy— always there’s a robust spirit in evidence behind the restraint...The silence is profound. Instead of talking, we seem to share one eye. Keenly observed, the world is transformed. The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient.
As the book continues, she writes of Wyoming’s history, the changes caused by fences and isolationist conservative people who believe that “honesty is stronger medicine than sympathy, which may console but often conceals.” She also tells us about hermits, madness, cabin fever, extended drunks, suicide, sheepherders as “outsiders,” and people so ornery that they’d “rather starve than agree on anything.”
She says, “Disfigurement is synonymous with the whole idea of a frontier. As soon as we lay our hands on it, the freedom we thought it represented is quickly gone.” She writes of some very strong women and the effects of brutal “smooth-skulled winters.”
Living well here has always been the art of making do in emotional as well as material ways. Traditionally, at least, ranch life has gone against materialism and has stood for the small achievements of the human conjoined with the animal, and the simpler pleasures...The toughness I was learning was not a martyred doggedness, a dumb heroism, but the art of accommodation. I thought: to be tough is to be fragile; to be tender is to be truly fierce.
She explains all this, and tells us about men, something other than the romanticized Marlboro man version: “If he’s ‘strong and silent’ it’s because there’s probably no one to talk to.” There is an effect of “geographical vastness,” on “emotional evolution” but also a “true vulnerability in evidence...”
Ehrlich delves into the unsentimental relationship with animals—they must produce. And:
Animals hold us to what is present: to who we are at the time, not who we’ve been or how are bank accounts describe us. What’s obvious to an animal is not the embellishment that fattens our emotional resumes but what’s bedrock and current in us...we’re transparent to them and thus exposed—we’re finally ourselves.
She writes about water, or the lack thereof: “We can drown it it or else stay buoyant, quench our thirst, stay alive.” And she tells us about “farmer’s work” of irrigation vs. ranching. She gets married, buys a ranch, tells us about the National Finals Rodeo, then held in Oklahoma City. (It’s now in Las Vegas.) She writes about her attendance the “Crow Fair” and a “Sun Dance” and ends the book as poetically as she began it—beautifully written, insightful—a wonderful book.
September 2, 2017
“In the Great Plains, the vistas look like music, like Kyries of grass, but Wyoming seems to be the doing
of a mad architect- tumbled and twisted, ribboned with faded, deathbed colors, thrust up and pulled down as if the place had been startled out of a deep sleep and thrown into pure light.”
“Everything in nature invites us constantly to be what we are. We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still.”
“Ranchers are midwives, hunters, nurturers, providers, and conservationists all at once. What we’ve interpreted as toughness—weathered skin, calloused hands, a squint in the eye and a growl in the voice—only masks the tenderness inside.”
In the late 1970s, Gretel Ehrlich traveled to Wyoming on a work assignment. She was also grieving over the death of her beloved partner. She became entranced by this wild and unruly place and decided to stay. These essays describe the wonder and the beauty that she discovered during her time there and she ended up purchasing an old, ramshackle ranch, that she fell in love with. Ehrlich is no city slicker or shrinking violet. She became a sheepherder and a cowboy, living in incredibly harsh conditions. One, tough scrappy woman. She even survives a lightning strike. She is also a very gifted writer. Fans of Terry Tempest Williams will love this excellent collection. This author is completely new to me but I think she deserves much more attention.
of a mad architect- tumbled and twisted, ribboned with faded, deathbed colors, thrust up and pulled down as if the place had been startled out of a deep sleep and thrown into pure light.”
“Everything in nature invites us constantly to be what we are. We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still.”
“Ranchers are midwives, hunters, nurturers, providers, and conservationists all at once. What we’ve interpreted as toughness—weathered skin, calloused hands, a squint in the eye and a growl in the voice—only masks the tenderness inside.”
In the late 1970s, Gretel Ehrlich traveled to Wyoming on a work assignment. She was also grieving over the death of her beloved partner. She became entranced by this wild and unruly place and decided to stay. These essays describe the wonder and the beauty that she discovered during her time there and she ended up purchasing an old, ramshackle ranch, that she fell in love with. Ehrlich is no city slicker or shrinking violet. She became a sheepherder and a cowboy, living in incredibly harsh conditions. One, tough scrappy woman. She even survives a lightning strike. She is also a very gifted writer. Fans of Terry Tempest Williams will love this excellent collection. This author is completely new to me but I think she deserves much more attention.
December 4, 2023
Catching up…
This is more a reflection of the experience of reading this book.
I want to talk to you about letting our soul catch up. Stick with me…
I will explain.
In her book The Solace of Open Spaces, Gretel Ehrlich talks about the concept that space can heal. That space—created by silence—represents sanity.
In other words…
Silence can be a fullness, rather than a void.
As you can imagine…
That is not always easy to see during a pandemic. Stillness can let us recover—grab hold of—those parts of our self which have been so scattered, so disparate, throughout the week, or month, or more.
But…
To sit still is a spiritual endeavor. To sit still is to practice Sabbath—meaning literally, to quit. To Pause. To Stop. To take a break. To make uncluttered time. To rest our body – our mind – our Spirit. To let our soul catch up.
Perhaps…
This is that time for us to do just that – let our soul catch up. What we need is a little sacred necessity of stillness – an invitation to savor the pleasure of slowness – maybe even some silence…
And…
Let it work its magic.
And then…
Pause. Hand Over Heart♥️Reflect. Breathe. Let Go. And do it again.
Teachable moments in this book.
December 4, 2023
Lush, lyrical writing by a woman who absolutely resists definition. Moving to Wyoming following the death of a loved one, she found solace in the rawness of nature and the elemental kindness of people. "Solace" is a collection of essays -- Ehrlich's first, in fact -- a slim book that contains multitudes. Her time in Wyoming was spent not as a tourist or detached essayist but as a worker on the ranches, struggling through the storms and snow, the knee-deep mud, the deadly cold, the awful heat and long silences. A worker with the discerning, sensual soul of a poet: Winter is smooth-skulled, and all our sids on black ice are cerebral. When we begin to feel cabin-feverish, the brain pistons thump upon bone and mind irrupts -- literally invading itself -- unable to get fresh air. With the songbirds gone only scavengers are left: magpies, crows, eagles. As they pick on road-killed deer we humans are apt to practice the small cruelties on each other. We suffer from snow blindness, selecting what we see and feel while pain whites itself out... In winter, consciousness looks like an etching.
Scattered throughout the pages of this book are descriptions of so much I had never seen or imagined before: What it was like to be struck by lightning. To deliver a calf by Caesarean (a woman assisting in the procedure discovers too late that she lost her wedding ring "in there," which prompts her husband to groan, "These cows are sure getting expensive"). Of a cold so intense that car transmissions froze, obliging one man to drive the eight miles home in reverse, the only gear that worked. Or this: Days when the temperature never rose above zero my log cabin felt like a forest pulled around me. Outside, hard wind-packed snowdrifts grew, flanking the cabin like monstrous shoulder pads. Rusty [her dog] was my only companion. I played Scrabble with him every night and he won." Of how the women's lives in rural (what an inadequate word in this context!) Wyoming are every bit as rugged and demanding as the men's, because they're called upon to do the exact same things no matter how raw the weather or dangerous the task. Of how small humans are in the stark, dangerous vastness of the natural world.
The life Ehrlich portrays here is (unsurprisingly) infinitely more demanding than I imagined it from home on the East Coast, and the people far more complex. Reading of what they have to endure -- good and bad -- and how carefully they watch out for one another, I was once again reminded of how important -- how necessary -- reading can be, particularly non-fiction like this. Our political culture has reduced people to stereotypes where the Other is not only unknown to Us, but hardly worth knowing. "Solace" and books like it enable us to see how wrong and demeaning the stereotypes are. And how they rob us of so much that is important to be aware of. "Solace" is barely 130 pages long; describing its riches would take up twice as many pages.
What Ehrlich wrote back in the 1980s struck me as even more true today in our angry, divided culture with its non-stop news/noise, and endless distractions: "We live in a culture that has lost its memory. Very little in the specific shapes and traditions of our grandparents' pasts instructs us how to live today, or tells us who we are or what demands will be made on us as members of society... With our burgeoning careers and families, we want to join up, but it's difficult to know how or where. The changing conditions of life are no longer assimilated back into a common watering trough. Now, with our senses enlivened -- because that's the only context we have to go by --we hook change onto change ad nauseam."
Scattered throughout the pages of this book are descriptions of so much I had never seen or imagined before: What it was like to be struck by lightning. To deliver a calf by Caesarean (a woman assisting in the procedure discovers too late that she lost her wedding ring "in there," which prompts her husband to groan, "These cows are sure getting expensive"). Of a cold so intense that car transmissions froze, obliging one man to drive the eight miles home in reverse, the only gear that worked. Or this: Days when the temperature never rose above zero my log cabin felt like a forest pulled around me. Outside, hard wind-packed snowdrifts grew, flanking the cabin like monstrous shoulder pads. Rusty [her dog] was my only companion. I played Scrabble with him every night and he won." Of how the women's lives in rural (what an inadequate word in this context!) Wyoming are every bit as rugged and demanding as the men's, because they're called upon to do the exact same things no matter how raw the weather or dangerous the task. Of how small humans are in the stark, dangerous vastness of the natural world.
The life Ehrlich portrays here is (unsurprisingly) infinitely more demanding than I imagined it from home on the East Coast, and the people far more complex. Reading of what they have to endure -- good and bad -- and how carefully they watch out for one another, I was once again reminded of how important -- how necessary -- reading can be, particularly non-fiction like this. Our political culture has reduced people to stereotypes where the Other is not only unknown to Us, but hardly worth knowing. "Solace" and books like it enable us to see how wrong and demeaning the stereotypes are. And how they rob us of so much that is important to be aware of. "Solace" is barely 130 pages long; describing its riches would take up twice as many pages.
What Ehrlich wrote back in the 1980s struck me as even more true today in our angry, divided culture with its non-stop news/noise, and endless distractions: "We live in a culture that has lost its memory. Very little in the specific shapes and traditions of our grandparents' pasts instructs us how to live today, or tells us who we are or what demands will be made on us as members of society... With our burgeoning careers and families, we want to join up, but it's difficult to know how or where. The changing conditions of life are no longer assimilated back into a common watering trough. Now, with our senses enlivened -- because that's the only context we have to go by --we hook change onto change ad nauseam."
December 17, 2018
This book is a love letter to Wyoming and parts of it really sing to me. Of all the ruggedly handsome western states, Wyoming is a special place, a place set apart from most of the others in sheer wildness and expanse, and Ehrlich knows that better and more intimately than most. There's a visceral seductiveness to a life as rugged as one spent ranching, herding sheep, driving cattle, surviving the sort of winters Wyoming used to (and still sometimes) sees. There is surely and definitively a solace in open spaces, and one we would do well to heed before all of our open spaces are gone. Ehrlich acknowledges that, explores it, and I think captures the romantic and rugged essence of Wyoming beautifully. (Though I definitely won't argue with the handful of reviews that mentioned this collection of essays is more about cowboys than open spaces, because parts of it definitely felt like that to me, too.)
First published in 1985, I feel like I'd also be remiss not to mention that there are definitely parts of these essays that feel dated, and not in a serenely nostalgic way. More to the point, there are parts of these essays that center on a whitewashed and incomplete history of Wyoming, where Indigenous populations were simply "displaced" and/or gone altogether by the time the first (primarily Mormon) "pioneers" arrived on the scene. It's uncomfortable to read sentences about how this rancher or that rancher has lived and worked this land for generations, without any reference to the Native tribes that first occupied the land. It's disheartening to realize the flip side of rampant farming and ranching in Wyoming is a state so wholly transformed by Big Agriculture that it's nearly wiped out once prominent herds of buffalo, pronghorn antelope, and various other wild creatures. Ehrlich doesn't address that at all. Perhaps the most troublesome chapter to me was the essay wherein Ehrlich attends two different tribal ceremonies and writes about it as if Wyoming itself wasn't stolen out from underneath the same Plains tribes.
[Three-point-five stars for the stunning sentences describing such a stark and memorable landscape.]
First published in 1985, I feel like I'd also be remiss not to mention that there are definitely parts of these essays that feel dated, and not in a serenely nostalgic way. More to the point, there are parts of these essays that center on a whitewashed and incomplete history of Wyoming, where Indigenous populations were simply "displaced" and/or gone altogether by the time the first (primarily Mormon) "pioneers" arrived on the scene. It's uncomfortable to read sentences about how this rancher or that rancher has lived and worked this land for generations, without any reference to the Native tribes that first occupied the land. It's disheartening to realize the flip side of rampant farming and ranching in Wyoming is a state so wholly transformed by Big Agriculture that it's nearly wiped out once prominent herds of buffalo, pronghorn antelope, and various other wild creatures. Ehrlich doesn't address that at all. Perhaps the most troublesome chapter to me was the essay wherein Ehrlich attends two different tribal ceremonies and writes about it as if Wyoming itself wasn't stolen out from underneath the same Plains tribes.
[Three-point-five stars for the stunning sentences describing such a stark and memorable landscape.]
Read
October 28, 2025m'agrada molt llegir aquests testimonis de persones que un dia decideixen deixar-ho tot i anar a fer coses com viure en un ranxo, cuidar animals i enamorar-se de cowboys. tant de bo pogués ser una d'aquestes dones i no passar-me més de vuit hores al dia davant d'un ordinador
May 12, 2019
Kerri made plenty of points more eloquently than I will (https://www.goodreads.com/review/show...), so I'll just say this: It could have been a good book, even a great book—if only it had been written by someone else. It just reeks of such an ugly romanticism that lacks perspective, ownership of privilege, a great deal of context...not to mention that it was poorly edited.
For all of those reasons, I'm both proud of myself for powering through this one and disappointed I didn't trust my gut enough to put it aside early on.
[2 stars for potential, promise, and open spaces, even if poorly treated here.]
For all of those reasons, I'm both proud of myself for powering through this one and disappointed I didn't trust my gut enough to put it aside early on.
[2 stars for potential, promise, and open spaces, even if poorly treated here.]
August 8, 2011
Set me in front of a western movie full of cowboys and other such stereotypes and I will be bored out of my skull. But, give me a book full of stories about real people in the real American West and I'm hooked. Whether it be stories by Bess Streeter Aldrich or Willa Cather about prairie life, or Ralph Moody's memoirs, I'm riveted. I've never understood it, myself, especially when it comes to Ralph Moody's books... but there is something about those stories that fascinate me like nothing else.
While The Solace of Open Spaces is about self, emotions, transiency, beauty, the nature and setting of the west &c., it also captures the indomitable spirit of the people who live simple but inspiring lives there. And all this is told by Gretel Ehrlich in gorgeous prose.
This book was immensely satisfying to me; that is all.
While The Solace of Open Spaces is about self, emotions, transiency, beauty, the nature and setting of the west &c., it also captures the indomitable spirit of the people who live simple but inspiring lives there. And all this is told by Gretel Ehrlich in gorgeous prose.
This book was immensely satisfying to me; that is all.
September 2, 2007
Well written story of personal discovery. Portrayal of Wyoming is very crisp. It is a place of grand horizons, in which one's own place is clear. The American West is a great place for inspiration. A place where physical and spiritual survival are essential.
November 28, 2018
If you want me to read a book, naming it The Solace of Open Spaces is about as good a guarantee as The Sky, The Stars, The Wilderness.
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December 18, 2025Podeu veure la ressenya en vídeo d'aquest llibre al nostre Instagram: https://www.instagram.com/reel/DSajsG...
February 18, 2016
This book falls into a genre of literature of which I am very fond --- personal observations and understandings of place. However, this book left me cold. I can't decide which aspect annoyed me more --- the fact that the book was clearly written by a tourist who chose to stay and now believes herself to be an expert, that the book has so little of both the author and the place in it, or the false claims of being a look at the "real" west and then providing only slight additions to the romanticized, Hollywood version of the west. Or maybe it was that the title led me to believe that the book would be filled with observations about healing and comfort found in open spaces of the American west, but aside from the fact that the author chose to live in the west after a personal tragedy, there is little in these essays that suggest that the open spaces provided the solace.
But I need not pick just one as the reason for my dislike of the book. Together, these reasons made it nearly impossible for me finish the 131 pages without tossing it aside in disgust and disappointment. We'll just say, it wasn't my favorite read.
But I need not pick just one as the reason for my dislike of the book. Together, these reasons made it nearly impossible for me finish the 131 pages without tossing it aside in disgust and disappointment. We'll just say, it wasn't my favorite read.
January 7, 2018
I really wanted to like this book. But no matter how hard I tried to get through the whole thing it was torturous. And I love wide open spaces and solitude and nature. This book was so incredibly depressing. Bankruptcies, alcoholism, murders, and yes the stoicism of those who live in such a place was also a theme. The historic and continuing brutality of the ranchers towards anyone who gets in their way, their lack of respect for public lands, their overgrazing to fit as much cattle as possible on the land regardless of what it will do to man, beast or the land itself, made it hard to want to read more. And so I did not. I find the high rating of this book a mystery.
January 16, 2022
Flott om landskap og landskapets påvirkning på person og personae og persona
March 31, 2019
I picked this book up from the library at the same time as Islands, the Universe, Home, both recommended to me by my MFA mentor this semester. She has it in my mind that I will still write the travel memoir about Corsica because when I met her last year during my first semester, that was the project I was working on. And even though my project has changed and I am no longer writing specifically about place, she hasn't been able to let go of the fact that I might write about place. She suggested I read Erhlich, I think in hopes that it would convince me to return to that other project. But I can't yet.
I liked Islands, the Universe, Home and expected to like The Solace of Open Spaces just as much. Unfortunately that was not the case. It might be a matter of poor timing, but I found Ehrlich's words in this slim collection of essays frustrating in a way I didn't feel with the other one. Maybe revisiting the open planes of Wyoming just isn't what I needed right now. It left me feeling cold. I am cold.
In part I wonder if it's partly due to the organization of the slim collection. As Ehrlich wrote in her Preface: "Originally conceived as a straight-through narrative, it was instead written in fits and starts and later arranged chronologically" (ix).
As much as I can appreciate writing in "fits and starts" (I'm a bit of a fitter-and-starter myself), the later arrangement to something chronological may have ruined it for me. I wonder what it looked like before it had been rearranged. The magic might have been in the initial layout.
But I appreciate that this was also a mode of self-preservation and survival for Ehrlich. She "suffered a tragedy and made a drastic geographical and cultural move" (ix). Friends implied she should stop "hiding" in Wyoming, that she should face life. Ironically, that's exactly what she was doing. Sometimes it's the return to the earth that reminds us what we have worth living for.
What I especially like about Ehrlich is her way with words. These two books I have read by her are relatively short, and yet she manages to pack quite a punch with her writing.
Erhlich, however, is still a great author to read, particularly for anyone interested in nature essays. She goes to surprising places in her writing and that is certainly worth experiencing.
I liked Islands, the Universe, Home and expected to like The Solace of Open Spaces just as much. Unfortunately that was not the case. It might be a matter of poor timing, but I found Ehrlich's words in this slim collection of essays frustrating in a way I didn't feel with the other one. Maybe revisiting the open planes of Wyoming just isn't what I needed right now. It left me feeling cold. I am cold.
In part I wonder if it's partly due to the organization of the slim collection. As Ehrlich wrote in her Preface: "Originally conceived as a straight-through narrative, it was instead written in fits and starts and later arranged chronologically" (ix).
As much as I can appreciate writing in "fits and starts" (I'm a bit of a fitter-and-starter myself), the later arrangement to something chronological may have ruined it for me. I wonder what it looked like before it had been rearranged. The magic might have been in the initial layout.
But I appreciate that this was also a mode of self-preservation and survival for Ehrlich. She "suffered a tragedy and made a drastic geographical and cultural move" (ix). Friends implied she should stop "hiding" in Wyoming, that she should face life. Ironically, that's exactly what she was doing. Sometimes it's the return to the earth that reminds us what we have worth living for.
What I especially like about Ehrlich is her way with words. These two books I have read by her are relatively short, and yet she manages to pack quite a punch with her writing.
Dust rises like an evening gown behind his truck. It flies free for a moment, then returns, leisurely, to the habitual road - that bruised string which leads to and from my heart.The West has never appealed much to me. I've traveled to parts of the western US and it was fine to visit but it has never drawn me the way it draws so many people. As far as I'm concerned living in Missouri was simultaneously too far west and too far south for my tastes. Reading this collection reminded me of that more vividly than it did with Islands, the Universe, Home.
(p61)
Erhlich, however, is still a great author to read, particularly for anyone interested in nature essays. She goes to surprising places in her writing and that is certainly worth experiencing.
August 1, 2012
The Solace of Open Spaces, by Gretel Ehrlich, is a beautiful little book that I happened upon in the sale bin at a used book store. In the late 1970s, Ehrlich traveled to Wyoming on assignment for her work, and stayed because it draw her in in her grief upon losing her loved one to cancer. She lived there for many years, living and working on ranches, and this book is a collection of essays describing her time there and the feeling of living there. Her writing is lyrical and almost what I would call "prose poetry" at times. She conveys effectively the wide open feeling of Wyoming, and I was easily able to imagine the scenes and sensations she described. It is a lovely book and I highly recommend it. Here is a quote, selected randomly:
In Wyoming we are supplicants, waiting all spring for the water to come down, for the snow pack to melt and fill the creeks from which we irrigate. Fall and spring rains amount to less than eight inches a year, while above our ranches, the mountains hold their snows like a secret: no one knows when they will melt or how fast. When the water does come, it floods through the state as if the peaks were silver pitchers tipped forward by mistake.
April 8, 2019
This was a beautiful book. It sits squarely in the middle of my favorite genre. I love her descriptions of the land, the weather, the people and the animals. It reads like a collection of essays, each chapter has a different theme and story and each chapter stands on it's own. It's a short book and it's one that I'll be coming back to. She talks about a part of the country that I relate to and I love. She's honest and writes from the heart. Reading her experiences touched my heart. If you like this, I'd recommend you take a look at one of the following-
This House of Sky - Ivan Doig
Where Rivers Change Direction - Mark Spragg
Claiming Ground - Laura Bell
This House of Sky - Ivan Doig
Where Rivers Change Direction - Mark Spragg
Claiming Ground - Laura Bell
August 26, 2015
Impersonal, fragmented, context-free writing (I can’t bring myself to call it narrative) overrun by egregiously bad metaphors and similes. I don’t know how something can feel so self-indulgent and still give you no indication who the author is. Thankfully, there were brief moments that managed to speak to the nature of Wyoming and its people, and it was a very short book.
April 8, 2018
Ehrlich writes poetically and conjures up a marvelous sense of place, but I never warmed up to this collection of essays about her time spent on a ranch in Wyoming. I think there was just a bit too much disconnect between the lyrical (and occasionally pretentious) writing and the harsh landscape and hardscrabble lives that she described. Worth a read but definitely not my favorite in the genre.
September 20, 2017
What an extraordinary woman, on top of being a great writer! Rancher, explorer, journalist, nature writer... a "culture straddler "
January 5, 2025
“The toughness I was learning was not a martyred doggedness, a dumb heroism, but the act of accommodation. I thought: to be tough is to be fragile; to be tender is to be truly fierce.”
How open space holds the beautiful and harsh paradoxes of a life both on the Wyoming plains and within the human soul.
How open space holds the beautiful and harsh paradoxes of a life both on the Wyoming plains and within the human soul.
August 11, 2023
Surprisingly good for a free kindle read. Learned a lot about wyoming lifestyle
March 10, 2015
Considering the overall good rating of this book, I feel partially bad about disliking this set of essays, partially like I might have missed something and have to read it again (but God, no), and partially like maybe my differing opinion is necessary. Let me preface it by saying that this is not my type of book, overall. But heck, I gave it a shot. I tried so hard. I got so far. But in the end, it didn't even matter.
First of all, though this was published first, there's another very popular story about ranch hands herding sheep through the Wyoming plains. Unlike these essays, that story had depth of character, an actual story arc, a moral at the end, and hey, gay cowboys, coolbeans. I tried to hum the Brokeback Mountain theme to myself while I read to make this book more interesting. It didn't work.
I paid very staunch attention to the first essay, but was entire dishearted by the seemingly utter uselessness and pointlessness of it and admit to skimming the rest looking for -any- action. Internalized action is great, but the point must have flown entirely over my head. It was essentially like reading a travel guide for Wyoming. So you want to know about these valleys and that river and this weather? Maybe you're a connoisseur of landscape. If so this is your book. But reading page after page after page about how quietness and the vast mountains and the shy people and the outnumbering animals speaks to your soul and your roots and the core of your existence made me daydream about anywhere but Wyoming.
Also...who the heck is this woman?? I know nothing. If you read a whole book of essays by a person, I feel like you should know at least a little bit about them. Heck, that bit doesn't even have to be true, it just has to be felt because that means the book did it's job. The attention to the setting robs Gretel of all of her voice. She doesn't even have a voice. She tries to make her voice the open space, and if by that she means nothing, then she succeeded.
Here is a cool description of nature. That's it. Snooze. I ended up throwing it across the room.
First of all, though this was published first, there's another very popular story about ranch hands herding sheep through the Wyoming plains. Unlike these essays, that story had depth of character, an actual story arc, a moral at the end, and hey, gay cowboys, coolbeans. I tried to hum the Brokeback Mountain theme to myself while I read to make this book more interesting. It didn't work.
I paid very staunch attention to the first essay, but was entire dishearted by the seemingly utter uselessness and pointlessness of it and admit to skimming the rest looking for -any- action. Internalized action is great, but the point must have flown entirely over my head. It was essentially like reading a travel guide for Wyoming. So you want to know about these valleys and that river and this weather? Maybe you're a connoisseur of landscape. If so this is your book. But reading page after page after page about how quietness and the vast mountains and the shy people and the outnumbering animals speaks to your soul and your roots and the core of your existence made me daydream about anywhere but Wyoming.
Also...who the heck is this woman?? I know nothing. If you read a whole book of essays by a person, I feel like you should know at least a little bit about them. Heck, that bit doesn't even have to be true, it just has to be felt because that means the book did it's job. The attention to the setting robs Gretel of all of her voice. She doesn't even have a voice. She tries to make her voice the open space, and if by that she means nothing, then she succeeded.
Here is a cool description of nature. That's it. Snooze. I ended up throwing it across the room.
November 27, 2017
Ehrlich visited Wyoming on assignment and, while there, her partner died. She decided not to leave. Her essays are a thoughtful, deep, well-observed look at the life, places, and people of the American West.
First things first - you should know that despite being raised in the country I'm a city girl, happier in canyons of concrete than wide open spaces.
My mother is the exact opposite and would be most at home at a ranch like the one Ehrlich worked on, and Solace has helped me see why.
She takes the myth of the cowboy straight on and describes how life on a ranch, mostly alone if not for the animals, molds them.
The writing is gorgeous, flowing, evocative. Ehrlich's love for this unforgiving landscape seeps from the page and while I won't be moving out West any time soon I finally get the appeal.
The Solace of Open Spaces invites you to inhabit and know a place on its own terms and I'm so glad I did.
First things first - you should know that despite being raised in the country I'm a city girl, happier in canyons of concrete than wide open spaces.
My mother is the exact opposite and would be most at home at a ranch like the one Ehrlich worked on, and Solace has helped me see why.
Everything in nature invites us constantly to be what we are.
She takes the myth of the cowboy straight on and describes how life on a ranch, mostly alone if not for the animals, molds them.
To be "tough" on a ranch has nothing to do with conquests and displays of power. More often than not, circumstances - like the colt he's riding or an unexpected blizzard - are overpowering him. It's not toughness but "toughing it out" that counts. In other words, this macho, cultural artifact the cowboy has become is simply a man who possesses resilience, patience, and an instinct for survival.
The writing is gorgeous, flowing, evocative. Ehrlich's love for this unforgiving landscape seeps from the page and while I won't be moving out West any time soon I finally get the appeal.
The Solace of Open Spaces invites you to inhabit and know a place on its own terms and I'm so glad I did.
May 4, 2007
When Gretel Ehrlich's partner died, she left her furiously paced New York life and moved to Wyoming to become a sheepherder. Even if you're not ready to drop everything and tend to animals, this book is powerful—I felt the solace that Ehrlich describes, and the city around me dropped away to reveal the clear, open, endless skies of the midwest and the relief of honest, back-breaking labor.
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