“Everybody knew me. Nobody liked me. Nobody talked to me. Everybody avoided me. I’d been unpopular before in my life, but never with this kind of heady pervasiveness. People who’d never met me disliked me.” — Spenser
In spite of what casual perusers see at first glance, a deeper dive shows that 73% of Goodreads readers rate the fourteenth entry in the Spenser series, Pale Kings and Princes, 4 or 5 stars. That consensus is more accurate, in my opinion, as I’ve always felt that this is a very solid entry in the series. It’s a relatively early one, but still post-Valediction/Catskill Eagle, as the series slowly shifted toward sterling entertainment in the crime/detective genre, and only occasionally strived for greater resonance.
But that’s not to say there are no resonating moments here in Pale Kings and Princes, because it certainly has a few. Surprisingly, for the millions like myself who have a palpable dislike for Spenser’s shallow, pretentious, snooty love interest, one of the resonating moments comes when they are together. It occurs when actions taken by Spenser while attempting to get to the bottom of a reporter’s murder outside Boston leads to two deaths, and tragically impacts a nice woman working at the town library. Feeling morally and mortally responsible, a quiet and somber Spenser seeks comfort. Susan reminds Spenser of a quote he has used in speaking with her about his work, that death is the mother of beauty:
‘“I didn’t think you were listening,’ I said, and took my hands from hers and slid them up her back and held her against me in the cold night under the bright artificial light on the empty street.”
Spenser has been hired by a rather successful newspaper to look into the murder of a reporter sent to Wheaton to get a story about the cocaine trade. Wheaton is apparently a known hub for drug traffic that rivals South Florida in volume. So far however, no one has been able to prove it, or do anything about it. Spenser arrives and no one wants to talk to him; not even the cops, who may have reasons beyond simply writing the castrated reporter’s murder off as the result of his fooling around with someone’s wife.
The town has an unusually large population of Columbians, and while the growing is actually done in Peru and Bolivia, Spenser knows the presence of such a large group so centrally located to one of the biggest flows of cocaine in the country has to be more than a coincidence. It starts out with no one willing to talk, then escalates to actively attempting to drive Spenser out of town; this of course doesn’t work well for them.
Spenser makes an enemy of the Chief of Police, then meets a Columbian woman who may have an ax to grind called jealousy, which calls into question her information. He also meets a very nice woman at the library who just happens to be the wife of the Chief of Police. The hostility of the town escalates when Spenser angers the man who runs it, and possibly the drug trade, by questioning his stunning yet dangerous wife about her possible carnal involvement with the dead reporter.
This really is a good one, with Hawk finally entering the picture when Spenser appropriates a truck trailer full of cocaine.
“It’s best for society if Hawk is kept busy.”
Along with the always sharp dialog and witty banter, there exists a sprinkling of observation and insight worthy of the early Spenser efforts:
“There was no particular sign of pain. Grief makes less of a mark on people’s appearance than is thought. People torn with sorrow often look just like people who aren’t.”
Sexy Rita Fiore, who as the series went on would become a bright and welcome contrast to the nauseating Susan Silverman, also makes an early series appearance in Pale Kings and Princes. We also meet young State Trooper Lundquist, who proves invaluable to Spenser and Hawk late in the narrative.
It’s winter in this one, and Parker does a good economic job of making the reader feel it. That is especially true as the story races toward its conclusion. A blizzard in fact augments an exciting and well written explosion of violence as Pale Kings and Princes reaches critical mass. A very good entry in the series, entertaining and wildly readable.