All that fuss and not even a bullwhip or Double Jump out of it, 2 stars.
Such rookie mistakes here, storming Dracula's Castle but leaving your Alucard behind, not a proper whip in sight (severed acid frog tongues don't count), and even managing to botch a silver-plattered example of Chekhov's Shotgun. Yet the worst disappointment comes not from what was, but what wasn't. Years of cautious suspicion constantly in motion, waiting for any hint of a sign towards yay or nay, and yet when we finally have confirmation...
Game of Thrones exists in their pop culture, yet not through eleven main books or any one of FOURTEEN possible cameo opportunities in two other attached series does one single Mother of Dragons joke drop from the mouth of Nate Temple towards everyone's favorite adopted red dragon mom.
Disappointment is too frail a concept for this one, Shayne. I had such hopes for you.
Anyways.
Callie's latest endeavor picking up right off a cliffhanger does and doesn't do it many favors. While it keeps some of the kinetic narrative from the prior book and lets things drop into motion without the need for full recanting of things, it also does have a bit of that rushed feel that has been pervading Silvers and O'Connell's prose in most of the Phantom Queen Diaries books. And while the ability to roll with the punches has always been one of Callie's strengths, it does continue somewhat with the pervading feel of revelation burn-out that has been cropping up in recent installments all around the three main series. Huge upheavals that used to be pretty considerable escalation for the series' status quo start getting glazed over a bit more and more with how they hit at times, and there is little time to absorb or reorient to them.
The immersion thankfully works with the pacing well enough to make it feel like a race against the doomsday clock that could strike midnight at any unexpected moment, and Callie's usual repertoire being rendered null and void to force her to focus on her resourcefulness and re-examine her development with the new, extraordinarily complex mantle of power the last installment placed on her shoulders works well to further her character development organically. That she also remains keeping to the bare bones (ha) of her usual roster of allies and has to stand even more on her own two feet than usual helps her character progress feel more rightfully earned, and maintains a good balance of action and outward engagement along with the inward introspection that becomes more characteristic of her nature with each new book.
The cloistered, overwhelming ambiance also helps quite significantly with the tone of the story. An imaginative, otherworldly feel to the dark, dreary encapsulated world that Dracula's Castle occupies unto itself rendered in noticeably attentive detail. While it hasn't reduced my enjoyment of the books in question, prior works by Silvers in otherworldly realms have at some points been a bit sparse on the details for the environments and the creatures inhabiting them, so its nice to see more of a spotlight put onto such things to show how far outside her usual norms Callie has been tossed.
And of course the drastic revelations do abound, some discreet and more being rather blunt in execution. Its one of the times I feel Silvers could use some leeway to expand himself a bit in his pacing; where its generally a given to want to see more out of a book in terms of length, Silvers usually has a good balance on how his big twists and climaxes fit to the size and placement of the overall prose. This one does feel a bit back-loaded more than usual, possibly in how the book overall relies so heavily on its narrative momentum being directly linked to the previous book, Black Sheep. The twists and reveals are as usual big and brazen and engaging, but stacked on top of eachother so closely can rub the shine off of them a bit, so to speak.
Overall however it is as always a strong, unique standing installment that gives more life to the world and more developed depth to Callie's character, hitting on a few tropes of the Dracula mythos squarely and twisting others around completely along the way. As always I am looking forwards to whatever mischief Silvers intends to wreak next.