This book was interesting from many different areas. The beginning, "Part 1", is other authors reviewing Ellen Hopkins' work as well as input from a judge and a psychologist. From a writer's viewpoint, it was very informative and allowed me to learn of new techniques and the reasons for writing and brought to light, not only the different techniques one can use when writing, but how these techniques are received and why (or why not) they are effective. The psychologist and judge showed how Ellen Hopkins' books affected real world people who may not be so "in-tune", if you will, with the beauty of her style and techniques. They also enlightened me as to how much of a real-world problem Kristina's issues actually were. Upon reading these books, I appreciated the conflict and lack of resolution. I was ecstatic (if one can call it such) at the lack of resolution to the conflict because it was true; it was real, and above all, it made sense. As Hopkins said in the book (paraphrasing), "Life doesn't wrap it up in nice, neat bows. I didn't want to either."
What was perhaps the most touching emotionally, however, was "Part 2" of the book. During this part we see the real-life view of the stepdad, "Scott", the sister, "Jake", Kristina herself, and her first son (seen in Crank) Orion, or "Hunter". The reader is able to go behind the scenes and see how emotionally relevant Crank and Glass are to the story and how well they portray the characters depicted in the stories. I personally found myself relating to "Scott's" anger as I read his account of Kristina's spiraling fall. I was amazed at "Jake", or Kelly (Kristina's sister) and how much involvement she had in seeing Kristina fall. I was angry hearing Kristina talk. While she has supposedly been clean, she was still unable to take the blame for what happened. She wouldn't blame anyone else. She wouldn't blame her childhood (rightfully so), but neither would she take the blame upon her own shoulders. She claimed she was on a "train" where she could see the imminent doom coming, but was helpless to stop it. As if she just appeared on the train, she didn't get on herself. She didn't put herself in that situation. Even as sick as I got reading her words, I became sicker reading her son's, Orion's, words. He had no affection for his mother and talked about her as I would talk about some distant relative I've only seen a few times that ended up in jail. He has attention problems and faces adversity everyday because of the choices his mother made and people's prejudices against him because of it. It tears my heart to hear him talk about his life and say in the end, "I don't want you to feel sad for me.... I have a good life."
All in all, it certainly opens your mind as a writer, as a reader, as a fan wondering how much is true and how much is fiction, and most of all, as a human.