This is a review of the 1993 paperback edition.
I've actually read this twice, but the first time was so long ago, that I forgot how most of the stories ended. So, when I found this up at the Internet Archive, I thought I'd give it another go, just to give an overly detailed review to you fine Goodreaders. You're welcome.
Although we do have many complete short stories here, there are several selections from novels that are more like teasers for the books than complete stories. I realize that some of these works were in the public domain (so no copyright to pay), but I think it would've been better to have a smaller book than include those selections.
I'd forgotten how bad the illustrations by Karin Littlewood were. Most looked like they'd been knocked of as doodles while she made phone calls. They were more scribbles than drawings. Things like computer monitors were crooked instead of straight. Sloppy crap like that. Occasionally, some decent drawings popped out (such as the very first drawing of the dog and boy) but most were really bad.
Selections:
* "The Boy, the Dog, and the Spaceship" by Nicholas Fisk. This is a rarity -- a sci-fi story with a dog ... and the dog doesn't die. The dog is the true hero of the story.
* "Invisible in London" by H. G. Wells. From The Invisible Man. Very short, slightly amusing piece about Our Protagonist wandering about Victorian London in the nude, but invisible. Also, this is the bit where Wells talks about how important the sense of smell is to a dog.
* "The Dragon of Pendor" by Ursula K. LeGuin. From A Wizard of Earthsea. I rooted for the dragons, so I was a bit bummed. This, obviously, is a fantasy story. No idea why it's in a sci-fi anthology.
* "Bobo's Star" by Glenn Chandler. This might be a comment on the Ant Farm. The science in this is a bit out if date now. A happy little Apocalyptic bedtime story. Sleep tight, kids.
* "The Yellow Hands" by T. H. White. From The Master. Apparently, this is the first chapter of the book. The people here are hateful. Our Protagonists don't care if their dog is killed. Fuck them. The fate of their dog is unknown at the end of this chapter.
* "The Specimen" by Tim Stout. Complete story this time, with a British boy caught by an alien. Rather sad, really.
* "Of Polymuf Stock" by John Christopher. Set in an England of the far future, a blue-blood boy discovers that his blood is not so blue. The story is a metaphor about racism.
* "Hurled Into Space" by Jules Verne. From Round the Moon. Three Victorians and two dogs endure one man's inane chatter before they are blasted with gunpowder to the moon. Makes you glad you didn't read the whole novel.
* "Goodbye to the Moon" by Monica Hughes. From Crisis on Conshelf Ten. From going to the moon, to leaving it. The first human born on the moon gets a working vacation to Earth. I can't help but wince at reading about the U. N. being in charge of Earth, which was a common trope of the times.
* "The Shot from the Moon" by Arthur C. Clarke. From Islands in the Sky. This an annoying selection, because it ends on a cliffhanger.
* "The Fun They Had" by Isaac Asimov. This is a very short, complete story set in 2157 to state how wonderful school is. Not sure if Asimov was being sarcastic.
* "A Fight Between Lizards at the Center of the Earth" by Jules Verne. From Voyage to the Center of the Earth. The lizards, of course, being dinosaurs. This is the bit always portrayed in movies based on the novel, although they set it on land instead of the sea. This is another selection that ends on a cliffhanger.
* "Last Man Alive" by M. P. Shiel. From The Purple Cloud. This is another teaser rather than a full story. It's dreadful and tedious, with loads of dead people and animals, including a "wee pony."
* "How We were Tracked by a Tripod" by John Christopher. From The White Mountain. I'm getting damn tired of these extracts. This episode was clearly inspired by the next selection. Our illustrator actually does some decent work here.
* "The War of the Worlds" by H. G. Wells. Extract from the novel of the same name. You know it. You love it. The illustrator goes back to scribbles here.
* "Homecoming" by Stephen David. This is one of the best stories in the book. There's an alien world that Earth colonists can't wait to leave, there's science and there's conflict.
* "All Summer in a Day" by Ray Bradbury. This classic Bradbury story about one hour of sunlight every seven years on Venus is now quite wince-inducing. The story itself is good, but we've learned a lot more about Venus since this was written, and now know it's way too hot to ever colonize.
* "Grenville's Planet" by Michael Shaara. One of those good ol' space monster stories, with plenty of violence.
* "The Fear Shouter" by Jay Williams. Many sci-fi stories at the time had their versions of Starfleet Academy. This old space cadet tells the younger ones a story of meeting the scariest monster in the galaxy. Horrible ending, suggesting that a whole species got wiped out without a care.
* "The Wind from the Sun" by Arthur C. Clarke. Classic Clarke story of a future sport -- sailing the solar winds. Solar sails, of sorts, have been made since this was first written.