Peter Parnell is an American playwright, television writer, and children's author whose work spans Broadway, Off-Broadway, and television. He adapted The Hunchback of Notre Dame for Disney Theatricals and is known for stage plays such as Trumpery, QED, and The Cider House Rules, the latter earning him several awards. He has worked as a producer and writer on TV series including The West Wing, The Guardian, and BrainDead. With his husband, psychiatrist Justin Richardson, he co-authored the acclaimed and frequently challenged children's book And Tango Makes Three, which has received multiple literary honors. Parnell is Vice-President of the Dramatists Guild of America.
As a reader I like this, but I had hopes for it at a community theater, and I couldn't produce it there.
I had forgotten that the events of the novel have darker details than the film adaptation. If anything Parnell's adaptation draws out the darkness in the themes, emphasizing Homer's journey into becoming an abortionist, Dr. Larch's sad reasons for drug addiction, and the crueler things that happen to the orphans. I just can't see putting this version, with onstage abortions and childhood sexual exploration, in front of audiences who for better or worse mostly want happy endings and lighthearted conflicts.
A noble effort, but the stage isn't fit to capture the atmosphere, depth of character, or scope of this story, at least not in this iteration. It has to work too hard to accomplish too little.