Journeys Between Wars

by John Dos Passos

John Dos Passos sentía una fascinación inconmensurable por España. La visitó por primera vez en octubre de 1916, con veinte años, y permaneció en la península casi tres meses. Instalado en Madrid, recorrió con ahínco pasional y mirada enfervorizada buena parte de nuestra singular geografía. Antes de regresar a Estados Unidos ―su padre acababa de morir―, realizó un sinuoso periplo con paradas en Cartagena, Alicante, Tarragona y numerosos pueblos aledaños. Volvió a España en 1919, y se quedó unos ocho meses. Poco después publicó un libro sobre sus experiencias, Rocinante vuelve al camino , del que esta obra recupera varios capítulos revisados.En 1933 recibió el encargo de escribir sobre la Segunda República («la de los hombres honestos», la llamaría), un proyecto que se vio interrumpido por sus continuos accesos de fiebre reumática. Acabó publicando un libro misceláneo, este, con todos sus escritos sobre España, y otros inéditos hasta entonces ―con páginas insobornables sobre la caída de la República en manos de los sublevados―, apuntes sobre un largo viaje realizado en 1921 por Europa Oriental y Oriente Próximo, y nuevos textos sobre México, Estados Unidos y la Unión Soviética. En conjunto, una visión única de un mundo sobre el que estaba a punto de cernirse la larga sombra de la Segunda Guerra Mundial.

394 pages, Paperback

First published January 1, 1980

About the author

John Dos Passos was a prominent American novelist, artist, and political thinker best known for his U.S.A. trilogy—The 42nd Parallel, 1919, and The Big Money—a groundbreaking work of modernist fiction that employed experimental narrative techniques to depict the complexities of early 20th-century American life. Born in Chicago in 1896, he was educated at Harvard and served as an ambulance driver during World War I, experiences that deeply influenced his early literary themes. His first novel, One Man’s Initiation: 1917, and the antiwar Three Soldiers drew on his wartime observations and marked him as a major voice among the Lost Generation.
Dos Passos’s 1925 novel Manhattan Transfer brought him widespread recognition and introduced stylistic innovations that would define his later work. His U.S.A. trilogy fused fiction, biography, newsreel-style reportage, and autobiographical “Camera Eye” sections to explore the impact of capitalism, war, and political disillusionment on the American psyche. Once aligned with leftist politics, Dos Passos grew increasingly disillusioned with Communism, especially after the murder of his friend José Robles during the Spanish Civil War—a turning point that led to a break with Ernest Hemingway and a sharp turn toward conservatism.
Throughout his career, Dos Passos remained politically engaged, writing essays, journalism, and historical studies while also campaigning for right-leaning figures like Barry Goldwater and Richard Nixon in the 1960s. He contributed to publications such as American Heritage, National Review, and The Freeman, and published over forty books including biographies and historical reflections. Despite political shifts, his commitment to liberty and skepticism of authoritarianism remained central themes.
Also a visual artist, Dos Passos created cover art and illustrations for many of his own books, exhibiting a style influenced by modernist European art. Though less acclaimed for his painting, he remained artistically active throughout his life. His multidisciplinary approach and innovations in narrative structure influenced numerous writers and filmmakers, from Jean-Paul Sartre to Norman Mailer and Adam Curtis.
Later recognized with the Antonio Feltrinelli Prize for literature in 1967, Dos Passos’s legacy endures through his literary innovations and sharp commentary on American identity. He died in 1970, leaving behind a vast and diverse body of work that continues to shape the landscape of American fiction.