Flirtin' with the Monster pulls back the curtain on Ellen Hopkins' smart and daring books Crank and Glass and explores their appeal and originality through a compilation of serious yet fascinating essays.
In addition to fan essays, Flirtin' with the Monster takes a deeper look at the issues behind Hopkins' bestselling novels by allowing the real teenage girl who inspired the meth-addicted main character to contribute an essay.
Ellen Hopkins doesn't shy away from serious yet crucial teen topics, and whether it's homosexuality or suicide, she paints a very real picture of the issue.
With an introduction by Ellen herself, Flirtin' with the Monster is the definite voice on what makes Crank and Glass page-turners for teens everywhere.
Flirtin' with the Monster has essays written by Susan Hart Lindquist, Lynda Sandoval, Nicole Burnham, Terri Clark, Gail Giles, Cinda Chima, Megan Kelley Hall, Micol Ostow, Mary Bryan and John Tatro.
Niki Burnham is the pseudonym of romance author Nicole Burnham.
You can subscribe to Nicole's newsletter for reader bonuses and the latest news by visiting https://nicoleburnham.com/new-events/ --- NOTE FROM NICOLE: My Goodreads library is by no means comprehensive. I have thousands of books on my real (as opposed to my Goodreads) bookshelves. However, my Goodreads library only contains those books I'd give four or five stars and would recommend to friends without hesitation (and I haven't even gotten around to listing all those yet!)
Some books, I have had on my kindle for years. This one has been sitting on it since 2012. When I was a teenager, I first discovered Ellen Hopkins's books and enjoyed them as they were edgy, gritty and exciting, and rare as not many authors would venture into the taboo topics. Crank and Glass are based on Ellen Hopkin's daughter Kristina's journey into the world of meth aka Crank and Glass. It shows the impact it took on her life and affecting the people around her and the next generation. This book published by Smart Pop it includes a list of essays from various authors based on Ellen Hopkins's book Crank and Glass. I found this book quite fascinating as it not only taught me things about the drugs, the addiction, and the experiences of those not only taking it but the ones involved externally. If you loved Ellen Hopkins's books, then Flirtin' with the Monster is the read for you. Overall, this book also was quite a powerful and inspirational read and gives deeper insights into not only the drugs but into Ellen Hopkins's books.
I loved loved loved these 2 books they were great hahah!!!!!!!' this book has to do with a girl who does drugs and she is just dieing because of all the drugs that she has tookin its just so powering to me i thought anybody who has dun drugs or anything like that should read this the age group that i think is good for people is through the ages 14+ thats what it think because there is some cussing and some sexually graphic things but that is about it .............it teaches you what drugs can do to your life.... it ruins you...sometimes for good
This is nonfiction, although it deals with Crank and Glass. Those books are based on a true story; Ellen Hopkins’ daughter used meth and many of the things that happened in the books happened to her. (Hopkins and her husband have adopted their oldest grandchild and are raising him, for example.) I didn’t mention this in my reviews of the trilogy, because it’s not really relevant to them. It’s all over this book, however.
The first section’s essays are written by other authors and by people who see drugs and their effects in their professional lives (a judge, for example) or personal lives. The second section is by people who have been personally affected by “Kristina.” (That’s not her daughter’s name, but they’re going with the pseudonym from the books.) I preferred this section, because it seemed more personal and less dry than the first section. We heard from Ellen’s husband, Kristina’s sister and her son (the one being raised by the Hopkins’) and from Kristina herself. I had thought that my favorite part would be hearing from Kristina, but I preferred Orion’s narrative more. (He’s known as Hunter in the books.)
This is definitely an interesting companion to the trilogy and recommended to anyone who liked those books and want to know more.
Normally, I don't read a lot of non-fiction, but I'm sure glad I did in this case. Ellen Hopkins did a fantastic job of editing this collection of essays from multiple points of view. Several authors, including Gail Giles, weigh in on different aspects of the issues involved in CRANK and GLASS. Ellen, herself, gives more insight into the turmoil her family went through during the years "Kristina" was in the grips of the monster. But, what is probably the most interesting and beneficial to teen readers is the fact that members of the Hopkins family sound off as well. Ellen's husband, "Kristina's" sister, "Kristina," and "Hunter" all have an essay included. Their powerful words give the reader a real look at the devastation drugs have on the entire family.
This book will definitely have a home on my middle school library shelf. If you know anyone that loves CRANK and GLASS, be sure to tell them about FLIRTIN' WITH THE MONSTER.
It was my first book That i had read by Ellen Hopkins it was a good book a book to be remembered as a fact!!such Detail such exsitement it was a great book.
Such a great addition to the series and discussion on addiction and mental health. I loved the stories from the real family members about living with “Kristina’s” decisions. Loved this
Okay, that may be an exaggeration. I found some things mildly interesting. But not much.
This book is a collection of essays written about truth versus fiction, and whether or not crank should have been written as a memoir or not. None of that really interested me. I did however enjoy the last 40 or so pages about what i actually though the actual "point" of this book should have been about.
I don't care about how Cindy Williams China thinks about memoirs. I care about the people who were apart of the real story. I would have read and enjoyed this story a whole hell of a lot more if it had more of the last 40 pages. All of the other crap didn't mean a whole lot.
Thats my opinion. Some people clearly really enjoyed essays written about the idea of memoirs and crap. 💁
I didn't know there was a book paying tribute to one of my favorite authors! I'm glad I found this at a used bookstore a few months back. The psychological aspects, conversations about banning books, poetry explanations, and reasons behind how Hopkins writes were so interesting to read about. Understanding addiction is so important, and I'm glad that Hopkins continues to do this important work! I'll continue to read whatever she creates. 🙂
Knowledge is power, and although Ellen Hopkins no doubt would have preferred to not have lived the nightmare of her daughter’s dance with Meth and other drugs, she has chosen to share her experiences with others. We should be grateful she has. Flirtin’ with the Monster is Ellen’s non-fiction, no-nonsense account of why she chose to tell her story to the world, her choice of the fiction genre verses memoir, and her solid belief that teenagers deserve to read about real issues that affect their very real lives. We can’t protect our teenagers forever, and if one adolescent can read about someone else’s mistakes, and be frightened into not ever making the choices Ellen’s daughter made, then she will have paved her way to heaven.
In “Flirtin’” Ellen has joined forces with numerous people, and included letters written by her own family, “Kristina” included, to discuss the Monster, her writing, and the impact her two best-selling novels have had on their and others lives. The book is testimony to the influence a story such as this can have on a person, young or old, when the choice to try a drug that first time presents itself. And it will present itself. As Niki Burnham so eloquently puts it in the opening chapter on role models our kids are reading about, or not allowed to read about, “…those caring parents do their teen a greater service by allowing them to read whatever they want and making it clear they’re willing to discuss it with them afterward: Protecting them by preparing them.”
The world is full of imperfect people with imperfect lives. Why should the books we open to our teenagers be any different?
Amazing and entirely insightful. These essays written by authors and Ellen and Ellen's family, including the daughter that Crank, Glass, and Fallout originated from are the icing and cherry on the top of a sundae. They complete the story in a way that I didn't think I needed but know was important to tell and to read as an uberfan.
The stories that resonated with me the most were the Judge from Carson City, citing what kinds of dopamine levels are created with meth and what he sees in the court system hourly (not to mention what I see on my weekly dose of Cops) or Hunter's 11-year-old true product of meth addiction (real name: Orion)'s story about his mom (which I love because Ellen and John are his mom and dad, not "Kristina"). As with all of her verse novels, she does everything so write/right from the introductory verse, to the choices for essayists, to leaving it with Orion's words and not her own or Kristina's. LOVED IT.
Not a typical Ellen Hopkins read. I absolutely loved how Kristians family had there own passage. Every passage I could relate to in some way. I feel in love with ellen Hopkins at a freshman in high school... when sitting in in school suspension I refused to do anything but read all banned books from the library (only way I'd behave and stay out of trouble)
Flirtin’ with the Monster is not a typical Ellen Hopkins novel—rather, it’s a thought-provoking companion to her bestselling books Crank and Glass. This collection of essays, reflections, and insights dives deep into the emotional and societal impact of Hopkins’ work, shedding light on the real-life struggles that inspired her stories.
What makes this book so powerful is its honesty. Hopkins opens up about her personal connection to the story of Crank—inspired by her daughter’s battle with meth addiction. Alongside her voice, a diverse group of authors, educators, and mental health professionals contribute heartfelt essays that explore the themes of addiction, abuse, and the redemptive power of storytelling.
The essays validate the pain and confusion teens often face, while also highlighting how literature like Hopkins’ can help readers feel seen, understood, and less alone. The book is raw, emotional, and at times painful to read—but it offers hope. It also challenges adults to recognize the value of gritty, realistic fiction in helping teens process their own trauma and experiences.
This book gives context to much of Ellen Hopkin's work. I appreciated the impact that was discussed, especially from judges and therapists. Noted early in the book, reading about controversial behaviors isn't the same as engaging in those behaviors. "In fact, it better prepares teens for when they're faced with a decision that could change their lives."
Allowing (even encouraging) teens to read and question in safe supporting spaces can prevent and reduce trauma and abuse.
If you are concerned with this author's books, this book might give some clarity. Would you rather a teen read a book about _____ or learn about _____ from first hand experience?
Obviously, I love the Crank series, so I decided to read this although it is not something I’d normally enjoy. At first, I didn’t really care for it. It was hard to read (as in boring not emotionally). But I’m glad I was determined to finish it because I actually learned a lot. There’s a lot of factual information that can help with understanding family members with addiction. I also found a lot of pointers for writing, if there are any other aspiring authors out there. I even ended up writing to Hopkins (and getting a response back!) as a result. Even if it isn’t your regular cup of tea, give it a try.
Very insightful. I love Ellen Hopkin's books. She isn't afraid to write about the real issues young people (and adults) face. Ellen Hopkin's hope for young people that read her books is to know they are not alone and to deter them from making the choices that will lead them down the wrong path. Some might argue that because I'm a Christian, these books are not appropriate for a Christian to read. I have found that it is because I have read these books, I feel more informed about the influence evil can have on people and I have more compassion for those who are dealing with these issues.
This is really interesting. Many authors come together to talk about the why behind Crank; how it’s written, why it’s important, ect… If you like to know the “why” behind things, I would definitely recommend. I got a little bored towards the middle but by the end I was interested again. I really enjoyed hearing from Kristina’s other family members and now her choices affected them.
Meh. The first two thirds of this were really boring, until you get to the parts that were written by the "characters" and the girl herself. Everything else is just filler analyses and info most of us already are aware of.
I throughly enjoyed this book! It was nice to read about how Ellen Hopkins began writing the “Crank” series, and why she chose to write it. The reasoning behind it is very powerful, and tells a very powerful story. I highly recommend! 10/10
I was only able to find sections of this book, but what I did read was heartbreaking. I am super invested in this story and it’s sad to realize the horribly negative results that drug abuse and addiction all too frequently have on families.
Same as my other review: I read this many many years ago as a teenager- it is a great book but now at age 32 I would never let a teenager that I care about read it because it can give them ideas about things they knew nothing about before.
I love the look from the actual people that made crank/glass the story that it is. This book also has POV’s from authors that comment on writing and what makes a great author, a judge who has seen many people with addictions, and the science behind addiction.
I read this a long time ago, I remember it was quite sad. Especially when the stepfather was talking about "remembering all the good times we had together."
This book was interesting from many different areas. The beginning, "Part 1", is other authors reviewing Ellen Hopkins' work as well as input from a judge and a psychologist. From a writer's viewpoint, it was very informative and allowed me to learn of new techniques and the reasons for writing and brought to light, not only the different techniques one can use when writing, but how these techniques are received and why (or why not) they are effective. The psychologist and judge showed how Ellen Hopkins' books affected real world people who may not be so "in-tune", if you will, with the beauty of her style and techniques. They also enlightened me as to how much of a real-world problem Kristina's issues actually were. Upon reading these books, I appreciated the conflict and lack of resolution. I was ecstatic (if one can call it such) at the lack of resolution to the conflict because it was true; it was real, and above all, it made sense. As Hopkins said in the book (paraphrasing), "Life doesn't wrap it up in nice, neat bows. I didn't want to either." What was perhaps the most touching emotionally, however, was "Part 2" of the book. During this part we see the real-life view of the stepdad, "Scott", the sister, "Jake", Kristina herself, and her first son (seen in Crank) Orion, or "Hunter". The reader is able to go behind the scenes and see how emotionally relevant Crank and Glass are to the story and how well they portray the characters depicted in the stories. I personally found myself relating to "Scott's" anger as I read his account of Kristina's spiraling fall. I was amazed at "Jake", or Kelly (Kristina's sister) and how much involvement she had in seeing Kristina fall. I was angry hearing Kristina talk. While she has supposedly been clean, she was still unable to take the blame for what happened. She wouldn't blame anyone else. She wouldn't blame her childhood (rightfully so), but neither would she take the blame upon her own shoulders. She claimed she was on a "train" where she could see the imminent doom coming, but was helpless to stop it. As if she just appeared on the train, she didn't get on herself. She didn't put herself in that situation. Even as sick as I got reading her words, I became sicker reading her son's, Orion's, words. He had no affection for his mother and talked about her as I would talk about some distant relative I've only seen a few times that ended up in jail. He has attention problems and faces adversity everyday because of the choices his mother made and people's prejudices against him because of it. It tears my heart to hear him talk about his life and say in the end, "I don't want you to feel sad for me.... I have a good life." All in all, it certainly opens your mind as a writer, as a reader, as a fan wondering how much is true and how much is fiction, and most of all, as a human.
Flirtin' With the Monster is a collection of essays: some from authors, some from other professionals, such as a counselor and a judge, and others from members of "Kristina's" real-life family. The only works I've read related to this collection have been Hopkins' - I'm not familiar with the work of the other authors involved.
More Than Just a Broken Line: This essay focused a lot on the creative process. There was a lot in this particular one that I had heard many times before, between poetry and novel-writing courses. Nevertheless, it was an interesting look into Hopkins' writing process.
Why Kristina Can't Just Quit is written from the point of view of a counselor, and I thought that was a valuable addition to the other essays in the book. It explains a bit of how addiction works, and I think that information is good to know when reading.
A View From the Bench, written from the point of view of a judge, was also a valuable addition to this collection. I thought it was a good idea to take that angle, considering the subject matter of Crank and Glass.
The Secret's Out is an interesting read, but I admit that I skipped a couple of pages because there were spoilers about Impulse and Burned, which I haven't yet read. My library has access to both, so I might revisit this one when I've finished those. That said, I think I was still able to get the main message of this essay, regarding the destructive nature of secrets. Secrets aren't normally referred to as destructive things, but I think they are, or at least can be, and I think that's an important point to make, especially to teens who may be in similar situations to those depicted in Hopkins' books.
The Importance of Being Between discussed some things about the id, superego, and ego, and how that related to Kristina and Bree, and I thought that was interesting, having not had the opportunity to study Freud in high school or college.
Overall, the essays in the beginning were a bit technical, but informative, and it was interesting to read them in light of having read Crank and Glass. The essays in the second section of the book were written by members of Kristina's family, and I thought those were really interesting, if heartbreaking, to read. "Kristina" herself has an essay in this collection as well, which was also included at the end of the edition of Fallout that I got from the library. I haven't read nonfiction in a really long time, but this was overall an interesting collection, especially since I had a lot of questions about how Hopkins' family felt about her fictionalization of what had happened to them.