Subversive Pleasures offers the first extended application of Mikhail Bakhtin's critical methods to film, mass-media, and cultural studies. With extraordinary interdisciplinary and multicultural range, Robert Stam explores issues that include the "translinguistic" critiquw of Saussurean semiotics and Russian formalisn, the question of language difference in the cinema, issues of national culture in Latin America, and "the carnivalesque" in literature and film. He discusses literary works by Rabelais, Shakespeare, and Jarry and treats films by Vigo, Bunuel, Wertmuller, Imamura, Mel Brooks, Monty Python, Marleen Gooris, and others. Now in Paperback Subversive Pleasures is a splendidly lucid introduction to the central concepts and analytical methods of Bakhtin and the Bakhtin circle.
Robert Stam (born October 29, 1941) is an American film theorist working on film semiotics. He is a professor at New York University, where he teaches about French New Wave filmmakers. Stam has published widely on French literature, comparative literature, and on film topics such as film history and film theory. Together with Ella Shohat, he co-authored Unthinking Eurocentrism: Multiculturalism and the Media.