A DRC was provided by Edelweiss in exhange for a fair and honest review.
Too often older readers dismiss teen realistic fiction, preferring to indulge in YA dystopia or fantasy. Any novel that tackles class in America deserves attention from a wide readership, especially if the author is not afraid to have her characters face the the burdens that come fro recognizing "the spaces between us." Serena Velasco and Melody Grimshaw are best friends and "a pair of pariahs." The former is too smart and the latter too poor to fit in anywhere in Colchis, the dying mill town in upstate New York, "the burned-over cinder of the American Dream." The town is a hotbed of class anxiety, with young women and men feeling all the disdain, distrust and envy that their parents do.
Grimshaw is a charismatic man-magnet, set on escaping Colchis using herself as currency as she knows "It takes money to get a car, and it takes a car to get money." Everyone knows Serena is too smart for Colchis, but as one of her teachers asks, is that an asset or a liability? Serena's preoccupation with communism, a tribute to her deceased father who believed in giving away wealth, and her repugnance at the snobbery and hypocrisy of Colchis give her motivation to aim low in order to avoid the inevitable separation from Grimshaw. Serena avoids her middle class status even as her PhD educator mother becomes principal at the high school, her entrepreneurial stepfather has moved the family to Versailles, a fancy new housing development, and her sister off to college, however unhappily. She spends her summers in Maine in an old house with her grandmother, sailing, reading and pushing away thoughts of leaving Colchis - and Grimshaw - for good.
Doom stalks them from the moment Serena spots the gold Corvette following their school bus. The girls struggle through their senior year of high school, becoming friends with the "vicious cheerleaders", going to wild parties, contending with both the expectations that Serena excel academically, and that Grimshaw, coming fromm one of the most notorious trailer trash families in town, can't do anything but fail and be left behind. That gold Corvette represent's Grimshaw's conviction of her best chance to leave Colchis, and she does, but not before both girls begin to grow up fast. Serena begins to understand that she has Privilege with a capital P while Grimshaw plans to head West with her creepy older boyfriend, possible to become a stripper. Serena may have privilege, but Melody wants to borrow it, just for a little. Neither can figure out how to stave off the darkness that is coming with adulthood even as they long to grow up and away from their roots. Women's reliance on each other and their emotional bonds are the core of the story, even as the social importance of finding any man, good, bad or just plain weak pulls both girls into different orbits. Tolman sometimes overplays the Class Doom, with Grimshaw asking "Do you ever have...this feeling? Like, you have this feeling you're going to die young?" To which Serena can only reply "I think there are other options than Colchis or death." Tolman has produced a serious look at the stresses facing working class women in today's America, with all the sadness and ambivalence that may mean for her characters.