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196 pages, Paperback
First published November 19, 2003
I thought this volume felt somewhat filler-ish. I'm just not sure there needs to be so much featuring of the student council. Unless certain members end up becoming some huge plot point. But even still, I really just didn't see the point. The author herself has mentioned that there's not much time left to focus on specific storylines anymore because the plot has pretty much been wrapped up, even this far out from the ending. I would much rather we focus on some of the more interesting stories or already established characters or the lesser known zodiac members.
I will say I was quite shocked that the vice president was able to evoke such emotion from Yuki by merely stating his opinion that Kyo seemed "happy" and Yuki seemed "unhappy." We've never seen such raw power from Yuki's feelings before. Sure, he will protect Tohru for anything, he'll occasionally hit Kyo, or he'll have deep inner monologues. But to actually raise his voice and appear visibly distraught? It's so unlike him, for he usually just looks unbothered and well guarded. Perhaps he truly is changing, and I know it is in part due to Tohru's influence. She is the gift that keeps on giving. And I hope that Yuki will continue to feel more comfortable unmasking his personal feelings.
I also have now come to understand why Yuki is usually so quiet and nonchalant. His own backstory with his mother is quite unpleasant, just as with many other mothers in this series, including Kyo-kun's mother. Yuki's mother never heard his concerns about staying with Akito when he was younger, therefore he doesn't believe words, specifically words that express emotions will make any difference. Yet, I am pleasantly surprised that Ayame stepped into the parent-teacher conference when he did. Ayame may be a great pain at times, but he really is trying to make things right with Yuki and protect him. I can't wait to see how their brotherhood progresses from here.
I don't believe that Tohru is selfish for wanting to help Uo-chan. Uotani might say that she's over Kureno-san, but I just can't believe that. If I've ever had a real and true ship in this series, it's been the two of them, so they simply have to try at the very least. I'm just not sure why Kureno doesn't want to see Uo-chan again. I have a feeling it has something to do with Akito, but I'm really starting to get tired of such a bullshit excuse. Even without making any appearance, Akito still haunts these characters, making them suffer for naught.
But Tohru said something that I really liked. Tohru has many philosophies that I find myself drawn to, and this one is no exception. She gave Kureno a slip of paper with Uo-chan's address on it and hid it in a bush at the Sohma family estate. She said it's for "tomorrow" because you never know what could happen or what you might feel tomorrow. Tomorrow perhaps in the literal sense, but also as a blanket term for any point in time in the future. I think this is a wonderful idea because I don't believe we're tied to certain beliefs or choices forever. That once we've sealed a door, we should never go back. I believe that we are constantly changing beings, and we are allowed to wake up tomorrow and do something different than what we had planned yesterday. We are not confined to make one kind of choice all the time, we are fluid. And Tohru is an angel to point this out to us. And for giving Kureno the chance to change his mind, to give Uo-chan and Kureno their much-deserved relationship.
If I haven't said it before, let me say it here. I think Momiji's father is a coward. He can't even look his own son in the face when he tells him that he can't keep having his violin teacher because now that teacher will be working with his sister who doesn't know they're related. But Momo is a bright child that loves her brother nonetheless. Even at such a young age, even being kept in the dark, her heart calls out to him. She wants to be his little sister and she feels connected to him even if she can never see him, so she wants to learn to play the violin just like Momiji does. And Momiji was so happy to hear that Momo wants to be his little sister and I get all uwu. They're both so cute and adorable and innocent and I only want the best for both of them.
I'm a little curious to know who Kureno was talking to that Tohru thought sounded like Akito if it wasn't actually Akito. And yet maybe I don't want to know if it spells trouble for later. At first I thought it was cute that cats come up to Kyo, but after that one on the school trip, maybe these cats are drawn to Kyo for animal instinct-like reasons? I don't know, I think that's too weird for me. I still think it's odd that the author puts characters on the cover that aren't even in the volume. But I know we'll get more than our fill of Rin in the next one.
Is there truly something between Tohru and the vice president of the student council, either now or in the future? I'm not sure if I really want the answer to that either. I think it was really sweet of Tohru to add her own little cat figurine to her collection of zodiac animals. I recommend this book to those who need Tohru's wisdom and philosophies.