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336 pages, Hardcover
First published August 2, 2008
"In the politically coded drama of Hell Houses, in the pages of apocalyptic novels or Jack Chick’s cartoon tracts, and in the public denunciations of popular music, there is far more at work than simply Christian kitsch or crude anti-modernism. Creators provide for audiences and readers an interpretive template that posits demonological causes for political decline, and they situate readers in a historical framework and define for audiences a coherent, unchanging place therein."All this makes for an interesting book that explores not only Chick's morbid oeuvre but also fearmongering about satanic heavy metal music, the "Hell House" (fornication equals damnation, also AIDS) alternative to Halloween haunted houses and that Left Behind series of novels my mom and her sisters started reading around the millennium without bothering to finish. It's a great topic, but it would be better served with a less impenetrable, academic register than this, which has clearly not been written for a popular lay audience. The author's analysis is great and claims are well supported, but it's hardly the definitive look at evangelicals and their theocratic forays into American politics. A more essential book would have to explore the demographic's inexplicable alliance with white supremacy or their inordinate affinity for